Porcupine: Difference between revisions

CellularAutomaton (talk | contribs)
m "Porkypine"
Line 7: Line 7:
[[File:porcupine.png|thumb|Porcupine equates three minor thirds ([[6/5]], in red) with two perfect fourths ([[4/3]], in green). To do so, it tempers out 250/243, which implies a generator of a flat 10/9.]]
[[File:porcupine.png|thumb|Porcupine equates three minor thirds ([[6/5]], in red) with two perfect fourths ([[4/3]], in green). To do so, it tempers out 250/243, which implies a generator of a flat 10/9.]]
[[File:porcupinesymmetricminor22edo.mp3|thumb|Symmetric minor mode of the porcupine[7] scale, containing two equal tetrachords with a major wholetone between them, in [[22edo]] tuning.]]
[[File:porcupinesymmetricminor22edo.mp3|thumb|Symmetric minor mode of the porcupine[7] scale, containing two equal tetrachords with a major wholetone between them, in [[22edo]] tuning.]]
'''Porcupine''' is a [[linear temperament]] that tempers out [[250/243]], the porcupine [[comma]], and whose generator is a [[10/9|minor whole tone (10/9)]] which is tuned flat to around 160–170 [[cent]]s such that two of them stack to a [[6/5|classic minor third (6/5)]]. It can be thought of as a [[5-limit]], [[7-limit]], or [[11-limit]] temperament, or a 2.3.5.11 [[subgroup temperament]]. It is one of the best temperaments in the 2.3.5.11 subgroup, with a unique combination of efficiency and accuracy.
'''Porcupine''' is a [[linear temperament]] that [[tempering out|tempers out]] [[250/243]], the porcupine [[comma]], and whose [[generator]] is a [[10/9|minor whole tone (10/9)]] which is tuned flat to around 160–170 [[cent]]s such that two of them stack to a [[6/5|classic minor third (6/5)]]. It can be thought of as a [[5-limit]], [[7-limit]], or [[11-limit]] temperament, or a 2.3.5.11 [[subgroup temperament]] (sometimes known as ''porkypine''). It is one of the best temperaments in the 2.3.5.11 subgroup, with a unique combination of efficiency and accuracy.


Porcupine's basic 5-limit harmonic structure can be understood by noting that tempering out 250/243 also makes (4/3)<sup>2</sup> equivalent to (6/5)<sup>3</sup>; or, in other words, two "perfect fourths" are equivalent to three "minor thirds". As a consequence of this, 4/3 is divided into 3 equal parts, and 6/5 is divided into 2 of those same equal parts. This is obviously in stark contrast to [[12edo]], in which neither 4/3 nor 6/5 can be divided into any number of equal parts. The "equal tetrachord" formed by dividing 4/3 into 3 equal parts is a characteristic feature of many of porcupine's scales.
Porcupine's basic 5-limit harmonic structure can be understood by noting that tempering out 250/243 also makes (4/3)<sup>2</sup> equivalent to (6/5)<sup>3</sup>; or, in other words, two "perfect fourths" are equivalent to three "minor thirds". As a consequence of this, 4/3 is divided into 3 equal parts, and 6/5 is divided into 2 of those same equal parts. This is obviously in stark contrast to [[12edo]], in which neither 4/3 nor 6/5 can be divided into any number of equal parts. The "equal tetrachord" formed by dividing 4/3 into 3 equal parts is a characteristic feature of many of porcupine's scales.