159edo/Interval names and harmonies: Difference between revisions
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Line 113: | Line 113: | ||
| ? | | ? | ||
| 88/85 | | 88/85 | ||
| sm2, Kum2, | | sm2, Kum2, uA1 | ||
| Lesser Subminor Second, Wide Ultraprime | | Lesser Subminor Second, Wide Ultraprime, Infra-Augmented Prime | ||
| Eb↓\, Dt> | | Eb↓\, Dt> | ||
| Although this interval can act as a leading tone, it can also act as a trienstone- that is, a third of a tone- since it's one third of the Ptolemaic Major Second. | | Although this interval can act as a leading tone, it can also act as a trienstone- that is, a third of a tone- since it's one third of the Ptolemaic Major Second. | ||
Line 137: | Line 137: | ||
| ? | | ? | ||
| 160/153 | | 160/153 | ||
| Rkm2, | | Rkm2, rKuA1 | ||
| Wide Subminor Second, Counteroceanic Augmented Prime | | Wide Subminor Second, Counteroceanic Augmented Prime | ||
| Eb↓/, Dt<↑ | | Eb↓/, Dt<↑ | ||
Line 149: | Line 149: | ||
| ? | | ? | ||
| ? | | ? | ||
| rm2, | | rm2, KuA1 | ||
| Narrow Minor Second, Countertelepathmic Augmented Prime | | Narrow Minor Second, Countertelepathmic Augmented Prime | ||
| Eb\, Dt>↑ | | Eb\, Dt>↑ |