Father: Difference between revisions

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{{About|the regular temperament|the scale structure sometimes associated with it|5L 3s}}

'''Father''' is a very coarse, simplistic [[exotemperament]]. It [[Tempering out|tempers out]] [[16/15]], the classical diatonic semitone. This means the [[5/4|classical major third (5/4)]] is conflated with the [[4/3|perfect fourth (4/3)]], making it one that challenges the very notion of JI approximation, and playing harmony in it, it sounds only remotely reminiscent of the [[5-limit]] no matter how it is tuned. If one could get their head around this way of hearing intervals, they may as well take a look at the 7-limit interpretation, where it tempers out [[28/27]] and [[36/35]].

'''Father''' is a very coarse, simplistic and inaccurate [[exotemperament]]. It [[Tempering out|tempers out]] [[16/15]], the classical diatonic semitone. This means the [[5/4|classical major third (5/4)]] is conflated with the [[4/3|perfect fourth (4/3)]], making it one that challenges the very notion of JI approximation, and playing harmony in it, it sounds only remotely reminiscent of the [[5-limit]] no matter how it is tuned. If one could get their head around this way of hearing intervals, they may as well take a look at the 7-limit interpretation, where it tempers out [[28/27]] and [[36/35]].

The main interest in this temperament is in its [[mos scale]]s, featuring [[3L 2s|antipentic (3L 2s)]] and [[5L 3s|oneirotonic (5L 3s)]] when properly tuned. It is likely the case that those scales are often chosen first, and only later is each step associated with a ratio consistent with this temperament.

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 {{About|the regular temperament|the scale structure sometimes associated with it|5L 3s}}
-'''Father''' is a very coarse, simplistic [[exotemperament]]. It [[Tempering out|tempers out]] [[16/15]], the classical diatonic semitone. This means the [[5/4|classical major third (5/4)]] is conflated with the [[4/3|perfect fourth (4/3)]], making it one that challenges the very notion of JI approximation, and playing harmony in it, it sounds only remotely reminiscent of the [[5-limit]] no matter how it is tuned. If one could get their head around this way of hearing intervals, they may as well take a look at the 7-limit interpretation, where it tempers out [[28/27]] and [[36/35]].
+'''Father''' is a very coarse, simplistic and inaccurate [[exotemperament]]. It [[Tempering out|tempers out]] [[16/15]], the classical diatonic semitone. This means the [[5/4|classical major third (5/4)]] is conflated with the [[4/3|perfect fourth (4/3)]], making it one that challenges the very notion of JI approximation, and playing harmony in it, it sounds only remotely reminiscent of the [[5-limit]] no matter how it is tuned. If one could get their head around this way of hearing intervals, they may as well take a look at the 7-limit interpretation, where it tempers out [[28/27]] and [[36/35]].
 The main interest in this temperament is in its [[mos scale]]s, featuring [[3L 2s|antipentic (3L 2s)]] and [[5L 3s|oneirotonic (5L 3s)]] when properly tuned. It is likely the case that those scales are often chosen first, and only later is each step associated with a ratio consistent with this temperament.