19edo: Difference between revisions
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! Spoken Name | ! Spoken Name | ||
|- | |- | ||
| zo | | zo (7-over) | ||
| 6:7:9 | | 6:7:9 | ||
| 0–4–11 | | 0–4–11 | ||
| C–E𝄫–G | | C–E𝄫–G | ||
| Cm(♭3) | | Cm(♭3) or Cmin(♭3) or C(d3) | ||
| C subminor, C minor flat-three, C | | C subminor, C minor flat-three, C dim-three | ||
|- | |- | ||
| gu | | gu (5-under) | ||
| 10:12:15 | | 10:12:15 | ||
| 0–5–11 | | 0–5–11 | ||
| C–E♭–G | | C–E♭–G | ||
| Cm | | Cm or Cmin | ||
| C minor | | C minor | ||
|- | |- | ||
| yo | | yo (5-over) | ||
| 4:5:6 | | 4:5:6 | ||
| 0–6–11 | | 0–6–11 | ||
| C–E–G | | C–E–G | ||
| C | | C or Cmaj | ||
| C, C major | | C, C major | ||
|- | |- | ||
| ru | | ru (7-under) | ||
| 14:18:21 | | 14:18:21 | ||
| 0–7–11 | | 0–7–11 | ||
| C–E♯–G | | C–E♯–G | ||
| C(♯3) | | C(♯3) or Cmaj(♯3) or C(A3) | ||
| C supermajor, C major sharp-three, C | | C supermajor, C major sharp-three, C aug-three | ||
|- | |- | ||
| | | yo (5-over) | ||
| 4:5:6:7 | | 4:5:6:7 | ||
| 0–6–11–15 | | 0–6–11–15 | ||
| C–E–G–B𝄫 | | C–E–G–B𝄫 | ||
| C | | Ch7 or C,d7 or Cadd(d7) | ||
| C harmonic 7, C (major) add dim-seven | | C harmonic 7, C (major) add dim-seven | ||
|- | |- | ||
| | | gu (5-under) | ||
| | | 12:10:8:7 or 1:6/5:3/2:12/7 | ||
| 0–5–11–15 | | 0–5–11–15 | ||
| C–E♭–G–A♯ | | C–E♭–G–A♯ | ||
| Cm | | Cm♯6 or CmA6 or Cm(add(♯6)) or Cm(add(A6)) | ||
| C minor (add) sharp-six, C minor (add) aug-six | | C minor (add) sharp-six, C minor (add) aug-six | ||
|} | |} | ||
The last two chords illustrate how the 15\19 interval can be considered as either 7/4 or 12/7, and how 19edo | The last two chords illustrate how the 15\19 interval can be considered as either 7/4 or 12/7, and how 19edo conflates zo and ru ratios. | ||
For a more complete list, see [[19edo Chord Names]] and [[Ups and downs notation #Chords and Chord Progressions]]. | For a more complete list, see [[19edo Chord Names]] and [[Ups and downs notation #Chords and Chord Progressions]]. | ||