159edo/Interval names and harmonies: Difference between revisions
No edit summary |
No edit summary |
||
| Line 368: | Line 368: | ||
* Approximates a complex yet uprooted 17-limit interval relative to the Tonic and can be used... | * Approximates a complex yet uprooted 17-limit interval relative to the Tonic and can be used... | ||
:* As an unexpected option for a Diatonic-type semitone in Western-Classical-based harmony | :* As an unexpected option for a Diatonic-type semitone in Western-Classical-based harmony | ||
* Is the closest approximation of | * Is the closest approximation of 19edo's Minor Second found in this system, and thus... | ||
:* Can be used in melodic and harmonic gestures reminiscent of those found in that system, since such moves on their own don't work the exact same way in this system | :* Can be used in melodic and harmonic gestures reminiscent of those found in that system, since such moves on their own don't work the exact same way in this system | ||
|- | |- | ||
| Line 520: | Line 520: | ||
:* Is useful for modulating to keys that are not found on the same circle of fifths | :* Is useful for modulating to keys that are not found on the same circle of fifths | ||
* Is one third of this system's approximation of the Classic Augmented Fourth | * Is one third of this system's approximation of the Classic Augmented Fourth | ||
* Is the closest approximation of | * Is the closest approximation of 19edo's Major Second found in this system, and thus... | ||
:* Can be used in melodic and harmonic gestures reminiscent of those found in that system, since such moves on their own don't work the exact same way in this system | :* Can be used in melodic and harmonic gestures reminiscent of those found in that system, since such moves on their own don't work the exact same way in this system | ||
|- | |- | ||
| Line 616: | Line 616: | ||
:* It can be thought of as a type of second when acting in this capacity | :* It can be thought of as a type of second when acting in this capacity | ||
* Is likely the smallest interval in this system that can be used in chords without causing crowding | * Is likely the smallest interval in this system that can be used in chords without causing crowding | ||
* Is the closest approximation of 16edo's Supermajor Second found in this system, and thus... | |||
:* Is capable of being used in certain similar melodic and harmonic gestures, albeit with caveats, since such moves on their own don't work the exact same way in this system | |||
|- | |- | ||
| 31 | | 31 | ||
| Line 670: | Line 672: | ||
:* It can be used both in triads framed by a Perfect Fourth and in triads Framed by a Perfect Fifth | :* It can be used both in triads framed by a Perfect Fourth and in triads Framed by a Perfect Fifth | ||
* Is one half of a Perfect Fourth in this system | * Is one half of a Perfect Fourth in this system | ||
* Is the closest approximation of | * Is the closest approximation of 19edo's Semifourth found in this system, and thus... | ||
:* Can be used in melodic and harmonic gestures reminiscent of those found in that system, since such moves on their own don't work the exact same way in this system | :* Can be used in melodic and harmonic gestures reminiscent of those found in that system, since such moves on their own don't work the exact same way in this system | ||
* Is the closest approximation of 24edo's Semifourth, and thus... | * Is the closest approximation of 24edo's Semifourth, and thus... | ||
| Line 839: | Line 841: | ||
::* It is one of four perfect consonances in this system, rendering it extremely suitable for use in a Tonic triad in Western-Classical-based polypedal harmony | ::* It is one of four perfect consonances in this system, rendering it extremely suitable for use in a Tonic triad in Western-Classical-based polypedal harmony | ||
* Is reachable through stacking two of this system's approximation of the octave-reduced seventeenth harmonic | * Is reachable through stacking two of this system's approximation of the octave-reduced seventeenth harmonic | ||
* Is the closest approximation of | * Is the closest approximation of 19edo's Minor Third found in this system, and thus... | ||
:* Can be used in melodic and harmonic gestures reminiscent of those found in that system, since such moves on their own don't work the exact same way in this system | :* Can be used in melodic and harmonic gestures reminiscent of those found in that system, since such moves on their own don't work the exact same way in this system | ||
|- | |- | ||