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Collection of EDO impressions: Difference between revisions

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|Augmented scale sliced into thirds.  Doesn't really offer any sort of semblance of a perfect fourth or fifth, but doesn't seem to be a one-trick pony, either.  I'm just not sure what to do with it.
|Augmented scale sliced into thirds.  Doesn't really offer any sort of semblance of a perfect fourth or fifth, but doesn't seem to be a one-trick pony, either.  I'm just not sure what to do with it.
|Nothing particularly interesting in this.
|Nothing particularly interesting in this.
|Oneirotonic; distorted functional harmony rooted on whole tone scale; pretty much unique when viewed as a temperament. Great for distorted diatonics, particularly 5L2s (distorted 17edo) and 4L3s (distorted 19edo).
|The quintessential dual-fifth edo, with two fifths (667¢ and 733¢) that are almost equally off from 3/2. Supports [[oneirotonic]] (as distorted 17edo) and [[3L 4s|sixix]] (as distorted 19edo). It's the sixix tuning with the "worst" fifths but it still sounds fine; you just have to watch out for commas when viewing 18edo sixix as a dual-fifth temperament.  
|Almost totally useless.
|Almost totally useless.
|has a really useful 10 note scale called "supersharp" which is 2 2 2 2 1 2 2 2 2 1, which has major/minor/diminished chords which are a bit sharp
|has a really useful 10 note scale called "supersharp" which is 2 2 2 2 1 2 2 2 2 1, which has major/minor/diminished chords which are a bit sharp
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