159edo/Interval names and harmonies: Difference between revisions
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:* Can be used readily in both melodic and harmonic voice-leading in general | :* Can be used readily in both melodic and harmonic voice-leading in general | ||
:* Can occur as the distance between two notes in a single chord in Western-Classical-based polypedal harmony, though this causes dissonance, and thus requires resolution | :* Can occur as the distance between two notes in a single chord in Western-Classical-based polypedal harmony, though this causes dissonance, and thus requires resolution | ||
:* It serves as a Diatonic semitone in both Western-Classical-based functional harmony and Neo-Medieval harmony in general, and thus... | :* It serves as a [[5L 2s|Diatonic]] semitone in both Western-Classical-based functional harmony and Neo-Medieval harmony in general, and thus... | ||
::* Has the potential to move directly back down to the Tonic as a Contralead, though in non-meantone systems like this one, such a gesture using this interval has a slightly more tense feel | ::* Has the potential to move directly back down to the Tonic as a Contralead, though in non-meantone systems like this one, such a gesture using this interval has a slightly more tense feel | ||
::* Can serve as a possible interval between the Tonic and the root of a Neapolitan chord | ::* Can serve as a possible interval between the Tonic and the root of a Neapolitan chord | ||
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:* Is one of the staples of both melodic and harmonic voice-leading | :* Is one of the staples of both melodic and harmonic voice-leading | ||
:* Can occur as the distance between two notes in a single chord in Western-Classical-based polypedal harmony, though this causes crowding, and thus requires resolution | :* Can occur as the distance between two notes in a single chord in Western-Classical-based polypedal harmony, though this causes crowding, and thus requires resolution | ||
:* It readily serves as a Diatonic whole tone in Western-Classical-based functional harmony, since... | :* It readily serves as a Diatonic whole tone in both Western-Classical-based functional harmony and Neo-Medieval harmony in general, since... | ||
::* It functions as a Double Dominant due to being the result of stacking two Perfect Fifths and octave-reducing | ::* It functions as a Double Dominant due to being the result of stacking two Perfect Fifths and octave-reducing | ||
:* Is the whole tone that is used as a reference interval in [[Diatonic, Chromatic, Enharmonic, Subchromatic|diatonic-and-chromatic-style]] interval logic in this system as it pertains to both semitones and quartertones, and thus... | :* Is the whole tone that is used as a reference interval in [[Diatonic, Chromatic, Enharmonic, Subchromatic|diatonic-and-chromatic-style]] interval logic in this system as it pertains to both semitones and quartertones, and thus... | ||
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* Is one fourth of this system's approximation of the Classic Minor Sixth as a consequence of the schisma being tempered out in this system | * Is one fourth of this system's approximation of the Classic Minor Sixth as a consequence of the schisma being tempered out in this system | ||
* Is reachable through stacking three of this system's approximation of the Septimal Subfourth and octave-reducing, and thus... | * Is reachable through stacking three of this system's approximation of the Septimal Subfourth and octave-reducing, and thus... | ||
:* It readily serves as an Oneirotonic whole tone in this system | :* It readily serves as an [[Oneirotonic]] whole tone in this system | ||
* Is one of two intervals that serve as the closest approximation of the 12edo Major Second found in this system, and thus... | * Is one of two intervals that serve as the closest approximation of the 12edo Major Second found in this system, and thus... | ||
:* Can be used in melodic and harmonic gestures reminiscent of those found in that system, albeit with caveats, since such moves on their own don't work the exact same way in this system | :* Can be used in melodic and harmonic gestures reminiscent of those found in that system, albeit with caveats, since such moves on their own don't work the exact same way in this system | ||
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| Wide Major Second | | Wide Major Second | ||
| E/, Fd<↓ | | E/, Fd<↓ | ||
| This interval is interesting on the basis that it is formed by stacking two instances of the octave-reduced approximation of the seventeenth harmonic. | | This interval... | ||
* Approximates | |||
is interesting on the basis that it is formed by stacking two instances of the octave-reduced approximation of the seventeenth harmonic. | |||
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