User:Unque: Difference between revisions
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* Methane Lamentation (31-EDO): https://youtu.be/CBmYRoej2yQ | * Methane Lamentation (31-EDO): https://youtu.be/CBmYRoej2yQ | ||
== Contributions == | == Main Space Contributions == | ||
Here are some of the contributions I've made to | Here are some of the contributions I've made to the wiki main space: | ||
* The [[Octaphore]] comma and its related temperaments (I am sadly responsible for that name too) | |||
* The [[131072/130321]] comma | |||
== User Space Contributions == | |||
Here are some other contributions I've made to theory on my personal user space | |||
* A convention for describing [[User:Unque/15edo-Chords|15-EDO Chords]] | * A convention for describing [[User:Unque/15edo-Chords|15-EDO Chords]] | ||
* [[User:Unque/Dhembrwood|Dhembrwood Temperament]] | *[[User:Unque/Dhembrwood|Dhembrwood Temperament]] | ||
* [[User:Unque/Redeye scale|Redeye Scale]] | *[[User:Unque/Redeye scale|Redeye Scale]] | ||
* [[User:Unque/On Imaginary Harmonics|A study on Imaginary Harmonics]] | *[[User:Unque/On Imaginary Harmonics|A study on Imaginary Harmonics]] | ||
* [[User:Unque/Chord interlacing (scale building method)|Chord Interlace Scales]] | *[[User:Unque/Chord interlacing (scale building method)|Chord Interlace Scales]] | ||
* A [[User:Unque/TERNAMS|naming convention]] for MV3 ternary scales (which is currently undergoing serious reconstruction) | * A [[User:Unque/TERNAMS|naming convention]] for MV3 ternary scales (which is currently undergoing serious reconstruction) | ||
* A [[User:Unque/19-function System|system of nineteen functions]] to describe xenmelody | * A [[User:Unque/19-function System|system of nineteen functions]] to describe xenmelody | ||
* A [[User:Unque/Barbershop Tuning Theory|study on tuning theory as applied to Barbershop music]] | * A [[User:Unque/Barbershop Tuning Theory|study on tuning theory as applied to Barbershop music]] | ||
I confine many of my pages to my user space to contain idiosyncrasies, jokes, and other ideas that I don't believe deserve to be put on the main wiki space. | I confine many of my pages to my user space to contain idiosyncrasies, jokes, and other ideas that I don't believe deserve to be put on the main wiki space. Some of these pages may be moved over to main space pages if seen to be legitimately applicable ideas, but for now they remain here. | ||
== Worldbuilding Projects == | == Worldbuilding Projects == | ||
I've also used my user space as a place to document the music theory associated with several of my worldbuilding projects: | I've also used my user space as a place to document the music theory associated with several of my worldbuilding projects: | ||
* The [[User:Unque/Córduan Gense Theory|"Gense" traditions]], which use 17-EDO | * The [[User:Unque/Córduan Gense Theory|"Gense" traditions]], which use 17-EDO pentachords | ||
* The [[User:Unque/22-TET Plagal Theory|"Plagal" traditions]], which use 22-EDO MOS scales | * The [[User:Unque/22-TET Plagal Theory|"Plagal" traditions]], which use 22-EDO MOS scales | ||
Just like the theory pages, these worldbuilding pages are not intended to enter the main wiki space, for obvious reasons. | Just like the theory pages, these worldbuilding pages are not intended to enter the main wiki space, for obvious reasons. | ||
Revision as of 11:52, 22 November 2024

I am Uncreative Name, or Unque - I'm a music theorist, composer, mathematician, worldbuilder, and linguist. Members of the Xenharmonic Alliance Discord might know me as one of the most vocal proponents of inharmonic tunings or interpretations, notably including advocacy for 15-EDO and its supersets. Or perhaps more regrettably as the guy who made Dhembrwood.
I learned of the Arabic Maqamat several years ago when I was studying non-Western music traditions, and I was especially intrigued by the presence of the neutral intervals in Jins Rast and other scales. This kickstarted a weird rabbit hole where I learned about the harmonic series, Just Intonation, and various Equal Divisions of the [your name here].
My favorite xen EDOs are 15, 17, and 22; I also like experimenting with nonoctave tunings (24edt is a favorite of mine), and I use pure JI from time to time. My favorite abstract temperaments include Porcupine, Sohajira, Archy, Mavila, Squares, Orwell, Sensi, and anything with semifourths.
Music
Here are some of the pieces I've written:
- Spring (26-EDO): https://youtu.be/OjW8dgooG9Q_
- Isles of Despair (15-EDO): https://youtu.be/T49aXRutQxE
- Summer (17-EDO): https://youtu.be/UthDbDI31IY
- Nachtlandian Somersault (19-EDO): https://youtu.be/XZ3zB3EDKOM
- Bonetrousle Remix (22-EDO): https://youtu.be/wgyie6m7f5g
- Random Encounter Type Beat (2.3.7 JI): https://youtu.be/0OkCl2yfgBo
- Methane Lamentation (31-EDO): https://youtu.be/CBmYRoej2yQ
Main Space Contributions
Here are some of the contributions I've made to the wiki main space:
- The Octaphore comma and its related temperaments (I am sadly responsible for that name too)
- The 131072/130321 comma
User Space Contributions
Here are some other contributions I've made to theory on my personal user space
- A convention for describing 15-EDO Chords
- Dhembrwood Temperament
- Redeye Scale
- A study on Imaginary Harmonics
- Chord Interlace Scales
- A naming convention for MV3 ternary scales (which is currently undergoing serious reconstruction)
- A system of nineteen functions to describe xenmelody
- A study on tuning theory as applied to Barbershop music
I confine many of my pages to my user space to contain idiosyncrasies, jokes, and other ideas that I don't believe deserve to be put on the main wiki space. Some of these pages may be moved over to main space pages if seen to be legitimately applicable ideas, but for now they remain here.
Worldbuilding Projects
I've also used my user space as a place to document the music theory associated with several of my worldbuilding projects:
- The "Gense" traditions, which use 17-EDO pentachords
- The "Plagal" traditions, which use 22-EDO MOS scales
Just like the theory pages, these worldbuilding pages are not intended to enter the main wiki space, for obvious reasons.