159edo/Interval names and harmonies: Difference between revisions

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* Approximates the [[45/44|Undecimal Fifth-Tone]]
* Approximates the [[45/44|Undecimal Fifth-Tone]]
* Approximates a complex 11-limit paradiatonic quartertone that is the namesake of 24edo's own Inframinor Second  
* Approximates a complex 11-limit Paradiatonic quartertone that is the namesake of 24edo's own Inframinor Second  
* Is the closest approximation of [[31edo]]'s own Superprime found in this system, and thus...
* Is the closest approximation of [[31edo]]'s own Superprime found in this system, and thus...
:* Is capable of being used in progressions reminiscent of that system's [[SpiralProgressions|spiral progressions]]
:* Is capable of being used in progressions reminiscent of that system's [[SpiralProgressions|spiral progressions]]
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* Approximates the [[14/13|Tridecimal Supraminor Second]] and a similar 11-limit interval that acts as the Supraminor counterpart to the Undecimal Submajor Second, and thus...
* Approximates the [[14/13|Tridecimal Supraminor Second]] and a similar 11-limit interval that acts as the Supraminor counterpart to the Undecimal Submajor Second, and thus...
:* Is easy to use in approximations of both undecimal and tridecimal harmony
:* It can be thought of as something along the lines of a "wide semitone" in voice-leading
:* It demonstrates trienthird functionality- namely in relation to this system's approximation of the Classic Major Third- due to the combination of commas tempered out in this system
:* It demonstrates trienthird functionality- namely in relation to this system's approximation of the Classic Major Third- due to the combination of commas tempered out in this system
* Approximates a complex yet uprooted 17-limit interval relative to the Tonic and can be used...
* Approximates a complex yet uprooted 17-limit interval relative to the Tonic and can be used...
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* Approximates the [[11/10|Undecimal Submajor Second]] and a similar 13-limit interval that acts as the Submajor counterpart to the Tridecimal Supraminor Second, and thus...
* Approximates the [[11/10|Undecimal Submajor Second]] and a similar 13-limit interval that acts as the Submajor counterpart to the Tridecimal Supraminor Second, and thus...
:* Is easy to use in approximations of both undecimal and tridecimal harmony
:* It can be thought of as something along the lines of a "narrow whole tone" in voice-leading
 
* Approximates a complex 11-limit Parachromatic interval formed by stacking an Al-Farabi Quartertone on top of an Apotome, and thus...
In addition to its properties as the interval that most closely resembles the Undecimal Submajor Second, this interval serves as both the Ultra-Augmented Prime and as one third of a Perfect Fourth, and is used accordingly.
:* It can be thought of as a type of sesquichroma when acting in this capacity
* Is one third of this system's approximation of the Perfect Fourth
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