159edo/Interval names and harmonies: Difference between revisions
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| Wide Inframinor Second, Narrow Ultraprime | | Wide Inframinor Second, Narrow Ultraprime | ||
| Eb↓↓, Dt<\ | | Eb↓↓, Dt<\ | ||
| - | | -3 | ||
| 5 | | 5 | ||
| This interval… | | This interval… | ||
| Line 140: | Line 140: | ||
| Ultraprime, Narrow Subminor Second | | Ultraprime, Narrow Subminor Second | ||
| Dt<, Edb<↑ | | Dt<, Edb<↑ | ||
| - | | -3 | ||
| 5 | | 5 | ||
| This interval… | | This interval… | ||
| Line 161: | Line 161: | ||
| Lesser Subminor Second, Wide Ultraprime, Infra-Augmented Prime | | Lesser Subminor Second, Wide Ultraprime, Infra-Augmented Prime | ||
| Dt>, Eb↓\ | | Dt>, Eb↓\ | ||
| | | -2 | ||
| | | 5 | ||
| This interval… | | This interval… | ||
* Approximates the [[28/27|Septimal Subminor Second]], and thus… | * Approximates the [[28/27|Septimal Subminor Second]], and thus… | ||
| Line 179: | Line 179: | ||
| Greater Subminor Second, Diptolemaic Augmented Prime | | Greater Subminor Second, Diptolemaic Augmented Prime | ||
| Eb↓, D#↓↓ | | Eb↓, D#↓↓ | ||
| | | -2 | ||
| | | 5 | ||
| This interval… | | This interval… | ||
* Approximates the [[25/24|Classic Chroma]] or Diptolemaic Chroma, and thus… | * Approximates the [[25/24|Classic Chroma]] or Diptolemaic Chroma, and thus… | ||
| Line 194: | Line 194: | ||
| Wide Subminor Second, Lesser Sub-Augmented Prime | | Wide Subminor Second, Lesser Sub-Augmented Prime | ||
| Eb↓/, Dt<↑ | | Eb↓/, Dt<↑ | ||
| | | -1 | ||
| | | 5 | ||
| This interval… | | This interval… | ||
* Approximates multiple complex [[17-limit]] intervals relative to the Tonic and can be used… | * Approximates multiple complex [[17-limit]] intervals relative to the Tonic and can be used… | ||
| Line 209: | Line 209: | ||
| Narrow Minor Second, Greater Sub-Augmented Prime | | Narrow Minor Second, Greater Sub-Augmented Prime | ||
| Eb\, Dt>↑ | | Eb\, Dt>↑ | ||
| | | -1 | ||
| | | 5 | ||
| This interval… | | This interval… | ||
* Approximates the [[21/20|Septimal Minor Semitone]], and thus… | * Approximates the [[21/20|Septimal Minor Semitone]], and thus… | ||
| Line 223: | Line 223: | ||
| Pythagorean Minor Second, Ptolemaic Augmented Prime | | Pythagorean Minor Second, Ptolemaic Augmented Prime | ||
| Eb, D#↓ | | Eb, D#↓ | ||
| | | 0 | ||
| | | 5 | ||
| This interval… | | This interval… | ||
* Approximates the [[256/243|Pythagorean Limma]] or Pythagorean Minor Second, and as such… | * Approximates the [[256/243|Pythagorean Limma]] or Pythagorean Minor Second, and as such… | ||
| Line 244: | Line 244: | ||
| Artomean Minor Second, Artomean Augmented Prime | | Artomean Minor Second, Artomean Augmented Prime | ||
| Eb/, D#↓/ | | Eb/, D#↓/ | ||
| | | 0 | ||
| | | 5 | ||
| This interval… | | This interval… | ||
* Approximates the [[18/17|Small Septendecimal Semitone]], and thus… | * Approximates the [[18/17|Small Septendecimal Semitone]], and thus… | ||
| Line 260: | Line 260: | ||
| Tendomean Minor Second, Tendomean Augmented Prime | | Tendomean Minor Second, Tendomean Augmented Prime | ||
| D#\, Eb↑\ | | D#\, Eb↑\ | ||
| | | 1 | ||
| | | 5 | ||
| This interval… | | This interval… | ||
* Approximates the [[17/16|Large Septendecimal Semitone]] or [[octave reduction|Octave-Reduced]] Seventeenth Harmonic, and thus… | * Approximates the [[17/16|Large Septendecimal Semitone]] or [[octave reduction|Octave-Reduced]] Seventeenth Harmonic, and thus… | ||
| Line 276: | Line 276: | ||
| Ptolemaic Minor Second, Pythagorean Augmented Prime | | Ptolemaic Minor Second, Pythagorean Augmented Prime | ||
| D#, Eb↑ | | D#, Eb↑ | ||
| | | 1 | ||
| | | 5 | ||
| This interval… | | This interval… | ||
* Approximates the [[16/15|Classic Minor Second]] or Ptolemaic Minor Second, and as such… | * Approximates the [[16/15|Classic Minor Second]] or Ptolemaic Minor Second, and as such… | ||
| Line 297: | Line 297: | ||
| Wide Minor Second, Artoretromean Augmented Prime | | Wide Minor Second, Artoretromean Augmented Prime | ||
| Ed<↓, Eb↑/, D#/ | | Ed<↓, Eb↑/, D#/ | ||
| | | 1 | ||
| | | 5 | ||
| This interval… | | This interval… | ||
* Approximates the [[15/14|Septimal Major Semitone]], and thus… | * Approximates the [[15/14|Septimal Major Semitone]], and thus… | ||
| Line 311: | Line 311: | ||
| Lesser Supraminor Second, Tendoretromean Augmented Prime | | Lesser Supraminor Second, Tendoretromean Augmented Prime | ||
| Ed>↓, D#↑\ | | Ed>↓, D#↑\ | ||
| | | 0 | ||
| | | 4 | ||
| This interval… | | This interval… | ||
* Approximates the [[14/13|Tridecimal Supraminor Second]] and a similar 11-limit interval that acts as the Supraminor counterpart to the Undecimal Submajor Second, and thus… | * Approximates the [[14/13|Tridecimal Supraminor Second]] and a similar 11-limit interval that acts as the Supraminor counterpart to the Undecimal Submajor Second, and thus… | ||