159edo/Interval names and harmonies: Difference between revisions

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| This interval...

* Is one half of the approximation of the traditional, [[low-complexity JI|low complexity]] Undecimal Neutral Third in this system

* Is one third of the approximation of the Acute Fourth in this system

* Is one third of the approximation of the Classic Acute Fourth in this system

* Is the closest approximation of the [[7edo]] Second found in this system, and thus...

:* Can be used in melodic and harmonic gestures reminiscent of those found in that system, albeit with caveats, since such moves on their own don't work the exact same way in this system

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::* Specifically, it is found between the Major Third and Major Sixth in the Lydian Mode of the familiar [[Zarlino|Ptolemaic Sequence]], and is ideally in the exact same position for both Ionian and Mixolydian modes, though this technically results in there being Diatonic scales of different varieties- namely the Bilawal and Khamaj scale types...

::* It is useful for overtly making the VImin chord of these modes do what a traditional deceptive cadence normally does

:* Is one of two intervals that can generate an Antidiatonic MOS with a sound and feel that blends in easily with traditional Western-Classical-based Diatonic harmonies

*

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@@ Line 480: / Line 480: @@
 | This interval...
 * Is one half of the approximation of the traditional, [[low-complexity JI|low complexity]] Undecimal Neutral Third in this system
-* Is one third of the approximation of the Acute Fourth in this system
+* Is one third of the approximation of the Classic Acute Fourth in this system
 * Is the closest approximation of the [[7edo]] Second found in this system, and thus...
 :* Can be used in melodic and harmonic gestures reminiscent of those found in that system, albeit with caveats, since such moves on their own don't work the exact same way in this system
@@ Line 1,347: / Line 1,347: @@
 ::* Specifically, it is found between the Major Third and Major Sixth in the Lydian Mode of the familiar [[Zarlino|Ptolemaic Sequence]], and is ideally in the exact same position for both Ionian and Mixolydian modes, though this technically results in there being Diatonic scales of different varieties- namely the Bilawal and Khamaj scale types...
 ::* It is useful for overtly making the VImin chord of these modes do what a traditional deceptive cadence normally does
+:* Is one of two intervals that can generate an Antidiatonic MOS with a sound and feel that blends in easily with traditional Western-Classical-based Diatonic harmonies
+*
 |-
 | 70