User:VectorGraphics/Vector's introduction to 15edo/Scales: Difference between revisions
breadcrumb |
No edit summary |
||
| Line 93: | Line 93: | ||
== Constructing chords and splitting steps == | == Constructing chords and splitting steps == | ||
A more interesting way to construct scales is to stack chords rather than single intervals. For example, if we stack 3 major chords, we get: | |||
█▒▒▒▒█▒▒▒█▒▒▒▒▒█ (major chord on root) | |||
+ ▒▒▒█▒▒▒▒▒█▒▒▒▒█▒ (major chord on fifth) | |||
+ █▒▒▒▒▒█▒▒▒▒█▒▒▒█ (major chord descending from root) | |||
= █▒▒█▒██▒▒█▒█▒▒██ - major | |||
Surprise! Here's the zarlino scale again. | |||
Let's try minor chords. This corresponds to flatting the seventh, third, and sixth degrees by one step. | |||
█▒▒██▒█▒▒██▒▒█▒█ - minor | |||
In fact, this is actually how the normal major and minor scales are constructed in diatonic, so it's neat to see that it checks out here. | |||
So instead, let's try a different chord (let's say, for some reason, you cared a lot about wolf chords). | |||
█▒▒▒▒█▒▒█▒▒▒▒▒▒█ (wolf major chord on root) | |||
+ ▒█▒▒▒▒▒▒█▒▒▒▒█▒▒ (wolf major chord on wolf fifth) | |||
+ █▒▒▒▒▒▒█▒▒▒▒█▒▒█ (wolf major chord descending from root) | |||
= ██▒▒▒█▒██▒▒▒██▒█ - wolf major | |||
You can call this the "wolf major scale" because of how it's constructed. | |||
Let's try a kind of diminished chord, called a wolf diminished chord, made of two different sizes of minor third. Since the chord is a lot narrower, we'll need 4 chords instead of 3 to build a reasonable scale. | |||
█▒▒█▒▒▒█▒▒▒▒▒▒▒█ (wolf diminished chord on root) | |||
+ ▒▒▒▒▒▒▒█▒▒█▒▒▒█▒ (wolf diminished chord on dim fifth) | |||
+ █▒▒▒▒▒▒▒█▒▒█▒▒▒█ (wolf diminished chord descending from root) | |||
+ ██▒▒█▒▒▒█▒▒▒▒▒▒█ (wolf diminished chord descending from aug fourth) | |||
= ██▒██▒▒██▒██▒▒██ - diminished | |||
This scale also contains a "major wolf diminished" chord, which corresponds to the harmonic series sequence 5:6:7, much like a normal major chord corresponds to 4:5:6. | |||
As can be seen, there's a lot of possibilities here. | |||
Another way to build scales is by choosing a few key intervals, and splitting the jumps between them into steps. For example, we might decide that our key notes are {█▒▒▒▒██▒▒█▒▒▒▒▒█}. | |||
Here, we have two large jumps that can be split into steps, and there's a couple ways to do this, including ones that just result in zarlino and ones that result in scales we haven't seen before. | |||
█▒▒█▒██▒▒█▒▒█▒▒█ - zaretan | |||
█▒█▒▒██▒▒█▒▒█▒▒█ - legatus | |||
█▒▒█▒██▒▒█▒▒██▒█ - decurion | |||
█▒█▒▒██▒▒█▒▒██▒█ - kaiser | |||
If we choose a different set of key intervals, we get a different set of possible scales: | |||
█▒▒█▒█▒▒▒▒▒▒█▒▒█ = | |||
█▒▒█▒█▒▒█▒█▒█▒▒█ - anhedonia | |||
█▒▒█▒█▒█▒█▒██▒▒█ - mok | |||
WIP | WIP | ||