159edo/Interval names and harmonies: Difference between revisions
No edit summary |
No edit summary |
||
| Line 125: | Line 125: | ||
| [[26/25]], [[27/26]] | | [[26/25]], [[27/26]] | ||
| ? | | ? | ||
| km2, kkA1 | | km2, rKU1, kkA1 | ||
| Greater Subminor Second, Diptolemaic Augmented Prime | | Greater Subminor Second, Diptolemaic Augmented Prime | ||
| Eb↓, D#↓↓ | | Eb↓, Dt<↑\, D#↓↓ | ||
| Although this interval frequently acts as the Diptolemaic Chroma, it can also act as a trienstone- that is, a third of a tone- since it's one third of the Pythagorean Major Second. | | Although this interval frequently acts as the Diptolemaic Chroma, it can also act as a trienstone- that is, a third of a tone- since it's one third of the Pythagorean Major Second. | ||
|- | |- | ||
| Line 221: | Line 221: | ||
| [[14/13]] | | [[14/13]] | ||
| 128/119 | | 128/119 | ||
| kN2 | | kN2, rKA1 | ||
| Lesser Supraminor Second, Tendoretromean Augmented Prime | | Lesser Supraminor Second, Tendoretromean Augmented Prime | ||
| Ed>↓, D#↑\ | | Ed>↓, D#↑\ | ||
| Line 233: | Line 233: | ||
| [[13/12]] | | [[13/12]] | ||
| ? | | ? | ||
| KKm2, rn2, KA1 | |||
| | | | ||
| | | Ed<\, | ||
| | | | ||
|- | |- | ||
| Line 245: | Line 245: | ||
| ? | | ? | ||
| ? | | ? | ||
| | | n2, | ||
| | | | ||
| | | | ||