Frameshift comma: Difference between revisions
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The name of the Frameshift comma is even more appropriate in light of the fact that when one tempers out this comma, one can move stepwise to 11/8 though a series of five rather typical-sounding semitone-based motions, with this gesture forming the basis of what has since been dubbed '''Frameshift cadence'''- a cadence which shifts a listener's perception of pitch relations such that a modulation to 11/8 sounds in tune. | The name of the Frameshift comma is even more appropriate in light of the fact that when one tempers out this comma, one can move stepwise to 11/8 though a series of five rather typical-sounding semitone-based motions, with this gesture forming the basis of what has since been dubbed '''Frameshift cadence'''- a cadence which shifts a listener's perception of pitch relations such that a modulation to 11/8 sounds in tune. | ||
[[File:Frameshift Cadence.mp3|thumb|Sample of the Frameshift | [[File:Frameshift Cadence.mp3|thumb|Sample of the Frameshift cadence as it appears in [[159edo]].]] | ||
[[File:Frameshift Cadence Score.png|thumb|Score for the above sample of the Frameshift | [[File:Frameshift Cadence Score.png|thumb|Score for the above sample of the Frameshift cadence in 159edo.]] | ||
== See also == | == See also == | ||