29edo/Unque's compositional approach: Difference between revisions

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~~'''Note: This page is currently under construction, and will be subject to major expansion in the near future. Come back soon!'''~~

29edo is far from the most common tuning system advertised to newcomers; instead, the face of microtonality for many beginners are simple enharmonic distinctions (such as those found in [[17edo]]), extended Meantone tunings (such as [[31edo]]), or even further divisions of the familiar 12-tone chromatic scale (such as [[24edo]]). However, I believe that 29edo is one of the best starting places to transition from 12-tone logic into the more expansive xenharmonic colors, and on this page I plan to present not only my experience and approach with 29edo, but my reasoning for why I believe that it should compete with, if not replace, those aforementioned tunings for the role of the introduction to microtonal colors.

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-'''Note: This page is currently under construction, and will be subject to major expansion in the near future. Come back soon!'''
 edo is far from the most common tuning system advertised to newcomers; instead, the face of microtonality for many beginners are simple enharmonic distinctions (such as those found in [[17edo]]), extended Meantone tunings (such as [[31edo]]), or even further divisions of the familiar 12-tone chromatic scale (such as [[24edo]]).  However, I believe that 29edo is one of the best starting places to transition from 12-tone logic into the more expansive xenharmonic colors, and on this page I plan to present not only my experience and approach with 29edo, but my reasoning for why I believe that it should compete with, if not replace, those aforementioned tunings for the role of the introduction to microtonal colors.