159edo/Interval names and harmonies: Difference between revisions

Line 1,631:

| rm5, Ud5, kUA4

| Ultra-Diminished Fifth, Lesser Super-Augmented Fourth

| Ad>, Gt#>↓

| Ad<, Gt#<↓

| This interval...

* Approximates the [[81/56|Septimal Superaugmented Fourth]], and thus...

Line 1,646:

| ?

|

| m5, RkUA4

|

| Paraminor Fifth, Greater Super-Augmented Fourth

|

| Ad>, Gt#>↓

|

| This interval...

* Approximates the [[16/11|Just Paraminor Fifth]], and as such...

:* Is one of the key intervals on the Paradiatonic scale, and one of the key Paradiatonic intervals in Western-Classical-based Parachromatic functional harmony, since...

::* It functions as an Interregnant due to its ambisonance and its properties relative to the Diatonic scale

::* It has the potential to move back down to a Serviant harmony through a Paradiatonic motion

::* It has the potential to move up towards to the Dominant harmony through a Parachromatic quatertone-type motion

::* It has the potential to move back down to an Intersubiant harmony through a Paradiatonic semitone-type motion, with this move granting additional follow-up options

* Is reachable through stacking five of this system's approximation of the Tridecimal Submajor Third and octave-reducing

* Is the closest approximation of 13edo's Minor Fifth found in this system, and thus...

:* Can be used in Warped Diatonic gestures reminiscent of those found in that system, albeit with caveats, since such moves on their own don't work the exact same way in this system

* Is the closest approximation of 24edo's own Paraminor Fifth found in this system, and thus...

:* Follows similar interval arithmetic logic in relation to Pythagorean intervals, albeit with caveats, since the rastma is not tempered out

:* Is capable of being used in certain similar melodic and harmonic gestures, albeit with caveats, since such moves on their own don't work the exact same way in this system

|-

| 87

@@ Line 1,631: / Line 1,631: @@
 | rm5, Ud5, kUA4
 | Ultra-Diminished Fifth, Lesser Super-Augmented Fourth
-| Ad>, Gt#>↓
+| Ad<, Gt#<↓
 | This interval...
 * Approximates the [[81/56|Septimal Superaugmented Fourth]], and thus...
@@ Line 1,646: / Line 1,646: @@
 | ?
 | ?
-|
+| m5, RkUA4
-|
+| Paraminor Fifth, Greater Super-Augmented Fourth
-|
+| Ad>, Gt#>↓
-|
+| This interval...
+* Approximates the [[16/11|Just Paraminor Fifth]], and as such...
+:* Is one of the key intervals on the Paradiatonic scale, and one of the key Paradiatonic intervals in Western-Classical-based Parachromatic functional harmony, since...
+::* It functions as an Interregnant due to its ambisonance and its properties relative to the Diatonic scale
+::* It has the potential to move back down to a Serviant harmony through a Paradiatonic motion
+::* It has the potential to move up towards to the Dominant harmony through a Parachromatic quatertone-type motion
+::* It has the potential to move back down to an Intersubiant harmony through a Paradiatonic semitone-type motion, with this move granting additional follow-up options
+* Is reachable through stacking five of this system's approximation of the Tridecimal Submajor Third and octave-reducing
+* Is the closest approximation of 13edo's Minor Fifth found in this system, and thus...
+:* Can be used in Warped Diatonic gestures reminiscent of those found in that system, albeit with caveats, since such moves on their own don't work the exact same way in this system
+* Is the closest approximation of 24edo's own Paraminor Fifth found in this system, and thus...
+:* Follows similar interval arithmetic logic in relation to Pythagorean intervals, albeit with caveats, since the rastma is not tempered out
+:* Is capable of being used in certain similar melodic and harmonic gestures, albeit with caveats, since such moves on their own don't work the exact same way in this system
 |-
 | 87