Collection of EDO impressions: Difference between revisions
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|Augmented scale sliced into thirds. Doesn't really offer any sort of semblance of a perfect fourth or fifth, but doesn't seem to be a one-trick pony, either. I'm just not sure what to do with it. | |Augmented scale sliced into thirds. Doesn't really offer any sort of semblance of a perfect fourth or fifth, but doesn't seem to be a one-trick pony, either. I'm just not sure what to do with it. | ||
|Nothing particularly interesting in this. | |Nothing particularly interesting in this. | ||
|Oneirotonic; distorted functional harmony rooted on whole tone scale; | |Oneirotonic; distorted functional harmony rooted on whole tone scale; pretty much unique when viewed as a temperament. Great for distorted diatonics, particularly 5L2s (distorted 17edo) and 4L3s (distorted 19edo). | ||
|Almost totally useless. | |Almost totally useless. | ||
|has a really useful 10 note scale called "supersharp" which is 2 2 2 2 1 2 2 2 2 1, which has major/minor/diminished chords which are a bit sharp | |has a really useful 10 note scale called "supersharp" which is 2 2 2 2 1 2 2 2 2 1, which has major/minor/diminished chords which are a bit sharp | ||
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|This is sort of the gold standard of meantone tuning. Composite hypopent. Great thirds and fifths and everything else used to make western-esque music, and also some really nifty other spicier options. Very user-friendly. If you start with 12edo and go to 19edo and like it, this would be the obvious next recommendation. My only complaint here is that we are starting to get into the territory of having too many notes to easily perform on a guitar or standard black-and-white-key two row keyboard. Going with subsets at this point is beneficial, but those provide new challenges. | |This is sort of the gold standard of meantone tuning. Composite hypopent. Great thirds and fifths and everything else used to make western-esque music, and also some really nifty other spicier options. Very user-friendly. If you start with 12edo and go to 19edo and like it, this would be the obvious next recommendation. My only complaint here is that we are starting to get into the territory of having too many notes to easily perform on a guitar or standard black-and-white-key two row keyboard. Going with subsets at this point is beneficial, but those provide new challenges. | ||
|Meantone quarter tones. | |Meantone quarter tones. | ||
|Meantone plus galaxy-brain enharmonic harmony. | |Meantone plus 7-limit intervals, diesis rubs and galaxy-brain enharmonic harmony. | ||
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|Composite hyperpent. Diminished. Kind of user-antagonistic on first impression. Not picking up anything of striking value. | |Composite hyperpent. Diminished. Kind of user-antagonistic on first impression. Not picking up anything of striking value. | ||
|Same as 27 & 29EDO, but the fifth now is sharper than 27EDO. | |Same as 27 & 29EDO, but the fifth now is sharper than 27EDO. | ||
| | |16edo mavila with dieses. Otherwise it's just 27edo with worse major seconds and thirds. | ||
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|Composite hypopent. Augmented. Same impression as 32edo, except maybe even less valuable. | |Composite hypopent. Augmented. Same impression as 32edo, except maybe even less valuable. | ||
|11EDO, but with a better fifth. | |11EDO, but with a better fifth. | ||
| | |[[11edo]] orgone with dieses. | ||
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