Whitewood: Difference between revisions
→Intervals: add for symmetry |
Major and minor -> up and down |
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| Generators tuning = 392.7 | | Generators tuning = 392.7 | ||
| Optimization method = CWE | | Optimization method = CWE | ||
| MOS scales = [[7L 7s]], [[7L 14s]], | | MOS scales = [[7L 7s]], [[7L 14s]], … | ||
| Pergen = (P8/7, ^1) | | Pergen = (P8/7, ^1) | ||
| Color name = Lawati | | Color name = Lawati | ||
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| Odd limit 2 = 9 | Mistuning 2 = 40.6 | Complexity 2 = 21 | | Odd limit 2 = 9 | Mistuning 2 = 40.6 | Complexity 2 = 21 | ||
}} | }} | ||
'''Whitewood''' is the [[rank-2 temperament]] tempering out [[2187/2048]], the Pythagorean chromatic semitone. As a result, the [[circle of fifths]] is the same as that of [[7edo]], and every interval on the chain of fifths is [[neutral (interval quality)|neutral]] in quality. The whitewood temperament adds prime [[5/1|5]] as an independent [[generator]], adding | '''Whitewood''' is the [[rank-2 temperament]] tempering out [[2187/2048]], the Pythagorean chromatic semitone. As a result, the [[circle of fifths]] is the same as that of [[7edo]], and every interval on the chain of fifths is [[neutral (interval quality)|neutral]] in quality. The whitewood temperament adds prime [[5/1|5]] as an independent [[generator]], adding subchromatically inflected intervals (notated with ups and downs below) on either side of the neutral ones. | ||
The canonical [[extension]] to prime [[7/1|7]] adds [[36/35]] to the commas, thus equating [[5-limit]] major and minor intervals with [[7-limit]] subminor and supermajor ones. It finds [[7/4]] at the | The canonical [[extension]] to prime [[7/1|7]] adds [[36/35]] to the commas, thus equating [[5-limit]] major and minor intervals with [[7-limit]] subminor and supermajor ones. It finds [[7/4]] at the down seventh, [[7/6]] at the down third, and [[9/7]] at the up third. | ||
For technical data, see [[Whitewood family #Whitewood]]. | For technical data, see [[Whitewood family #Whitewood]]. | ||
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== Intervals == | == Intervals == | ||
In the following table, odd harmonics and subharmonics 1–9 are in '''bold'''. | In the following table, odd harmonics and subharmonics 1–9 are in '''bold'''. | ||
{| class="wikitable center-1 right-2 right-4 right-6 right-8" | {| class="wikitable center-1 right-2 right-4 right-6 right-8" | ||
! rowspan="2" | Period | ! rowspan="2" | Period | ||
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== Tunings == | == Tunings == | ||
Any multiple of [[7edo]], up until [[35edo]], contains 7edo's [[perfect fifth]], and thus supports whitewood, with all but 35edo supporting the canonical 7-limit extension by [[patent val]]. The most extreme tuning is [[14edo]], where | Any multiple of [[7edo]], up until [[35edo]], contains 7edo's [[perfect fifth]], and thus supports whitewood, with all but 35edo supporting the canonical 7-limit extension by [[patent val]]. The most extreme tuning is [[14edo]], where up seconds and down thirds are equated, and every interval is either a 7edo interval or halfway between two 7edo intervals. While the 14edo tuning poorly approximates 5-limit intervals, it does approximate the [[6:7:9]] subminor and [[14:18:21|1/(9:7:6)]] supermajor triads fairly well. A less extreme tuning is [[21edo]], tuning [[7/4]] close to just and tuning [[5/4]] to the same 400{{c}} major third as in [[12edo]], though [[6/5]] is still about 30 cents flat. The [[28edo]] tuning has a near-just 5/4, and tunes whitewood about as best as it can be tuned. | ||
=== Norm-based tunings === | === Norm-based tunings === | ||