Magic: Difference between revisions

Line 1,251:

; [[Jake Freivald]]

* ''[https://soundcloud.com/jdfreivald/little-magical-object Little Magical Object]'' [http://micro.soonlabel.com/gene_ward_smith/Others/Freivald/little-magical-object.mp3 play]~~{{dead link}}~~ – magic[19] in 41edo tuning

* ''[https://soundcloud.com/jdfreivald/little-magical-object Little Magical Object]'' [https://web.archive.org/web/20201127014655/http://micro.soonlabel.com/gene_ward_smith/Others/Freivald/little-magical-object.mp3 play] – magic[19] in 41edo tuning

; [[Andrew Milne]]

Line 1,257:

; [[Cameron Bobro]]

* [http://micro.soonlabel.com/gene_ward_smith/Others/Bobro/Magical_Daydream_CBobro.mp3 ''Magical Daydream'']~~{{dead link}}~~ ''A brief demonstration of the near-Just musical temperament which flattens the pure major third of 5:4 by a few cents, such that 5 major thirds does not exceed 3:1 (a pure fifth + 1 octave), but meets it precisely. In a purely tuned system, the thirds would exceed 3:1 by what is known as the small diesis, (a ratio 3125/3072, about thirty cents). This temperament, then, brings (almost) pure thirds and pure fifths together.''

* [https://web.archive.org/web/20201127015243/http://micro.soonlabel.com/gene_ward_smith/Others/Bobro/Magical_Daydream_CBobro.mp3 ''Magical Daydream''] ''A brief demonstration of the near-Just musical temperament which flattens the pure major third of 5:4 by a few cents, such that 5 major thirds does not exceed 3:1 (a pure fifth + 1 octave), but meets it precisely. In a purely tuned system, the thirds would exceed 3:1 by what is known as the small diesis, (a ratio 3125/3072, about thirty cents). This temperament, then, brings (almost) pure thirds and pure fifths together.''

* [http://micro.soonlabel.com/gene_ward_smith/Others/Bobro/EveningHorizon_CBobro.mp3 ''Evening Horizon'']~~{{dead link}}~~ ''The earliest implementation (by happy accident, it seems) of this temperament was, to my knowledge, by Paul von Janko over a century ago. More recently, an online tuning community has elaborated many precise variations, calling the temperament "magic".. This piece is a demonstration of the array of pitches created by using 22 generators (the slightly tempered 5:4) within the octave, an approach which creates a "moment of symmetry", with all pitches separated by the same two intervals. This has many curious repercussions, creating some musical possibilities and restricting others.''

* [https://web.archive.org/web/20201127014810/http://micro.soonlabel.com/gene_ward_smith/Others/Bobro/EveningHorizon_CBobro.mp3 ''Evening Horizon''] ''The earliest implementation (by happy accident, it seems) of this temperament was, to my knowledge, by Paul von Janko over a century ago. More recently, an online tuning community has elaborated many precise variations, calling the temperament "magic". This piece is a demonstration of the array of pitches created by using 22 generators (the slightly tempered 5:4) within the octave, an approach which creates a "moment of symmetry", with all pitches separated by the same two intervals. This has many curious repercussions, creating some musical possibilities and restricting others.''

; [[Graham Breed]]

@@ Line 1,251: / Line 1,251: @@
 ; [[Jake Freivald]]
-* ''[https://soundcloud.com/jdfreivald/little-magical-object Little Magical Object]'' [http://micro.soonlabel.com/gene_ward_smith/Others/Freivald/little-magical-object.mp3 play]{{dead link}} – magic[19] in 41edo tuning
+* ''[https://soundcloud.com/jdfreivald/little-magical-object Little Magical Object]'' [https://web.archive.org/web/20201127014655/http://micro.soonlabel.com/gene_ward_smith/Others/Freivald/little-magical-object.mp3 play] – magic[19] in 41edo tuning
 ; [[Andrew Milne]]
@@ Line 1,257: / Line 1,257: @@
 ; [[Cameron Bobro]]
-* [http://micro.soonlabel.com/gene_ward_smith/Others/Bobro/Magical_Daydream_CBobro.mp3 ''Magical Daydream'']{{dead link}} ''A brief demonstration of the near-Just musical temperament which flattens the pure major third of 5:4 by a few cents, such that 5 major thirds does not exceed 3:1 (a pure fifth + 1 octave), but meets it precisely. In a purely tuned system, the thirds would exceed 3:1 by what is known as the small diesis, (a ratio 3125/3072, about thirty cents). This temperament, then, brings (almost) pure thirds and pure fifths together.''
+* [https://web.archive.org/web/20201127015243/http://micro.soonlabel.com/gene_ward_smith/Others/Bobro/Magical_Daydream_CBobro.mp3 ''Magical Daydream''] ''A brief demonstration of the near-Just musical temperament which flattens the pure major third of 5:4 by a few cents, such that 5 major thirds does not exceed 3:1 (a pure fifth + 1 octave), but meets it precisely. In a purely tuned system, the thirds would exceed 3:1 by what is known as the small diesis, (a ratio 3125/3072, about thirty cents). This temperament, then, brings (almost) pure thirds and pure fifths together.''
-* [http://micro.soonlabel.com/gene_ward_smith/Others/Bobro/EveningHorizon_CBobro.mp3 ''Evening Horizon'']{{dead link}} ''The earliest implementation (by happy accident, it seems) of this temperament was, to my knowledge, by Paul von Janko over a century ago. More recently, an online tuning community has elaborated many precise variations, calling the temperament "magic".. This piece is a demonstration of the array of pitches created by using 22 generators (the slightly tempered 5:4) within the octave, an approach which creates a "moment of symmetry", with all pitches separated by the same two intervals. This has many curious repercussions, creating some musical possibilities and restricting others.''
+* [https://web.archive.org/web/20201127014810/http://micro.soonlabel.com/gene_ward_smith/Others/Bobro/EveningHorizon_CBobro.mp3 ''Evening Horizon''] ''The earliest implementation (by happy accident, it seems) of this temperament was, to my knowledge, by Paul von Janko over a century ago. More recently, an online tuning community has elaborated many precise variations, calling the temperament "magic". This piece is a demonstration of the array of pitches created by using 22 generators (the slightly tempered 5:4) within the octave, an approach which creates a "moment of symmetry", with all pitches separated by the same two intervals. This has many curious repercussions, creating some musical possibilities and restricting others.''
 ; [[Graham Breed]]