159edo/Interval names and harmonies: Difference between revisions
No edit summary |
No edit summary |
||
| Line 2,223: | Line 2,223: | ||
| 0, 93, 0 | | 0, 93, 0 | ||
| 2:3:4 | | 2:3:4 | ||
| This is the first | | This is the first of two trines that can be considered fully-resolved in Medieval and Neo-Medieval harmony | ||
|- | |- | ||
| Utonal Perfect | | Utonal Perfect | ||
| Line 2,229: | Line 2,229: | ||
| 0, 66, 0 | | 0, 66, 0 | ||
| 1/(2:3:4) | | 1/(2:3:4) | ||
| This is the second | | This is the second of two trines that can be considered fully-resolved in Medieval and Neo-Medieval harmony | ||
|- | |- | ||
| Otonal Archagall | | Otonal Archagall | ||
| Line 2,241: | Line 2,241: | ||
| 0, 94, 0 | | 0, 94, 0 | ||
| 1/(64:85:128) | | 1/(64:85:128) | ||
| This trine is the second of two that are | | This trine is the second of two that are often used in the extended harmony of t<IV chords and is considered a dissonance | ||
|- | |||
| | |||
| D, A\, D | |||
| 0, 92, 0 | |||
| | |||
| | |||
|- | |||
| | |||
| D, G/, D | |||
| 0, 67, 0 | |||
| | |||
| | |||
|- | |- | ||
|} | |} | ||