81/70: Difference between revisions
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It is also flat of a minor third [[6/5]] by a subminor second [[28/27]]. For this fact it is useful in the [[Canovian chord]] and provides the function of a voice leading up to the minor third. The [[Canou family|canou temperament]] targets this progression and uses it as one of the generators. | It is also flat of a minor third [[6/5]] by a subminor second [[28/27]]. For this fact it is useful in the [[Canovian chord]] and provides the function of a voice leading up to the minor third. The [[Canou family|canou temperament]] targets this progression and uses it as one of the generators. | ||
It is so perfectly approximated by [[19edo]] (4\19), with an error of 0.05 cents, and hence equally well done by the [[enneadecal]] temperament. | |||
== See also == | == See also == | ||
* [[140/81]] – its [[octave complement]] | * [[140/81]] – its [[octave complement]] | ||
* [[35/27]] – its [[fifth complement]] | * [[35/27]] – its [[fifth complement]] | ||
Revision as of 05:36, 5 January 2021
| Interval information |
septimal ultramajor second
[sound info]
81/70, the septimal semiaugmented second or septimal ultramajor second is a 7-limit interseptimal ratio of about 253 cents. It is sharp of a major second 9/8 by a septimal quartertone 36/35, sharp of a supermajor second 8/7 by a syntonic comma 81/80, and flat of a subminor third 7/6 by a sensamagic comma 245/243.
It is also flat of a minor third 6/5 by a subminor second 28/27. For this fact it is useful in the Canovian chord and provides the function of a voice leading up to the minor third. The canou temperament targets this progression and uses it as one of the generators.
It is so perfectly approximated by 19edo (4\19), with an error of 0.05 cents, and hence equally well done by the enneadecal temperament.