Kite's color notation: Difference between revisions
→Chord names: added links. →Temp names: added -ti |
→Chord names: conventional names for wa chords |
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The [[4:5:6:7|y,z7 chord]] is called the h7 chord ("har-seven"), because it's part of the harmonic series. [[4:5:6:7:9|Ch9]] = Cy,z7,9 and [[4:5:6:7:9:11|Ch11]] = Cy,z7,w9,1o11. The [[60:70:84:105|s7 ("sub-seven") chord]] is part of the subharmonic series. It's the first 7 subharmonics, with the 7th subharmonic becoming the root. [[140:180:210:252:315|Cs9]] = Cr,g7,9 and Cs11 = C1o11(1or5,1og9). Note that s9 is not s7 plus a 9th, but a completely different chord. Usually the 9th ascends from the root, but in a sub9 chord it descends from the top note, and becomes the new root. Thus the s7 chord is contained in the <u>upper</u> four notes of the s9 chord, not the lower four. | The [[4:5:6:7|y,z7 chord]] is called the h7 chord ("har-seven"), because it's part of the harmonic series. [[4:5:6:7:9|Ch9]] = Cy,z7,9 and [[4:5:6:7:9:11|Ch11]] = Cy,z7,w9,1o11. The [[60:70:84:105|s7 ("sub-seven") chord]] is part of the subharmonic series. It's the first 7 subharmonics, with the 7th subharmonic becoming the root. [[140:180:210:252:315|Cs9]] = Cr,g7,9 and Cs11 = C1o11(1or5,1og9). Note that s9 is not s7 plus a 9th, but a completely different chord. Usually the 9th ascends from the root, but in a sub9 chord it descends from the top note, and becomes the new root. Thus the s7 chord is contained in the <u>upper</u> four notes of the s9 chord, not the lower four. | ||
Cs6 = Cg,r6 = [[70:84:105:120|12:10:8:7]]. Other than the s6 chord, all harmonic/subharmonic numbers must be odd, e.g. Ch6 and Ch8 are invalid. For any odd number N greater than 5, ChN is 1:3:5...N and CsN is N...5:3:1. <u>Additions, a</u><u>lterations and omissions refer to degrees</u>, not harmonics or subharmonics: Ch7,11 adds w11, not 1o11. Ch9no5 omits w5, not y3. However, <u>all numbers > 13 refer to (sub)harmonics</u>, e.g. Ch9,15 adds y7 and Ch19no15 omits it. | Cs6 = Cg,r6 = [[70:84:105:120|12:10:8:7]]. Other than the s6 chord, all harmonic/subharmonic numbers must be odd, e.g. Ch6 and Ch8 are invalid. For any odd number N greater than 5, ChN is 1:3:5...N and CsN is 1/(N...5:3:1). <u>Additions, a</u><u>lterations and omissions refer to degrees</u>, not harmonics or subharmonics: Ch7,11 adds w11, not 1o11. Ch9no5 omits w5, not y3. However, <u>all numbers > 13 refer to (sub)harmonics</u>, e.g. Ch9,15 adds y7 and Ch19no15 omits it. | ||
<u>All wa chords can be named conventionally</u>, since wa is the default color. Thus w1-w3-w5 is both Cw and Cm. And w1-Lw3-w5-w6 is both CLw6 and C6. For aesthetic reasons, the conventional name is preferred only when neither "M" nor "m" appears in the name. This is especially true for non-wa chords: w1-w3-w5-y6 is Cw,y6 not Cm,y6. | |||
Chords can be classified as '''bicolored''' (e.g. g7 or r6), '''tricolored''' (e.g. z7(zg5) or z,y6), '''quadricolored''' (e.g. s6(zg5) or h7,zg9), etc. | Chords can be classified as '''bicolored''' (e.g. g7 or r6), '''tricolored''' (e.g. z7(zg5) or z,y6), '''quadricolored''' (e.g. s6(zg5) or h7,zg9), etc. |