159edo/Interval names and harmonies: Difference between revisions
A much-needed change to the unison and octave notes has been implemented |
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* Approximates the [[27/20|Classic Acute Fourth]], and as such... | * Approximates the [[27/20|Classic Acute Fourth]], and as such... | ||
:* Is one of two xenharmonic intervals that appear in the otherwise traditional settings of Western-Classical-based Diatonic scales | :* Is one of two xenharmonic intervals that appear in the otherwise traditional settings of Western-Classical-based Diatonic scales | ||
::* Specifically, it is found between the Major Third and Major Sixth in the Lydian Mode of the familiar [[Zarlino|Ptolemaic Sequence]], and is ideally in the exact same position for both Ionian and Mixolydian modes, though this technically results in there being Diatonic scales of different varieties- namely the Bilawal and Myxian scale types | ::* Specifically, it is found between the Major Third and Major Sixth in the Lydian Mode of the familiar [[Zarlino|Ptolemaic Sequence]], and is ideally in the exact same position for both Ionian and Mixolydian modes, though this technically results in there being Diatonic scales of different varieties- namely the Bilawal and Myxian scale types | ||
::* It is useful for overtly making the VImin chord of these modes do what a traditional deceptive cadence normally does | ::* It is useful for overtly making the VImin chord of these modes do what a traditional deceptive cadence normally does | ||
:* Is one of two intervals that can generate an Antidiatonic MOS with a sound and feel that blends in easily with traditional Western-Classical-based Diatonic harmonies | :* Is one of two intervals that can generate an Antidiatonic MOS with a sound and feel that blends in easily with traditional Western-Classical-based Diatonic harmonies | ||
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| [[77/52]] | | [[77/52]] | ||
| ? | | ? | ||
| | | k5 | ||
| | Lesser Acute Fourth | ||
| | | A↓ | ||
| | | This interval... | ||
* Approximates the [[40/27|Classic Grave Fifth]], and as such... | |||
:* Is one of two xenharmonic intervals that appear in the otherwise traditional settings of Western-Classical-based Diatonic scales | |||
::* Specifically, it is found between the Minor Third and Minor Seventh in the Locrian Mode of the familiar [[Zarlino|Ptolemaic Sequence]], and is ideally in the exact same position for, Phrygian, Aeolian and Dorian modes, though this technically results in there being Diatonic scales of different varieties- namely the Contrazarlino, Contrabilawal and Contramyxian scale types | |||
::* It is useful for overtly making the VImin chord of these modes do what a traditional deceptive cadence normally does | |||
:* Is one of two intervals that can generate an Antidiatonic MOS with a sound and feel that blends in easily with traditional Western-Classical-based Diatonic harmonies | |||
* | |||
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| 91 | | 91 | ||
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| This interval... | | This interval... | ||
* Is the [[2/1|Perfect Octave]], and thus... | * Is the [[2/1|Perfect Octave]], and thus... | ||
:* Is the reduplication of a chord's root | :* Is the reduplication of a chord's root in this system | ||
:* Is the reduplication of the Tonic | :* Is the reduplication of the Tonic in this system | ||
:* Is one of four perfect consonances in this system | :* Is one of four perfect consonances in this system | ||
* Is the most common [[equave]] due in part to the properties human hearing in relation to tone-color matching | * Is the most common [[equave]] due in part to the properties human hearing in relation to tone-color matching | ||