16ed5/3: Difference between revisions
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The tempered marvel comma also means that the two large [[Tritone|tritones]] ([[64/45|pental]] and [[10/7|septimal]]) are addressed by the same scale step. The tempered diaschisma, on the other hand, means that both pental tritones are also addressed by the same scale step. | The tempered marvel comma also means that the two large [[Tritone|tritones]] ([[64/45|pental]] and [[10/7|septimal]]) are addressed by the same scale step. The tempered diaschisma, on the other hand, means that both pental tritones are also addressed by the same scale step. | ||
Both of the 7-limit approaches also temper Archytas' comma ([[64/63]]) as a result of equating the [[ | Both of the 7-limit approaches also temper Archytas' comma ([[64/63]]) as a result of equating the [[16/9]] with [[7/4]], and the jubilisma ([[50/49]]) due to tritone equivalence. These are relatively large commas, given the step size (about half, and 7/11ths respectively). | ||
This shows the close relationships with [[Srutal]] and [[Pajara]] octave temperaments. In 16ed5/3's case, there is a close equivalence to [[22edo]]'s pajara tuning. | This shows the close relationships with [[Srutal]] and [[Pajara]] octave temperaments. In 16ed5/3's case, there is a close equivalence to [[22edo]]'s pajara tuning. | ||