10/7: Difference between revisions

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In [[7-limit]] [[just intonation]], '''10/7''' is a '''high [[tritone]]''' (or '''Euler's tritone''') measuring about 617.5¢. It has a similar sound to its inversion, [[7/5]], but may sound a little edgier, less relaxed. Nonetheless, it is considered a septimal consonance. It appears in chords where a major third ([[5/4]]) appears above the harmonic seventh ([[7/4]]), such as 4:6:7:10- This particular chord is well-approximated in [[88cET]], which has a good approximation of 10/7, but no 7/5.

In [[7-limit]] [[just intonation]], '''10/7''' is a '''high [[tritone]]''' (or '''Euler's tritone''') measuring about 617.5¢. It has a similar sound to its inversion, [[7/5]], but may sound a little edgier, less relaxed. Nonetheless, it is considered a septimal consonance. It appears in chords where a major third ([[5/4]]) appears above the harmonic seventh ([[7/4]]), such as 4:6:7:10 – This particular chord is well-approximated in [[88cET]], which has a good approximation of 10/7, but no 7/5.

While in the context of the harmonic seventh chord, it is rightly recognized as a type of augmented fourth, it can also be argued on the basis of the fact that 10/7 interval is larger than 600 cents that it acts more as a type of diminished fifth than an augmented fourth- an analysis that is required in cases where this interval occurs in a ~~heptatonic~~ scale that demonstrates [[Rothenberg propriety]].

While in the context of the [[harmonic seventh chord]], it is rightly recognized as a type of augmented fourth, it can also be argued on the basis of the fact that 10/7 interval is larger than 600 cents that it acts more as a type of diminished fifth than an augmented fourth – an analysis that is required in cases where this interval occurs in a [[5L 2s|diatonic scale]] that demonstrates [[Rothenberg propriety]].

== See also ==

* [[7/5]] – its [[octave complement]]

* [[21/20]] – its [[fifth complement]]

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 {{Wikipedia|Septimal tritone}}
-In [[7-limit]] [[just intonation]], '''10/7''' is a '''high [[tritone]]''' (or '''Euler's tritone''') measuring about 617.5¢. It has a similar sound to its inversion, [[7/5]], but may sound a little edgier, less relaxed. Nonetheless, it is considered a septimal consonance. It appears in chords where a major third ([[5/4]]) appears above the harmonic seventh ([[7/4]]), such as 4:6:7:10- This particular chord is well-approximated in [[88cET]], which has a good approximation of 10/7, but no 7/5.
+In [[7-limit]] [[just intonation]], '''10/7''' is a '''high [[tritone]]''' (or '''Euler's tritone''') measuring about 617.5¢. It has a similar sound to its inversion, [[7/5]], but may sound a little edgier, less relaxed. Nonetheless, it is considered a septimal consonance. It appears in chords where a major third ([[5/4]]) appears above the harmonic seventh ([[7/4]]), such as 4:6:7:10 – This particular chord is well-approximated in [[88cET]], which has a good approximation of 10/7, but no 7/5.
-While in the context of the harmonic seventh chord, it is rightly recognized as a type of augmented fourth, it can also be argued on the basis of the fact that 10/7 interval is larger than 600 cents that it acts more as a type of diminished fifth than an augmented fourth- an analysis that is required in cases where this interval occurs in a heptatonic scale that demonstrates [[Rothenberg propriety]].
+While in the context of the [[harmonic seventh chord]], it is rightly recognized as a type of augmented fourth, it can also be argued on the basis of the fact that 10/7 interval is larger than 600 cents that it acts more as a type of diminished fifth than an augmented fourth – an analysis that is required in cases where this interval occurs in a [[5L 2s|diatonic scale]] that demonstrates [[Rothenberg propriety]].
 == See also ==
 * [[7/5]] – its [[octave complement]]
 * [[21/20]] – its [[fifth complement]]