21edo: Difference between revisions
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==Theory== | ==Theory== | ||
{ | {| class="wikitable center-all" | ||
! colspan="2" | <!-- empty cell --> | |||
! prime 2 | |||
! prime 3 | |||
! prime 5 | |||
! prime 7 | |||
! prime 11 | |||
! prime 13 | |||
! prime 17 | |||
! prime 19 | |||
|- | |||
! rowspan="2" | Error | |||
! absolute (¢) | |||
| 0.0 | |||
| -16.2 | |||
| +13.7 | |||
| +2.6 | |||
| +20.1 | |||
| +16.6 | |||
| +9.3 | |||
| -11.8 | |||
|- | |||
! [[Relative error|relative]] (%) | |||
| 0 | |||
| -28 | |||
| +24 | |||
| +5 | |||
| +35 | |||
| +29 | |||
| +16 | |||
| -21 | |||
|- | |||
! colspan="2" | [[nearest edomapping]] | |||
| 21 | |||
| 12 | |||
| 7 | |||
| 17 | |||
| 10 | |||
| 15 | |||
| 2 | |||
| 5 | |||
|} | |||
21-edo provides both 7-edo as a subset and the familiar 400-cent major third, while also giving some higher-limit JI possibilities. The system can be treated as three intertwining 7-edo or "equi-heptatonic" scales, or as seven 3-edo ''augmented'' triads. The 7/4 at 968.826 cents is only off in 21-tone by 2.6 cents, which is better than any other EDO <26. | 21-edo provides both 7-edo as a subset and the familiar 400-cent major third, while also giving some higher-limit JI possibilities. The system can be treated as three intertwining 7-edo or "equi-heptatonic" scales, or as seven 3-edo ''augmented'' triads. The 7/4 at 968.826 cents is only off in 21-tone by 2.6 cents, which is better than any other EDO <26. | ||
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In diatonically-related terms, 21-EDO possesses four types of 2nd (subminor, minor, submajor, and supermajor), three types of 3rd (subminor, neutral, and major), a "third-fourth" (an interval that can function as either a supermajor 3rd or a narrow 4th), a wide (or acute) 4th, and a narrow tritone, as well as the octave-inversions of all of these intervals. | In diatonically-related terms, 21-EDO possesses four types of 2nd (subminor, minor, submajor, and supermajor), three types of 3rd (subminor, neutral, and major), a "third-fourth" (an interval that can function as either a supermajor 3rd or a narrow 4th), a wide (or acute) 4th, and a narrow tritone, as well as the octave-inversions of all of these intervals. | ||
In temperament terms, 21-EDO can be treated as a 13-limit temperament, but of harmonics 3, 5, 7, 11, and 13, the only harmonic 21-EDO approximates with anything approaching a near-Just flavor is the 7th harmonic. On the other hand, 21-EDO provides exceptionally accurate tunings of the 15th, 23rd, and 29th harmonics (within 3 cents or less), as well as a very reasonable approximation of the 27th harmonic (around 8 cents sharp). As such, treating 21-EDO as a 2.7.15.23.27.29 subgroup temperament allows for a more accurate JI interpretation of the tuning, since almost every interval in 21-EDO can be described as a ratio within the 29-odd-limit. 21-EDO also works well on the 2.9/5.11/5.13/5.17/5.35/5 subgroup, which is possibly a more sensible way to treat it. | |||
The [[patent val]] for 21edo tempers out [[128/125]] and [[2187/2000]] in the [[5-limit]], and supplies the [[optimal patent val]] for the 5-limit [[laconic]] temperament tempering out 2187/2000, and also the optimal patent val for 7-, 11- and 13-limit [[gorgo]], and 11- and 13-limit spartan. These temperaments lead to some "interesting" mappings, where 10/9 is larger than 9/8, 11/9 is larger than 16/13, and 8/7 maps to the same interval as 10/9, for instance. | |||
== Intervals == | == Intervals == | ||
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==Triadic Harmony== | ==Triadic Harmony== | ||
One interesting feature of 21-EDO is the variety of triads it offers. Five of its intervals--228.6¢, 285.7¢, 342.9¢, 400¢, and 457.1¢ can function categorically as "3rds" for those whose ears are accustomed to diatonic interval categories, representing | One interesting feature of 21-EDO is the variety of triads it offers. Five of its intervals--228.6¢, 285.7¢, 342.9¢, 400¢, and 457.1¢ can function categorically as "3rds" for those whose ears are accustomed to diatonic interval categories, representing arto, minor, neutral, major, and tendo 3rds respectively (or double-down, down, perfect, up and double-up). One can couple these with 21-EDO's narrow fifth to form five types of triad. In addition to these, there are a few noteworthy "altered" triads that stand out as representations to parts of the overtone series: | ||
{| class="wikitable" | {| class="wikitable" | ||
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==Moment-of-Symmetry Scales== | ==Moment-of-Symmetry Scales== | ||
Since 21-EDO contains sub-EDOs of 3 and 7, it contains no heptatonic MOS scales (other than 7-EDO) and a wealth of scales that repeat at a 1/3-octave period. | Since 21-EDO contains sub-EDOs of 3 and 7, it contains no heptatonic MOS scales (other than 7-EDO) and a wealth of scales that repeat at a 1/3-octave period. | ||
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For scales with a full-octave period, only 6 degrees of 21-EDO generate unique scales: 1\21, 2\21, 4\21, 5\21, 8\21, and 10\21. Other degrees generate either 7-EDO, 3-EDO, or a repetition of one of the other scales. | For scales with a full-octave period, only 6 degrees of 21-EDO generate unique scales: 1\21, 2\21, 4\21, 5\21, 8\21, and 10\21. Other degrees generate either 7-EDO, 3-EDO, or a repetition of one of the other scales. | ||
Examples: | |||
*[[augment6]] | |||
*[[augment9]] | |||
*[[augment12]] | |||
21edo has the [[oneirotonic]] (5L 3s) MOS with generator 8\21; it supports the 13&21 temperament on the 2.9/5.11/5.13/5 subgroup (approximating 5:9:11:13). | |||
==Tetrachordal Scales== | ==Tetrachordal Scales== | ||
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The steps of these 7 basic patterns can also be permuted/rotated to give a total of 28 tetrachords, which can then be combined in either conjunct or disjunct form to yield a staggering number of scales. Thus 21edo can do reasonably-convincing imitations of the melodic forms of various tetrachordal musical traditions, such as ancient Greek, maqam, and dastgah. | The steps of these 7 basic patterns can also be permuted/rotated to give a total of 28 tetrachords, which can then be combined in either conjunct or disjunct form to yield a staggering number of scales. Thus 21edo can do reasonably-convincing imitations of the melodic forms of various tetrachordal musical traditions, such as ancient Greek, maqam, and dastgah. | ||
==Rank two temperaments== | |||
[[List of 21edo rank two temperaments by badness]] | [[List of 21edo rank two temperaments by badness]] | ||
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|} | |} | ||
==Commas== | |||
21 EDO [[tempers out]] the following [[comma]]s. (Note: This assumes the [[val]] {{val| 21 33 49 59 73 78 }}.) | 21 EDO [[tempers out]] the following [[comma]]s. (Note: This assumes the [[val]] {{val| 21 33 49 59 73 78 }}.) | ||