512/495: Difference between revisions
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'''512/495''', '''the undecimal subminor second''', can be regarded as a type of relatively complex 11-limit quartertone, as it arises not only as the difference between [[64/45]] and [[11/8]], and the difference between [[16/11]] and [[45/32]], but also as the difference between [[33/32]] and [[16/15]] and the difference between [[64/33]] and [[15/8]]. Unlike [[33/32]], which has functions more akin to a chroma, 512/495 has functions more akin to a diatonic interval. | '''512/495''', '''the undecimal subminor second''', can be regarded as a type of relatively complex 11-limit quartertone, as it arises not only as the difference between [[64/45]] and [[11/8]], and the difference between [[16/11]] and [[45/32]], but also as the difference between [[33/32]] and [[16/15]] and the difference between [[64/33]] and [[15/8]]. Unlike [[33/32]], which has functions more akin to a chroma, 512/495 has functions more akin to a diatonic interval. | ||
== See also == | |||
* [[495/256]] – its [[octave complement]] | |||
[[Category:Quartertone]] | [[Category:Quartertone]] | ||
[[Category:Undertone]] | [[Category:Undertone]] | ||
Revision as of 18:14, 21 September 2020
512/495, the undecimal subminor second, can be regarded as a type of relatively complex 11-limit quartertone, as it arises not only as the difference between 64/45 and 11/8, and the difference between 16/11 and 45/32, but also as the difference between 33/32 and 16/15 and the difference between 64/33 and 15/8. Unlike 33/32, which has functions more akin to a chroma, 512/495 has functions more akin to a diatonic interval.
See also
- 495/256 – its octave complement