4:6:7: Difference between revisions

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-{{Infobox Chord|ColorName=yo zo-7 no-5 or y,z7no5, har-7 no-5 or h7no5}}'''4:6:7''' is a [[7-limit]] [[chord]] found as a subset of the harmonic seventh chord, [[4:5:6:7]]. Due to having no fives, it is the first otonal chord that deviates from tonal music theory. As such, it is a candidate for [[metallic harmony]], a form of [[extraclassical tonality]] that employs 7 instead of 5 as its other prime.
+{{Infobox Chord|ColorName=yo zo-7 no-5 or y,z7no5, har-7 no-5 or h7no5}}
+'''4:6:7''' is a [[7-limit]] [[chord]] found as a subset of the harmonic seventh chord, [[4:5:6:7]]. Due to having no fives, it is the first otonal chord that deviates from tonal music theory. As such, it is a candidate for [[metallic harmony]], a form of [[extraclassical tonality]] that employs 7 instead of 5 as its other prime.
 == Rotations around the octave ==
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 == Related chords ==
 Chords related to this triad:
+* 4:7:12 – open voicing
-* 3:4:7 – open voicing
+* 6:7:8 – first rotation
+* 3:4:7 – first rotation, open voicing
 * [[4:5:7]] – no threes version
 * [[4:5:6:7]] – full tetrad