Major second: Difference between revisions

No edit summary
CompactStar (talk | contribs)
No edit summary
Line 3: Line 3:
In [[just intonation]], an interval may be classified as a major second if it is reasonably mapped to 1\7 and [[24edo|4\24]] (precisely one step of the diatonic scale and two steps of the chromatic scale). The use of 24edo's 4\24 as the mapping criteria here rather than [[12edo]]'s 2\12 better captures the characteristics of many intervals in the [[11-limit|11-]] and [[13-limit]].
In [[just intonation]], an interval may be classified as a major second if it is reasonably mapped to 1\7 and [[24edo|4\24]] (precisely one step of the diatonic scale and two steps of the chromatic scale). The use of 24edo's 4\24 as the mapping criteria here rather than [[12edo]]'s 2\12 better captures the characteristics of many intervals in the [[11-limit|11-]] and [[13-limit]].


As a concrete [[interval region]], it is typically near 200 ¢ in size, distinct from the [[Semitone (interval region)|semitone]] of roughly 100 ¢ and the [[neutral second]] of roughly 350 ¢. A rough tuning range for the major second is about 180 to 240 ¢ according to [[Margo Schulter]]'s theory of interval regions.
As a concrete [[interval region]], it is typically near 200 ¢ in size, distinct from the [[Semitone (interval region)|semitone]] of roughly 100 ¢ and the [[neutral second]] of roughly 150 ¢. A rough tuning range for the major second is about 180 to 240 ¢ according to [[Margo Schulter]]'s theory of interval regions.


This article covers intervals between 160 and 260 ¢. The outer range of this might be too extreme to call "major seconds", but this is done so that one can find what they're looking for easily.
This article covers intervals between 160 and 260 ¢. The outer range of this might be too extreme to call "major seconds", but this is done so that one can find what they're looking for easily.