3L 5s: Difference between revisions
Restore scale-tree entries. Looks like 0-indexed intervals have been adopted |
ArrowHead294 (talk | contribs) mNo edit summary |
||
Line 23: | Line 23: | ||
== Theory == | == Theory == | ||
In contrast to oneirotonic ([[5L 3s]]), which often require the usage of completely new chords to have consonant-sounding music, some checkertonic scales contain approximations to a perfect fifth ([[3/2]], usually as a dim. chk6th or maj. chk5th), and thus can be used for traditional root-3rd-P5 harmony. | In contrast to oneirotonic ([[5L 3s]]), which often require the usage of completely new chords to have consonant-sounding music, some checkertonic scales contain approximations to a perfect fifth ([[3/2]], usually as a dim. chk6th or maj. chk5th), and thus can be used for traditional root-3rd-P5 harmony. | ||
=== Low harmonic entropy scales === | === Low harmonic entropy scales === | ||
Line 90: | Line 90: | ||
! (9) | ! (9) | ||
|- | |- | ||
| | | 7{{pipe}}0 | ||
| Anti-Sarnathian | | Anti-Sarnathian | ||
| King | | King | ||
| LsLssLss | | LsLssLss | ||
| J | | J | ||
| K& | | K& | ||
| L | | L | ||
| M& | | M& | ||
| N& | | N& | ||
| O | | O | ||
| P& | | P& | ||
| Q | | Q | ||
| (J) | | (J) | ||
|- | |- | ||
| | | 6{{pipe}}1 | ||
| Anti-Hlanithian | | Anti-Hlanithian | ||
| Queen | | Queen | ||
| LssLsLss | | LssLsLss | ||
| J | | J | ||
| K& | | K& | ||
| L | | L | ||
| M | | M | ||
| N& | | N& | ||
| O | | O | ||
| P& | | P& | ||
| Q | | Q | ||
| (J) | | (J) | ||
|- | |- | ||
| | | 5{{pipe}}2 | ||
| Anti-Kadathian | | Anti-Kadathian | ||
| Marshall | | Marshall | ||
| LssLssLs | | LssLssLs | ||
| J | | J | ||
| K& | | K& | ||
| L | | L | ||
| M | | M | ||
| N& | | N& | ||
| O | | O | ||
| P | | P | ||
Line 132: | Line 132: | ||
| (J) | | (J) | ||
|- | |- | ||
| | | 4{{pipe}}3 | ||
| Anti-Mnarian | | Anti-Mnarian | ||
| Cardinal | | Cardinal | ||
Line 140: | Line 140: | ||
| L | | L | ||
| M | | M | ||
| N& | | N& | ||
| O | | O | ||
| P | | P | ||
Line 146: | Line 146: | ||
| (J) | | (J) | ||
|- | |- | ||
| | | 3{{pipe}}4 | ||
| Anti-Ultharian | | Anti-Ultharian | ||
| Rook | | Rook | ||
Line 160: | Line 160: | ||
| (J) | | (J) | ||
|- | |- | ||
| | | 2{{pipe}}5 | ||
| Anti-Celephaïsian | | Anti-Celephaïsian | ||
| Bishop | | Bishop | ||
Line 174: | Line 174: | ||
| (J) | | (J) | ||
|- | |- | ||
| | | 1{{pipe}}6 | ||
| Anti-Illarnekian | | Anti-Illarnekian | ||
| Knight | | Knight | ||
Line 188: | Line 188: | ||
| (J) | | (J) | ||
|- | |- | ||
| | | 0{{pipe}}7 | ||
| Anti-Dylathian | | Anti-Dylathian | ||
| Pawn | | Pawn |
Revision as of 16:30, 21 January 2025
↖ 2L 4s | ↑ 3L 4s | 4L 4s ↗ |
← 2L 5s | 3L 5s | 4L 5s → |
↙ 2L 6s | ↓ 3L 6s | 4L 6s ↘ |
┌╥┬╥┬┬╥┬┬┐ │║│║││║│││ ││││││││││ └┴┴┴┴┴┴┴┴┘
ssLssLsL
3L 5s, named checkertonic in TAMNAMS (also known as anti-oneirotonic), is a 2/1-equivalent (octave-equivalent) moment of symmetry scale containing 3 large steps and 5 small steps, repeating every octave. Generators that produce this scale range from 750 ¢ to 800 ¢, or from 400 ¢ to 450 ¢.
Name
TAMNAMS suggests the temperament-agnostic name checkertonic for this scale.
Intervals
- This article uses TAMNAMS conventions for the names of this scale's intervals and scale degrees. The use of 1-indexed ordinal names is reserved for interval regions.
Intervals | Steps subtended |
Range in cents | ||
---|---|---|---|---|
Generic | Specific | Abbrev. | ||
0-checkstep | Perfect 0-checkstep | P0chks | 0 | 0.0 ¢ |
1-checkstep | Minor 1-checkstep | m1chks | s | 0.0 ¢ to 150.0 ¢ |
Major 1-checkstep | M1chks | L | 150.0 ¢ to 400.0 ¢ | |
2-checkstep | Minor 2-checkstep | m2chks | 2s | 0.0 ¢ to 300.0 ¢ |
Major 2-checkstep | M2chks | L + s | 300.0 ¢ to 400.0 ¢ | |
3-checkstep | Perfect 3-checkstep | P3chks | L + 2s | 400.0 ¢ to 450.0 ¢ |
Augmented 3-checkstep | A3chks | 2L + s | 450.0 ¢ to 800.0 ¢ | |
4-checkstep | Minor 4-checkstep | m4chks | L + 3s | 400.0 ¢ to 600.0 ¢ |
Major 4-checkstep | M4chks | 2L + 2s | 600.0 ¢ to 800.0 ¢ | |
5-checkstep | Diminished 5-checkstep | d5chks | L + 4s | 400.0 ¢ to 750.0 ¢ |
Perfect 5-checkstep | P5chks | 2L + 3s | 750.0 ¢ to 800.0 ¢ | |
6-checkstep | Minor 6-checkstep | m6chks | 2L + 4s | 800.0 ¢ to 900.0 ¢ |
Major 6-checkstep | M6chks | 3L + 3s | 900.0 ¢ to 1200.0 ¢ | |
7-checkstep | Minor 7-checkstep | m7chks | 2L + 5s | 800.0 ¢ to 1050.0 ¢ |
Major 7-checkstep | M7chks | 3L + 4s | 1050.0 ¢ to 1200.0 ¢ | |
8-checkstep | Perfect 8-checkstep | P8chks | 3L + 5s | 1200.0 ¢ |
Notation
The TAMNAMS system is used in this article to refer to 3L 5s step size ratios and step ratio ranges.
The notation used in this article is JKLMNOPQJ = sLssLsLs (Anti-Ultharian), &/@ = up/down by chroma.
Theory
In contrast to oneirotonic (5L 3s), which often require the usage of completely new chords to have consonant-sounding music, some checkertonic scales contain approximations to a perfect fifth (3/2, usually as a dim. chk6th or maj. chk5th), and thus can be used for traditional root-3rd-P5 harmony.
Low harmonic entropy scales
There are two significant harmonic entropy minima with this MOS pattern:
- Sensi, in which the generator is a 9/7, two of them make a 5/3, and seven of them make a 3/2, which is proper.
- Squares, in which the generator is also a 9/7, but two of them make an 18/11 and four of them make a 4/3, which is improper.
Tuning ranges
Simple tunings
Scale degree | Abbrev. | Basic (2:1) 11edo |
Hard (3:1) 14edo |
Soft (3:2) 19edo | |||
---|---|---|---|---|---|---|---|
Steps | ¢ | Steps | ¢ | Steps | ¢ | ||
Perfect 0-checkdegree | P0chkd | 0\11 | 0.0 | 0\14 | 0.0 | 0\19 | 0.0 |
Minor 1-checkdegree | m1chkd | 1\11 | 109.1 | 1\14 | 85.7 | 2\19 | 126.3 |
Major 1-checkdegree | M1chkd | 2\11 | 218.2 | 3\14 | 257.1 | 3\19 | 189.5 |
Minor 2-checkdegree | m2chkd | 2\11 | 218.2 | 2\14 | 171.4 | 4\19 | 252.6 |
Major 2-checkdegree | M2chkd | 3\11 | 327.3 | 4\14 | 342.9 | 5\19 | 315.8 |
Perfect 3-checkdegree | P3chkd | 4\11 | 436.4 | 5\14 | 428.6 | 7\19 | 442.1 |
Augmented 3-checkdegree | A3chkd | 5\11 | 545.5 | 7\14 | 600.0 | 8\19 | 505.3 |
Minor 4-checkdegree | m4chkd | 5\11 | 545.5 | 6\14 | 514.3 | 9\19 | 568.4 |
Major 4-checkdegree | M4chkd | 6\11 | 654.5 | 8\14 | 685.7 | 10\19 | 631.6 |
Diminished 5-checkdegree | d5chkd | 6\11 | 654.5 | 7\14 | 600.0 | 11\19 | 694.7 |
Perfect 5-checkdegree | P5chkd | 7\11 | 763.6 | 9\14 | 771.4 | 12\19 | 757.9 |
Minor 6-checkdegree | m6chkd | 8\11 | 872.7 | 10\14 | 857.1 | 14\19 | 884.2 |
Major 6-checkdegree | M6chkd | 9\11 | 981.8 | 12\14 | 1028.6 | 15\19 | 947.4 |
Minor 7-checkdegree | m7chkd | 9\11 | 981.8 | 11\14 | 942.9 | 16\19 | 1010.5 |
Major 7-checkdegree | M7chkd | 10\11 | 1090.9 | 13\14 | 1114.3 | 17\19 | 1073.7 |
Perfect 8-checkdegree | P8chkd | 11\11 | 1200.0 | 14\14 | 1200.0 | 19\19 | 1200.0 |
Parasoft tunings
Parasoft tunings (step ratios 4:3 to 3:2) are associated with sensi tempermament.
Scale degree | Abbrev. | Supersoft (4:3) 27edo |
7:5 46edo |
Soft (3:2) 19edo | |||
---|---|---|---|---|---|---|---|
Steps | ¢ | Steps | ¢ | Steps | ¢ | ||
Perfect 0-checkdegree | P0chkd | 0\27 | 0.0 | 0\46 | 0.0 | 0\19 | 0.0 |
Minor 1-checkdegree | m1chkd | 3\27 | 133.3 | 5\46 | 130.4 | 2\19 | 126.3 |
Major 1-checkdegree | M1chkd | 4\27 | 177.8 | 7\46 | 182.6 | 3\19 | 189.5 |
Minor 2-checkdegree | m2chkd | 6\27 | 266.7 | 10\46 | 260.9 | 4\19 | 252.6 |
Major 2-checkdegree | M2chkd | 7\27 | 311.1 | 12\46 | 313.0 | 5\19 | 315.8 |
Perfect 3-checkdegree | P3chkd | 10\27 | 444.4 | 17\46 | 443.5 | 7\19 | 442.1 |
Augmented 3-checkdegree | A3chkd | 11\27 | 488.9 | 19\46 | 495.7 | 8\19 | 505.3 |
Minor 4-checkdegree | m4chkd | 13\27 | 577.8 | 22\46 | 573.9 | 9\19 | 568.4 |
Major 4-checkdegree | M4chkd | 14\27 | 622.2 | 24\46 | 626.1 | 10\19 | 631.6 |
Diminished 5-checkdegree | d5chkd | 16\27 | 711.1 | 27\46 | 704.3 | 11\19 | 694.7 |
Perfect 5-checkdegree | P5chkd | 17\27 | 755.6 | 29\46 | 756.5 | 12\19 | 757.9 |
Minor 6-checkdegree | m6chkd | 20\27 | 888.9 | 34\46 | 887.0 | 14\19 | 884.2 |
Major 6-checkdegree | M6chkd | 21\27 | 933.3 | 36\46 | 939.1 | 15\19 | 947.4 |
Minor 7-checkdegree | m7chkd | 23\27 | 1022.2 | 39\46 | 1017.4 | 16\19 | 1010.5 |
Major 7-checkdegree | M7chkd | 24\27 | 1066.7 | 41\46 | 1069.6 | 17\19 | 1073.7 |
Perfect 8-checkdegree | P8chkd | 27\27 | 1200.0 | 46\46 | 1200.0 | 19\19 | 1200.0 |
Modes
UDP | Cyclic order |
Step pattern |
Scale degree (checkdegree) | ||||||||
---|---|---|---|---|---|---|---|---|---|---|---|
0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | |||
7|0 | 1 | LsLssLss | Perf. | Maj. | Maj. | Aug. | Maj. | Perf. | Maj. | Maj. | Perf. |
6|1 | 6 | LssLsLss | Perf. | Maj. | Maj. | Perf. | Maj. | Perf. | Maj. | Maj. | Perf. |
5|2 | 3 | LssLssLs | Perf. | Maj. | Maj. | Perf. | Maj. | Perf. | Min. | Maj. | Perf. |
4|3 | 8 | sLsLssLs | Perf. | Min. | Maj. | Perf. | Maj. | Perf. | Min. | Maj. | Perf. |
3|4 | 5 | sLssLsLs | Perf. | Min. | Maj. | Perf. | Min. | Perf. | Min. | Maj. | Perf. |
2|5 | 2 | sLssLssL | Perf. | Min. | Maj. | Perf. | Min. | Perf. | Min. | Min. | Perf. |
1|6 | 7 | ssLsLssL | Perf. | Min. | Min. | Perf. | Min. | Perf. | Min. | Min. | Perf. |
0|7 | 4 | ssLssLsL | Perf. | Min. | Min. | Perf. | Min. | Dim. | Min. | Min. | Perf. |
Proposed names
The modes of checkertonic can be named after its sister MOS 5L 3s (oneirotonic). R-4981 has also proposed names based on grand chess pieces.
UDP | Cyclic order |
Step pattern |
---|---|---|
7|0 | 1 | LsLssLss |
6|1 | 6 | LssLsLss |
5|2 | 3 | LssLssLs |
4|3 | 8 | sLsLssLs |
3|4 | 5 | sLssLsLs |
2|5 | 2 | sLssLssL |
1|6 | 7 | ssLsLssL |
0|7 | 4 | ssLssLsL |
The order of modes on the white keys JKLMNOPQ are:
- J Anti-Ultharian, Rook
- K Anti-Hlanithian, Queen
- L Anti-Illarnekian, Knight
- M Anti-Mnarian, Cardinal
- N Anti-Sarnathian, King
- O Anti-Celephaïsian, Bishop
- P Anti-Kadathian, Marshall
- Q Anti-Dylathian, Pawn
UDP | Anti-modes of 5L 3s | Chess-based names | Step pattern | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | (9) |
---|---|---|---|---|---|---|---|---|---|---|---|---|
7|0 | Anti-Sarnathian | King | LsLssLss | J | K& | L | M& | N& | O | P& | Q | (J) |
6|1 | Anti-Hlanithian | Queen | LssLsLss | J | K& | L | M | N& | O | P& | Q | (J) |
5|2 | Anti-Kadathian | Marshall | LssLssLs | J | K& | L | M | N& | O | P | Q | (J) |
4|3 | Anti-Mnarian | Cardinal | sLsLssLs | J | K | L | M | N& | O | P | Q | (J) |
3|4 | Anti-Ultharian | Rook | sLssLsLs | J | K | L | M | N | O | P | Q | (J) |
2|5 | Anti-Celephaïsian | Bishop | sLssLssL | J | K | L | M | N | O | P | Q@ | (J) |
1|6 | Anti-Illarnekian | Knight | ssLsLssL | J | K | L@ | M | N | O | P | Q@ | (J) |
0|7 | Anti-Dylathian | Pawn | ssLssLsL | J | K | L@ | M | N | O@ | P | Q@ | (J) |
Temperaments
The major temperaments in this area are:
Music
Scale tree
Generator ranges:
- Chroma-positive generator: 750 cents (5\8) to 800 cents (2\3)
- Chroma-negative generator: 400 cents (1\3) to 450 cents (3\8)