14edo: Difference between revisions

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Notation: simplified tables, fixes footnotes, I moved the dots in the degree column (seemingly guitar fret marks(?)) to left for better right-aligned look
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m Notation: fix broken link
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[[Ivor_Darreg|Ivor Darreg]] wrote in [http://sonic-arts.org/darreg/dar15.htm this article]:
[[Ivor_Darreg|Ivor Darreg]] wrote in [http://www.tonalsoft.com/sonic-arts/darreg/dar15.htm this article]:


''The 14-tone scale presents a new situation: while one might use ordinary sharps and flats in addition to conventional naturals for the notes of the 7-tone-equal temperament, it would be misleading and confusing to do so, because there is a 7-tone circle of fifths (admittedly quite distorted) already notatable and nameable as F C G D A E B in the usual manner. But there is no 14-tone circle of fifths. There is simply a second set of 7 fifths in a circle which does not intersect the with the first set. Thus is we think of B-flat and B, or B-natural and F-sharp, the 14-tone-system interval would NOT be a fifth of that system and would not sound like one, since B F would be the very same kind of distorted fifth that C G or A E happens to be in 7 or 14. Our suggestion is to call the new notes of 14, the second set of 7, F* C* G* D* A* E* B*, and use asterisks or arrows or whatever you please on the staff. Or just number the tones as for 13.''
''The 14-tone scale presents a new situation: while one might use ordinary sharps and flats in addition to conventional naturals for the notes of the 7-tone-equal temperament, it would be misleading and confusing to do so, because there is a 7-tone circle of fifths (admittedly quite distorted) already notatable and nameable as F C G D A E B in the usual manner. But there is no 14-tone circle of fifths. There is simply a second set of 7 fifths in a circle which does not intersect the with the first set. Thus is we think of B-flat and B, or B-natural and F-sharp, the 14-tone-system interval would NOT be a fifth of that system and would not sound like one, since B F would be the very same kind of distorted fifth that C G or A E happens to be in 7 or 14. Our suggestion is to call the new notes of 14, the second set of 7, F* C* G* D* A* E* B*, and use asterisks or arrows or whatever you please on the staff. Or just number the tones as for 13.''