12/7: Difference between revisions
m Text replacement - " {{Interval_Edo_Approximation | " to "{{Interval edo approximation|" |
less obscure chord example; 4:5:7:9:12 is more often written as 4:5:6:7:9 |
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{{Wikipedia| Septimal major sixth }} | {{Wikipedia| Septimal major sixth }} | ||
In [[7-limit]] [[just intonation]], '''12/7''' is the '''septimal (super)major sixth''' of about 933.1¢. It represents the interval between the 12th and 7th harmonics and appears in chords such as | In [[7-limit]] [[just intonation]], '''12/7''' is the '''septimal (super)major sixth''' of about 933.1¢. It represents the interval between the 12th and 7th harmonics and appears in chords such as [[70:84:105:120|1/(12:10:8:7)]]. It differs from the 5-limit major sixth of [[5/3]] by [[36/35]] – the septimal quartertone – a [[superparticular]] interval of about 48.8¢. It differs from the Pythagorean major sixth of [[27/16]] by [[64/63]] – Archytas' comma – about 27.3¢. And finally, it differs from the harmonic seventh of [[7/4]] by [[49/48]] – the large septimal diesis or slendro diesis – about 35.7¢. 12/7 is the inversion of the septimal subminor third of [[7/6]]. | ||
== Approximation == | == Approximation == | ||
{{Interval edo approximation|12/7}} | {{Interval edo approximation|12/7}} | ||