User talk:Xenwolf: Difference between revisions

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:: So, do you have the chance to listen now? --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 20:06, 29 October 2020 (UTC)

::: You should not have mentioned the name Jacob Collier, I did not know him at all, now I spent hours on YouTube and stirred up my whole environment (not to mention the age depression of the amateur musician).

::: I also heard your piece, it has some very interesting twists and turns, but on the other hand it is not easy to follow them. The more ornamental quarter notes for example at the beginning are of course no problem. Unfortunately, where the modulation enters unfamiliar paths, it becomes quite difficult to penetrate acoustically. Certainly these twists and turns seem surprising.But the overall logic is quite difficult for me to understand (also because my ear is very much at home in the range between meantone and Pythagorean tuning), maybe it would help to look into the notes. But the overall logic is quite difficult for me to understand (also because my ear is very much at home in the range between midrange and Pythagorean tuning), maybe it would help to look into the notes.

::: In conclusion, I must admit that I tend to respond more to contemplative pieces (much to the chagrin of my wife, who always has to listen to such "sad things") and your piece starts off in such a cheerful marching rhythm, which is quite a bit of an effort. --[[User:Xenwolf|Xenwolf]] ([[User talk:Xenwolf|talk]]) 10:47, 31 October 2020 (UTC)

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 :: So, do you have the chance to listen now? --[[User:Aura|Aura]] ([[User talk:Aura|talk]]) 20:06, 29 October 2020 (UTC)
+::: You should not have mentioned the name Jacob Collier, I did not know him at all, now I spent hours on YouTube and stirred up my whole environment (not to mention the age depression of the amateur musician).
+::: I also heard your piece, it has some very interesting twists and turns, but on the other hand it is not easy to follow them. The more ornamental quarter notes for example at the beginning are of course no problem. Unfortunately, where the modulation enters unfamiliar paths, it becomes quite difficult to penetrate acoustically. Certainly these twists and turns seem surprising.But the overall logic is quite difficult for me to understand (also because my ear is very much at home in the range between meantone and Pythagorean tuning), maybe it would help to look into the notes. But the overall logic is quite difficult for me to understand (also because my ear is very much at home in the range between midrange and Pythagorean tuning), maybe it would help to look into the notes.
+::: In conclusion, I must admit that I tend to respond more to contemplative pieces (much to the chagrin of my wife, who always has to listen to such "sad things") and your piece starts off in such a cheerful marching rhythm, which is quite a bit of an effort. --[[User:Xenwolf|Xenwolf]] ([[User talk:Xenwolf|talk]]) 10:47, 31 October 2020 (UTC)