5/4: Difference between revisions
m +FJS name; cleanup |
Change name from "just" to "classic" in accordance with others |
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| Monzo = -2 0 1 | | Monzo = -2 0 1 | ||
| Cents = 386.31371 | | Cents = 386.31371 | ||
| Name = | | Name = classic major third | ||
| Color name = y3, yo 3rd | | Color name = y3, yo 3rd | ||
| FJS name = M3<sup>5</sup> | | FJS name = M3<sup>5</sup> | ||
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}} | }} | ||
In [[Just Intonation]], '''5/4''' is the [[frequency ratio]] between the 5th and 4th harmonics. Measuring about 386.3[[cent|¢]], it is about 13.7¢ away from [[12edo]]'s major third of 400¢. It has a distinctive "sweet" sound, and has been described as more "laid back" than its 12edo counterpart. Providing a novel consonance after 3, it is the basis for [[5-limit]] harmony. It is distinguished from the [[Pythagorean]] major third of [[81/64]] by the syntonic comma of [[81/80]], which measures about 21.5¢. 81/64 and 5/4 are both just intonation "major thirds", 81/64 having a more active and discordant quality, 5/4 sounding more "restful". | In [[5-limit]] [[Just Intonation]], '''5/4''' is the [[frequency ratio]] between the 5th and 4th harmonics. It has been called the '''just major third''' or '''classic major third''' to distinguish it from other intervals in that neighborhood. Measuring about 386.3[[cent|¢]], it is about 13.7¢ away from [[12edo]]'s major third of 400¢. It has a distinctive "sweet" sound, and has been described as more "laid back" than its 12edo counterpart. Providing a novel consonance after 3, it is the basis for [[5-limit]] harmony. It is distinguished from the [[Pythagorean]] major third of [[81/64]] by the syntonic comma of [[81/80]], which measures about 21.5¢. 81/64 and 5/4 are both just intonation "major thirds", 81/64 having a more active and discordant quality, 5/4 sounding more "restful". | ||
In the context of the harmonic series, 5/4 can be heard between the 4th and 5th member of the series, demonstrated here melodically in singing into a resonant [http://udderbot.wikispaces.com/home udderbot] (from the fundamental up to 5 and then noodling between 5 and 4). | In the context of the harmonic series, 5/4 can be heard between the 4th and 5th member of the series, demonstrated here melodically in singing into a resonant [http://udderbot.wikispaces.com/home udderbot] (from the fundamental up to 5 and then noodling between 5 and 4). | ||
== See also == | == See also == | ||
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* [[Gallery of Just Intervals]] | * [[Gallery of Just Intervals]] | ||
* [[Wikipedia:Major third|Major third - Wikipedia]] | * [[Wikipedia:Major third|Major third - Wikipedia]] | ||
* | * [[:File:5-4.mp3]] – another sound sample | ||
[[Category:5-limit]] | [[Category:5-limit]] |