Quasi-diatonic MOS notation: Difference between revisions

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=== Optimal clefs ===

[[File:Clefs better resolution.png|alt=A set of stylized letters used as clefs on the middle barline of a staff, including a conventional F, G, and C clef (as baritone, soprano, and alto clefs) as well as the J and H clefs from Bohlen-Pierce notation..|thumb|619x619px|All clefs used in VGQDMN. They all resemble their corresponding letters, and are all shown on the middle staff line. H and J clefs are from Bohlen-Pierce notation.]]

[[File:Clefs better resolution.png|alt=A set of stylized letters used as clefs on the middle barline of a staff, including a conventional F, G, and C clef (as baritone, soprano, and alto clefs) as well as the J and H clefs from Bohlen-Pierce notation..|thumb|619x619px|All clefs used in VGQDMN. They all resemble their corresponding letters closely enough for their meanings to be intuitive (except for the standard C and G clefs and the semi-standard BP J clef), and are all shown on the middle staff line. H and J clefs are from Bohlen-Pierce notation.]]

This is the table of optimal clef layouts to be analogous to the treble and bass clef for scales with different sizes. This assumes that A3 is the top line of the bass clef. Preferably, the second line from the bottom of the staff is used as the treble clef, and the second line from the top is used as the bass clef, except when that would cause a clef with an equave up/down which could be avoided by using a different line for the clef indicator.

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 === Optimal clefs ===
-[[File:Clefs better resolution.png|alt=A set of stylized letters used as clefs on the middle barline of a staff, including a conventional F, G, and C clef (as baritone, soprano, and alto clefs) as well as the J and H clefs from Bohlen-Pierce notation..|thumb|619x619px|All clefs used in VGQDMN. They all resemble their corresponding letters, and are all shown on the middle staff line. H and J clefs are from Bohlen-Pierce notation.]]
+[[File:Clefs better resolution.png|alt=A set of stylized letters used as clefs on the middle barline of a staff, including a conventional F, G, and C clef (as baritone, soprano, and alto clefs) as well as the J and H clefs from Bohlen-Pierce notation..|thumb|619x619px|All clefs used in VGQDMN. They all resemble their corresponding letters closely enough for their meanings to be intuitive (except for the standard C and G clefs and the semi-standard BP J clef), and are all shown on the middle staff line. H and J clefs are from Bohlen-Pierce notation.]]
 This is the table of optimal clef layouts to be analogous to the treble and bass clef for scales with different sizes. This assumes that A3 is the top line of the bass clef. Preferably, the second line from the bottom of the staff is used as the treble clef, and the second line from the top is used as the bass clef, except when that would cause a clef with an equave up/down which could be avoided by using a different line for the clef indicator.