Major third (diatonic interval category): Difference between revisions
The next region is naiadic or interseptimal third-fourth (the corresponding interval region page doesn't exist. May standardize later) |
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| Header 9 = Octave complement | Data 9 = [[Minor sixth (diatonic interval category)|Minor sixth]] | | Header 9 = Octave complement | Data 9 = [[Minor sixth (diatonic interval category)|Minor sixth]] | ||
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A '''major third''' ('''M3''') is an interval that spans two scale steps in the [[5L 2s|diatonic]] scale with the major (wider) quality. It is generated by stacking 4 fifths [[octave reduction|octave reduced]], and depending on the specific tuning, it ranges from 343 to 480{{cent}} ([[7edo|2\7]] to [[5edo|2\5]]). In [[just intonation]], an interval may be classified as a major third if it is reasonably mapped to 2\7 and [[24edo|8\24]] | A '''major third''' ('''M3''') is an interval that spans two scale steps in the [[5L 2s|diatonic]] scale with the major (wider) quality. It is generated by stacking 4 fifths [[octave reduction|octave reduced]], and depending on the specific tuning, it ranges from 343 to 480{{cent}} ([[7edo|2\7]] to [[5edo|2\5]]). In [[just intonation]], an interval may be classified as a major third if it is reasonably mapped to two steps of the diatonic scale and four steps of the chromatic scale, or formally 2\7 and [[24edo|8\24]]. The use of 24edo's 8\24 as the mapping criteria here rather than [[12edo]]'s 4\12 better captures the characteristics of many intervals in the [[11-limit|11-]] and [[13-limit]]. | ||
The major third can be stacked with a [[minor third (diatonic interval category)|minor third]] to form a perfect fifth, and as such is often involved in chord structures in diatonic harmony. | The major third can be stacked with a [[minor third (diatonic interval category)|minor third]] to form a perfect fifth, and as such is often involved in chord structures in diatonic harmony. |