User:Eboone/EDO Impressions: Difference between revisions
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=== [[6edo]] === | === [[6edo]] === | ||
''Tier: '''C-''''' | ''Tier: '''C-''''' | ||
[[File:6edo groove.mp3|none|thumb|6edo "dream" in F whole-tone]] | [[File:6edo groove 2.mp3|none|thumb|6edo "dream" in F whole-tone]] | ||
Of the subsets of 12edo, I'd say this is the most interesting because it contains a whole tone. There are many pieces that make use of the whole tone scale, but very few that strictly exist in 6edo. [[wikipedia:Claude_Debussy|Claude Debussy]] is well known for his use of the scale, and it's a very interesting color to use while working in 6n-edos, but a very limiting scale to use in isolation. The best 6edo pieces I could find are the prelude and invention from [[Aaron Andrew Hunt]]'s "[https://aaronandrewhunt.bandcamp.com/album/the-equal-tempered-keyboard The Equal Tempered Keyboard]," and honestly they are pretty interesting for what they are. | Of the subsets of 12edo, I'd say this is the most interesting because it contains a whole tone. There are many pieces that make use of the whole tone scale, but very few that strictly exist in 6edo. [[wikipedia:Claude_Debussy|Claude Debussy]] is well known for his use of the scale, and it's a very interesting color to use while working in 6n-edos, but a very limiting scale to use in isolation. The best 6edo pieces I could find are the prelude and invention from [[Aaron Andrew Hunt]]'s "[https://aaronandrewhunt.bandcamp.com/album/the-equal-tempered-keyboard The Equal Tempered Keyboard]," and honestly they are pretty interesting for what they are. | ||