2187/2048: Difference between revisions

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'''2187/2048''', the '''apotome''', also known as the '''Pythagorean chromatic semitone''' or the '''Pythagorean chroma''', is the [[chromatic semitone]] in the [[Pythagorean tuning]]. It is the [[3-limit]] interval between seven perfect just fifths ([[3/2]]) and four octaves ([[2/1]]): 3<sup>7</sup>/2<sup>11</sup> = 2187/2048, and measures about 113.7¢. Unlike the situation in [[meantone]] tunings, it is larger, not smaller, than the corresponding diatonic semitone, which is the Pythagorean minor second of [[256/243]].
'''2187/2048''', the '''apotome''', also known as the '''Pythagorean chromatic semitone''' or the '''Pythagorean chroma''', is the [[chromatic semitone]] in the [[Pythagorean tuning]]. It is the [[3-limit]] interval between seven perfect just fifths ([[3/2]]) and four octaves ([[2/1]]): 3<sup>7</sup>/2<sup>11</sup> = 2187/2048, and measures about 113.7¢. Unlike the situation in [[meantone]] tunings, it is larger, not smaller, than the corresponding diatonic semitone, which is the Pythagorean minor second of [[256/243]].
The apotome is associated with sharps (#) and flats (b) in the [[chain-of-fifths notation]]. For example, in Pythagorean tuning, C and C# in the same octave are exactly an apotome apart. In tempered tuning systems, the mapping of the apotome dictates the size of sharps and flats. For instance, if the apotome is [[tempered out]], then sharps and flats have no effect on pitch in these systems.


== Approximation ==
== Approximation ==
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When this ratio is taken as a comma to be tempered in the 5-limit, it produces the [[whitewood]] temperament, and it may be called the '''whitewood comma'''. See [[apotome family]] for extensions thereof.  
When this ratio is taken as a comma to be tempered in the 5-limit, it produces the [[whitewood]] temperament, and it may be called the '''whitewood comma'''. See [[apotome family]] for extensions thereof.  


== Notation and sharpness ==
== Notation ==
In musical notations that employ the [[chain-of-fifths notation|chain-of-fifths]] along with seven note names—such as the [[ups and downs notation]]—the apotome is represented by the interval between a note and its sharp counterpart. In this context, the apotome is referred to as the [[sharpness]].
The apotome is associated with sharps (#) and flats (b) in the [[5L 2s|diatonic]] [[chain-of-fifths notation]]. For example, in Pythagorean tuning, C and C# in the same octave are exactly an apotome apart. In tempered tuning systems, the mapping of the apotome dictates the size of sharps and flats. For instance, if the apotome is [[tempered out]], then sharps and flats have no effect on pitch in these systems.
 
The number of steps an apotome is mapped to in an edo is referred to as the [[sharpness]].  


== See also ==
== See also ==