159edo/Interval names and harmonies: Difference between revisions

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 |}
-Next, the triads, which end up inheriting the base trine's type, and as a consequence, there are even more triads than there are trines.  Of course, it should be mentioned that due to the overlap between thirds and fourths between 59\159 and 61\159 you technically have intervals which double as triad-forming and trine-forming.
+Next, the triads, which end up inheriting the base trine's type, and as a consequence, there are even more triads than there are trines.  Of course, it should be mentioned that suspensions occur where there's overlap between thirds and fourths, and these are excluded from this list.
 {| class="mw-collapsible mw-collapsed wikitable center-1"
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 | 54:64:81
 | This dissonant triad is common in Western Classical, Medieval, and Neo-Medieval Harmony
+|-
+| Neo-Gothic Major
+| D, F#/, A
+| 0, 55, 93
+| 22:28:33, 1/(22:26:33)
+| This ambisonant triad is very useful in Neo-Medieval Harmony
+|-
+| Neo-Gothic Minor
+| D, F\, A
+| 0, 38, 93
+| 1/(22:28:33), 22:26:33
+| This ambisonant triad is very useful in Neo-Medieval Harmony
 |-
 |}