159edo/Interval names and harmonies: Difference between revisions

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| This interval...
| This interval...
* Approximates the [[40/39|Tridecimal Minor Diesis]]
* Approximates the [[40/39|Tridecimal Minor Diesis]]
* Is one half of a Pythagorean Minor Second in this system
* Is one half of a Pythagorean Minor Second in this system, and thus...
:* It functions like an Ultraprime in that...
::* It has the potential to move directly back down to the Tonic through a parachromatic motion
::* It has the potential to move away from the Tonic towards either a Contralead or Supertonic harmony through a diatonic or paradiatonic motion
::* It cannot occur as the distance between any two notes in a single chord in Western-Classical-based polypedal harmony due to its dissonance
:* It functions like an Inframinor Second in that...
::* It can be used in Western-Classical-based harmony as part of a contrapuntal passage in which both of the notes separated by this interval in one voice work well against the notes in all other voices
::* It can be used in Western-Classical-based harmony for hidden voice-leading in the middle voices
* Is one of the more important intervals for use in tonality-flux-based chord progressions
* Is one of the more important intervals for use in tonality-flux-based chord progressions
* Functions like an Ultraprime in that...
:* It has the potential to move directly back down to the Tonic through a parachromatic motion
:* It has the potential to move away from the Tonic towards either a Contralead or Supertonic harmony through a diatonic or paradiatonic motion
:* It cannot occur as the distance between any two notes in a single chord in Western-Classical-based polypedal harmony due to its dissonance
* Functions like an Inframinor Second in that...
:* It can be used in Western-Classical-based harmony as part of a contrapuntal passage in which both of the notes separated by this interval in one voice work well against the notes in all other voices
:* It can be used in Western-Classical-based harmony for hidden voice-leading in the middle voices
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