159edo/Interval names and harmonies: Difference between revisions

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| Lesser Subminor Third, Wide Ultramajor Second

| Et>, Fd>↑, F↓\

| ~~As the approximation of~~ the Septimal Subminor Third, ~~those who~~ are ~~not already familiar with septimal~~ harmony ~~will find this interval~~ useful in forming not only strident-sounding triads framed by the Perfect Fifth, but also other, ambisonant triads framed by the Perfect Fourth~~; in addition, three~~ of ~~these add up to~~ the Pythagorean Minor Sixth.

| This interval...

* Approximates the [[7/6|Septimal Subminor Third]], and as such...

:* Can readily occur as the distance between two notes in a single chord in Western-Classical-based polypedal harmony, as per this system's version of the Dinner Party Rules<ref>[https://www.youtube.com/watch?v=A355E0MKw7A Quartertone Harmony - The Truth About Quartertone Chords SD 480p]</ref>, and it should be noted that...

::* This causes ambisonance, so chords that utilize it are prone to decomposition

:* It readily serves as one of the key Paradiatonic intervals in Western-Classical-based Paradiatonic functional harmony, since...

::* It functions as a Contravaricant due to its semiambitonal properties relative to the Diatonic scale

::* It is useful in forming not only strident-sounding triads framed by the Perfect Fifth, but also other, ambisonant triads framed by the Perfect Fourth

*Is one third of this system's approximation of the Pythagorean Minor Sixth.

* Is very useful for [[essentially tempered chord]]s such as [[Keenanismic chords]].

|-

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@@ Line 700: / Line 700: @@
 | Lesser Subminor Third, Wide Ultramajor Second
 | Et>, Fd>↑, F↓\
-| As the approximation of the Septimal Subminor Third, those who are not already familiar with septimal harmony will find this interval useful in forming not only strident-sounding triads framed by the Perfect Fifth, but also other, ambisonant triads framed by the Perfect Fourth; in addition, three of these add up to the Pythagorean Minor Sixth.
+| This interval...
+* Approximates the [[7/6|Septimal Subminor Third]], and as such...
+:* Can readily occur as the distance between two notes in a single chord in Western-Classical-based polypedal harmony, as per this system's version of the Dinner Party Rules<ref>[https://www.youtube.com/watch?v=A355E0MKw7A Quartertone Harmony - The Truth About Quartertone Chords SD 480p]</ref>, and it should be noted that...
+::* This causes ambisonance, so chords that utilize it are prone to decomposition
+:* It readily serves as one of the key Paradiatonic intervals in Western-Classical-based Paradiatonic functional harmony, since...
+::* It functions as a Contravaricant due to its semiambitonal properties relative to the Diatonic scale
+::* It is useful in forming not only strident-sounding triads framed by the Perfect Fifth, but also other, ambisonant triads framed by the Perfect Fourth
+*Is one third of this system's approximation of the Pythagorean Minor Sixth.
+* Is very useful for [[essentially tempered chord]]s such as [[Keenanismic chords]].
 |-
 | 36