User:FloraC/Fumica's edo impressions: Difference between revisions
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== Small == | == Small == | ||
These edos are where the steps tend to separate distinct interval categories rather than functioning as commatic inflections. I classify them into semitone-size, subsemitone-size (third-tone and quartertone), and diesis-size (fifth-tone and sixth-tone) edos. | |||
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|+ Tier list for small edos (10–38) | |+ Tier list for small edos (10–38) | ||
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* 36 – The idea of adding third tones to plain 12edo music is interesting, but none of my attempts have been successful as I generally find them to sound forced. I think this edo is more difficult to use than it appears. C-tier. | * 36 – The idea of adding third tones to plain 12edo music is interesting, but none of my attempts have been successful as I generally find them to sound forced. I think this edo is more difficult to use than it appears. C-tier. | ||
* 37 – Potentially useful as every other step of 74edo. Besides that, it has a good 2.5.7.11.13 subgroup interpretation, tho I have no idea how harmony in this subgroup is supposed to work. D-tier. | * 37 – Potentially useful as every other step of 74edo. Besides that, it has a good 2.5.7.11.13 subgroup interpretation, tho I have no idea how harmony in this subgroup is supposed to work. D-tier. | ||
* 38 – This is to 19edo what 24edo is to 12edo. On paper it adds decent approximation to harmonics 11, 17, and 19, but in practice I never had a situation where I felt I needed these additional notes when working with 19edo. C-tier. | * 38 – This is to 19edo what 24edo is to 12edo. On paper it adds decent approximation to harmonics 11, 17, and 19, but in practice I never had a situation where I felt I needed these additional notes when working with 19edo. C-tier. | ||
== Medium == | == Medium == | ||