50edo: Difference between revisions

Intro
m More cleanup
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== Theory ==
== Theory ==


In the [[5-limit|5-limit]], 50edo tempers out 81/80, making it a [[Meantone|meantone]] system, and in that capacity has historically has drawn some notice. In [http://lit.gfax.ch/Harmonics%202nd%20Edition%20%28Robert%20Smith%29.pdf "Harmonics or the Philosophy of Musical Sounds"] (1759) by Robert Smith, a musical temperament is described where the octave is divided into 50 equal parts – 50edo, in one word. Later, W.S.B. Woolhouse noted it was fairly close to the [[Target_tunings|least squares]] tuning for 5-limit meantone. 50edo, however, is especially interesting from a higher limit point of view. While [[31edo|31edo]] extends meantone with a [[7/4|7/4]] which is nearly pure, 50 has a flat 7/4 but both [[11/8|11/8]] and [[13/8|13/8]] are nearly pure. It is the highest edo which maps 9/8 and 10/9 to the same interval in a [[consistent]] manner, with two stacked fifths falling almost precisely in the middle of the two.
In the [[5-limit]], 50edo tempers out [[81/80]], making it a [[meantone]] system, and in that capacity has historically has drawn some notice. In [http://lit.gfax.ch/Harmonics%202nd%20Edition%20%28Robert%20Smith%29.pdf "Harmonics or the Philosophy of Musical Sounds"] (1759) by Robert Smith, a musical temperament is described where the octave is divided into 50 equal parts – 50edo, in one word. Later, W.S.B. Woolhouse noted it was fairly close to the [[Target_tunings|least squares]] tuning for 5-limit meantone. 50edo, however, is especially interesting from a higher limit point of view. While [[31edo]] extends meantone with a [[7/4]] which is nearly pure, 50 has a flat 7/4 but both [[11/8]] and [[13/8]] are nearly pure. It is the highest edo which maps [[9/8]] and [[10/9]] to the same interval in a [[consistent]] manner, with two stacked fifths falling almost precisely in the middle of the two.


50edo tempers out 126/125, 225/224 and 3136/3125 in the [[7-limit|7-limit]], indicating it supports septimal meantone; 245/242, 385/384 and 540/539 in the [[11-limit|11-limit]] and 105/104, 144/143 and 196/195 in the [[13-limit|13-limit]], and can be used for even higher limits. Aside from meantone and its extension meanpop, it can be used to advantage for the 15&50 temperament ([http://x31eq.com/cgi-bin/rt.cgi?ets=15%2650&limit=11 Coblack]), and provides the optimal patent val for 11 and 13 limit [[Meantone_family#Septimal meantone-Bimeantone|bimeantone]]. It is also the unique equal temperament tempering out both 81/80 and the [[vishnuzma|vishnuzma]], |23 6 -14>, so that in 50et seven chromatic semitones are a perfect fourth. In 12et by comparison this gives a fifth, in 31et a doubly diminished fifth, and in 19et a diminished fourth.
50edo tempers out 126/125, 225/224 and 3136/3125 in the [[7-limit]], indicating it supports septimal meantone; 245/242, 385/384 and 540/539 in the [[11-limit]] and 105/104, 144/143 and 196/195 in the [[13-limit]], and can be used for even higher limits. Aside from meantone and its extension meanpop, it can be used to advantage for the [[Starling temperaments #Coblack temperament|coblack (15&50) temperament]], and provides the optimal patent val for 11 and 13 limit [[Meantone_family #Bimeantone|bimeantone]]. It is also the unique equal temperament tempering out both 81/80 and the [[vishnuzma]], {{monzo|23 6 -14}};, so that in 50et seven chromatic semitones are a perfect fourth. In 12et by comparison this gives a fifth, in 31et a doubly diminished fifth, and in 19et a diminished fourth.


== Relations ==
== Relations ==
The 50edo system is related to [[7edo|7edo]], [[12edo|12edo]], [[19edo|19edo]], [[31edo|31edo]] as the next approximation to the "Golden Tone System" ([[Das_Goldene_Tonsystem|Das Goldene Tonsystem]]) of Thorvald Kornerup (and similarly as the next step from 31edo in Joseph Yasser's "[http://books.google.com.au/books/about/A_theory_of_evolving_tonality.html?id=-XUsAAAAMAAJ&redir_esc=y A Theory of Evolving Tonality]").
The 50edo system is related to [[7edo]], [[12edo]], [[19edo]], [[31edo]] as the next approximation to the "Golden Tone System" ([[Das Goldene Tonsystem]]) of [[Thorvald Kornerup]] (and similarly as the next step from 31edo in [[Joseph Yasser]]'s "[http://books.google.com.au/books/about/A_theory_of_evolving_tonality.html?id=-XUsAAAAMAAJ&redir_esc=y A Theory of Evolving Tonality]").


== Intervals ==
== Intervals ==
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| 72
| 72
| 21/20, 25/24, 26/25, 27/26, 28/27
| 21/20, 25/24, 26/25, 27/26, 28/27
| [[Vishnuzmic_family#Vishnu|Vishnu]] (2/oct), [http://x31eq.com/cgi-bin/rt.cgi?ets=15%2650&limit=11 Coblack] (5/oct)
| [[Vishnuzmic_family#Vishnu|Vishnu]] (2/oct), [[Starling temperaments #Coblack temperament|Coblack]] (5/oct)
|-
|-
| 4
| 4
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== Commas ==
== Commas ==
50 EDO tempers out the following commas. (Note: This assumes the val {{val|50 79 116 140 173 185 204 212 226}}, comma values in cents rounded to 2 decimal places.) This list is not all-inclusive, and is based on the interval table from Scala version 2.2.
50 EDO tempers out the following commas. (Note: This assumes the [[val]] {{val|50 79 116 140 173 185 204 212 226}}, comma values in cents rounded to 2 decimal places.) This list is not all-inclusive, and is based on the interval table from Scala version 2.2.


{| class="wikitable center-all left-3 right-4"
{| class="wikitable center-all left-3 right-4"
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== Music ==
== Music ==
[http://micro.soonlabel.com/gene_ward_smith/Others/Meneghin/Claudi-Meneghin-Twinkle-canon-50-edo.mp3 Twinkle canon – 50 edo] by [http://soonlabel.com/xenharmonic/archives/573 Claudi Meneghin]
* [http://micro.soonlabel.com/gene_ward_smith/Others/Meneghin/Claudi-Meneghin-Twinkle-canon-50-edo.mp3 Twinkle canon – 50 edo] by [http://soonlabel.com/xenharmonic/archives/573 Claudi Meneghin]
 
* [http://soonlabel.com/xenharmonic/archives/1118 Fantasia Catalana by Claudi Meneghin]
[http://soonlabel.com/xenharmonic/archives/1118 Fantasia Catalana by Claudi Meneghin]
* [http://soonlabel.com/xenharmonic/archives/1929 Fugue on the Dragnet theme by Claudi Meneghin]
 
* [https://soundcloud.com/camtaylor-1/sets/the-late-little-xmas-album the late little xmas album by Cam Taylor]
[http://soonlabel.com/xenharmonic/archives/1929 Fugue on the Dragnet theme by Claudi Meneghin]
* [https://soundcloud.com/cam-taylor-2-1/harpsichord-meantone Harpsichord meantone improvisation 1 in 50EDO by Cam Taylor]
 
* [https://soundcloud.com/cam-taylor-2-1/long-improvisation-2-in-50edo Long improvisation 2 in 50EDO by Cam Taylor]
[https://soundcloud.com/camtaylor-1/sets/the-late-little-xmas-album the late little xmas album by Cam Taylor]
* [https://soundcloud.com/camtaylor-1/chord-sequence-for-difference Chord sequence for Difference tones in 50EDO by Cam Taylor]
 
* [https://soundcloud.com/camtaylor-1/enharmonic-modulations-in Enharmonic Modulations in 50EDO by Cam Taylor]
[https://soundcloud.com/cam-taylor-2-1/harpsichord-meantone Harpsichord meantone improvisation 1 in 50EDO by Cam Taylor]
* [https://soundcloud.com/cam-taylor-2-1/harmonic-clusters-on-50edo-harpsichord-bosanquet-axis-through-pianoteq Harmonic Clusters on 50EDO Harpsichord by Cam Taylor]
 
* [https://soundcloud.com/camtaylor-1/fragment-in-fifty Fragment in Fifty] by Cam Taylor
[https://soundcloud.com/cam-taylor-2-1/long-improvisation-2-in-50edo Long improvisation 2 in 50EDO by Cam Taylor]
 
[https://soundcloud.com/camtaylor-1/chord-sequence-for-difference Chord sequence for Difference tones in 50EDO by Cam Taylor]
 
[https://soundcloud.com/camtaylor-1/enharmonic-modulations-in Enharmonic Modulations in 50EDO by Cam Taylor]
 
[https://soundcloud.com/cam-taylor-2-1/harmonic-clusters-on-50edo-harpsichord-bosanquet-axis-through-pianoteq Harmonic Clusters on 50EDO Harpsichord by Cam Taylor]
 
[https://soundcloud.com/camtaylor-1/fragment-in-fifty Fragment in Fifty] by Cam Taylor


== Additional reading ==
== Additional reading ==
[http://www.archive.org/details/harmonicsorphilo00smit Robert Smith's book online]
* [http://www.archive.org/details/harmonicsorphilo00smit Robert Smith's book online]
 
* [http://www.music.ed.ac.uk/russell/conference/robertsmithkirckman.html More information about Robert Smith's temperament]
[http://www.music.ed.ac.uk/russell/conference/robertsmithkirckman.html More information about Robert Smith's temperament]
* [https://www.dropbox.com/sh/4x81rzpkot32qzk/MQ3cJljjkh 50EDO Theory - Intervals, Chords and Scales in 50EDO by Cam Taylor]{{Dead link}}
 
* [http://iamcamtaylor.wordpress.com/ iamcamtaylor - Blog on 50EDO and extended meantone theory by Cam Taylor]       
[https://www.dropbox.com/sh/4x81rzpkot32qzk/MQ3cJljjkh 50EDO Theory - Intervals, Chords and Scales in 50EDO by Cam Taylor]{{Dead link}}
 
[http://iamcamtaylor.wordpress.com/ iamcamtaylor - Blog on 50EDO and extended meantone theory by Cam Taylor]       


[[Category:50edo]]
[[Category:50edo]]