5L 4s: Difference between revisions

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'''5L 4s''', or '''semiquartal''' (in [[Inthar's MOS naming scheme]]), refers to the structure of [[MOS]] scales with generators ranging from 1\5 (one degree of [[5edo]] = 240¢) to 2\9 (two degrees of [[9edo]] = 266.7¢). In the case of 9edo, L and s are the same size; in the case of 5edo, s becomes so small it disappears (and all that remains are the five equal L's).
'''5L 4s''' refers to the structure of [[MOS]] scales with generators ranging from 1\5 (one degree of [[5edo]] = 240¢) to 2\9 (two degrees of [[9edo]] = 266.7¢). In the case of 9edo, L and s are the same size; in the case of 5edo, s becomes so small it disappears (and all that remains are the five equal L's).


Semiquartal tunings can be divided into two major ranges:
5L 4s tunings can be divided into two major ranges:
# "[[hard]]-of-center" semiquartal, generated by semifourths flatter than 3\14 (257.14¢). This implies a diatonic fifth.  
# "[[hard]]-of-center" 5L 4s, generated by semifourths flatter than 3\14 (257.14¢). This implies a diatonic fifth.  
#: The generator could be viewed as a 15/13, and the resulting "ultramajor" chords and "inframinor" triads could be viewed as approximating 10:13:15 and 26:30:39. See [[Arto and Tendo Theory]].
#: The generator could be viewed as a 15/13, and the resulting "ultramajor" chords and "inframinor" triads could be viewed as approximating 10:13:15 and 26:30:39. See [[Arto and Tendo Theory]].
# "[[soft]]-of-center" semiquartal, generated by semifourths sharper than 3\14 (257.14¢). This implies a "[[mavila]]" or superdiatonic fifth.
# "[[soft]]-of-center" 5L 4s, generated by semifourths sharper than 3\14 (257.14¢). This implies a "[[mavila]]" or superdiatonic fifth.
 
== Names ==
The [[TAMNAMS]] name for 5L 4s is '''semiquartal''' derived from 'half a fourth'.
== Notation ==
== Notation ==
This article uses the convention JKLMNOPQR = LSLSLSLSL and pitch standard J = C4 = 261.6255653 Hz. The accidentals & and @ are used for raising and lowering by the chroma = L − S, respectively.
This article uses the convention JKLMNOPQR = LSLSLSLSL and pitch standard J = C4 = 261.6255653 Hz. The accidentals & and @ are used for raising and lowering by the chroma = L − S, respectively.