User talk:Inthar: Difference between revisions

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:: So, how would you describe the noticeable differences? Do those differences make some of the retempered EDOs sound more expressive in some ways? I have to admit that whenever a step of a smaller EDO fell halfway between the steps of 159edo, I picked the approximation that best fit the JI ratio and or the function of the specific note. One example is how 200 cents is approximated to 27\159 due to both intervals approximating 9/8, and another example is how the flat-five tritones that pervade much of "Space Tour" are always approximated by steps of 159edo that fall on the far side of 600 cents. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 16:22, 6 December 2020 (UTC)

:: Oh, one more thing- approximations of the [[40/27]] grave fifth are deliberately used in the chord built on the sixth scale degree of G major in the final section- reflecting a characteristic of my microtonal compositions using familiar keys. This is because the grave fifth actually brings out the function of a deceptive cadence, and because it creates subtle tension that is best followed up by either an increase in tension with a tritone, or a decrease in tension with a regular perfect fifth. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 16:22, 6 December 2020 (UTC)

:: Oh, one more thing- approximations of the [[40/27]] grave fifth are deliberately used in the chord built on the sixth scale degree of G major in the final section- reflecting a characteristic of my microtonal compositions using familiar keys. This is because the grave fifth actually brings out the function of a deceptive cadence, and because it creates subtle tension that is best followed up by either an increase in tension with a either a tritone or a 16/11 minor fifth, or else, a decrease in tension with a regular perfect fifth. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 16:22, 6 December 2020 (UTC)

== Composer Name ==

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 :: So, how would you describe the noticeable differences?  Do those differences make some of the retempered EDOs sound more expressive in some ways?  I have to admit that whenever a step of a smaller EDO fell halfway between the steps of 159edo, I picked the approximation that best fit the JI ratio and or the function of the specific note.  One example is how 200 cents is approximated to 27\159 due to both intervals approximating 9/8, and another example is how the flat-five tritones that pervade much of "Space Tour" are always approximated by steps of 159edo that fall on the far side of 600 cents. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 16:22, 6 December 2020 (UTC)
-:: Oh, one more thing- approximations of the [[40/27]] grave fifth are deliberately used in the chord built on the sixth scale degree of G major in the final section- reflecting a characteristic of my microtonal compositions using familiar keys.  This is because the grave fifth actually brings out the function of a deceptive cadence, and because it creates subtle tension that is best followed up by either an increase in tension with a tritone, or a decrease in tension with a regular perfect fifth. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 16:22, 6 December 2020 (UTC)
+:: Oh, one more thing- approximations of the [[40/27]] grave fifth are deliberately used in the chord built on the sixth scale degree of G major in the final section- reflecting a characteristic of my microtonal compositions using familiar keys.  This is because the grave fifth actually brings out the function of a deceptive cadence, and because it creates subtle tension that is best followed up by either an increase in tension with a either a tritone or a 16/11 minor fifth, or else, a decrease in tension with a regular perfect fifth. --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 16:22, 6 December 2020 (UTC)
 == Composer Name ==