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| This is a subpage for [[TAMNAMS]]-related notes, containing various proposals of varying degrees of usefulness and other useful things. This also contains rewrites of sections of the main TAMNAMS page that aren't quite ready to be deployed. | | This is a subpage for [[TAMNAMS]]-related notes, containing various proposals of varying degrees of usefulness and other useful things. This also contains rewrites of sections of the main TAMNAMS page that aren't quite ready to be deployed. |
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| == Sandboxed rewrite: Naming mos intervals and mos degrees == | | == Ordinal-indexed versus zero-indexed names == |
| Mos intervals are denoted as a ''quantity'' of mossteps, large or small. An interval that is k mossteps wide is referred to as a ''k-mosstep interval'' or simply ''k-mosstep'', producing a 0-mosstep or ''mosunison'', 1-mosstep, and so on, until an n-mosstep or ''mosoctave'' is reached, where n is the number of pitches in the mos. The prefix of mos- in the terms mosstep, mosunison, and mosoctave may be replaced with the mos's prefix, specified in the section mos pattern names.
| | (Personal notes; may clarify later.) |
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| | The use of ordinal indexing for naming mos intervals and degrees is generally discouraged when referring to non-diatonic mos intervals. Ordinal indexing is reserved for describing diatonic interval categories. |
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| | == Sandboxed section: Naming mos modes == |
| | The easiest way to name the modes of a mos, without having to memorize any names, is to refer to them by their [[Modal UDP notation|UDP]], which refers to how many generators are stacked above and below the tonic to produce a mode of the mos. |
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| | This section's running example is 5L 3s, whose brightest mode is LLsLLsLs. |
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| | === Simplified UDP notation === |
| | Normal UDP notation is summarized below: |
| | * For single-period mosses, the UDP is notated as ''u''|''d'', where ''u'' is the number of bright generators stacked ''above'' the tonic, ''d'' is the number of bright generators stacked ''below'' the tonic, and "|" is pronounced as "pipe". The full name of a mos's mode is '''xL ys u|d'''. |
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| | * For multi-period mosses with ''p'' periods, the UDP of is notated as ''up''|''dp''(''p''). Since there are generators being stacked above and below every period - not just the tonic - there are in total ''u times p'' and ''d times p'' generators being stacked above and below their respective starting pitches. The full name in this case is '''xL ys up|dp(p)'''. |
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| In contexts where it doesn't cause ambiguity, the term ''k-mosstep'' can be shortened to ''k-step'', which allows for generalizing terminology described here to non-mos scales, such as strict-variety-3 scales, scales with three specific interval sizes rather than two. Additionally, for [[non-octave]] scales, the term ''mosoctave'' is replaced with the term ''mosequave''.
| | To make notation easier, TAMNAMS makes the following modifications to UDP notation: |
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| === Reasoning for 0-indexed intervals ===
| | * The UDP for the mode of a multi-period mosses may be written as ''u|d''(''p'') rather than ''up|dp''(''p''). This is because the period already appears in both the quantity of bright (''u times p'') and dark (''d times p'') generators, so omitting the ''p'' term makes the notation less redundant. In contexts where it doesn't cause confusion, the notation can be simplified further to ''u|d.'' |
| Note that a mosunison is a 0-mosstep, rather than a mos-1st; likewise, the term 1-mosstep is used rather than a mos-2nd. One might be tempted to generalize diatonic 1-indexed ordinal names: ''In 31edo's ultrasoft [[mosh]] scale, the perfect mosthird (aka Pmosh3rd) is a neutral third and the major mosfifth (aka Lmosh5th) is a perfect fifth.'' The way intervals are named above (and in 12edo theory) has a problem. An interval that's n steps wide is named ''(n+1)th''. This means that adding two intervals is more complicated than it should be. Stacking two fifths makes a ninth, when naively it would make a tenth. We're used to this for the diatonic scale, but when dealing with unfamiliar scale structures, it can be very confusing. To overcome this, TAMNAMS uses a 0-indexed name system for non-diatonic mos intervals, and the use of ordinal indexing is discouraged when referring to non-diatonic mos intervals.
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| The ordinal names could still be suggestive for e.g. (tunings of) heptatonic mosses where the ordinal names tend to match up well with diatonic ordinal categories. | | * The UDP for a mode, single-period or multi-period, may be shortened to "u|" under the reasoning that omitting the ''d'' term, which can be inferred by the ''u'' term, makes the notation less redundant. For example, "5L 3s 5|", which refers to LsLLsLLs, is read as "5 ell 3 ess 5 pipe". |
| | ** The shortened notation of "u|" is sufficient in most cases, but in situations where it makes more sense to think in terms of the dark generator, such as with a mos whose dark generator is the bright generator of a related mos, the notation is instead "|d". |
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| === Specific mos intervals ===
| | This simplified notation will be used throughout this section, unless otherwise specified. In any case, the name of a mos can be substituted for its xL ys form. |
| The phrase ''k-mosstep'' by itself does not specify whether an interval is major or minor. To refer to specific intervals, the familiar modifiers of ''major'', ''minor'', ''augment'', ''perfect'', and ''diminished'' are used. As mosses are [[Distributional evenness|distributionally even]], every interval will be in no more than two sizes, except for the mosoctave and mosunison, which only has one size.
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| To find what mos intervals are found in a mos xL ys, start with the pattern of large and small steps that represents the mos in its brightest mode (the following subsection explains how to do this). This section's running example will be 3L 4s, with the pattern (or string) LsLsLss as its brightest mode. Since a k-mosstep is reached by going up k mossteps up from the root, to find every mos interval, we consider the first k steps of the mos pattern to find each interval's large size. To find the intervals' small size, we repeat the same process of finding mos intervals using the step pattern in the mos's darkest mode, which is the pattern of steps in the brightest mode reversed. To make these sizes more clear, we can denote the mos intervals as a sum of large and small steps iL+js, where i and j are the number of L's and s's in the interval's pattern. Note that the size difference between a large interval and small interval corresponds with replacing an L with an s.
| | === Finding mos modes === |
| {| class="wikitable"
| | Rotating the sequence of steps - that is, moving the step at the beginning to the end - produces a different mode. This can be repeated until the initial mode that was started with is produced. |
| |+Specific interval sizes for 3L 4s
| |
| ! rowspan="2" |Interval
| |
| ! colspan="2" |Large size (LsLsLss)
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| ! colspan="2" |Small size (ssLsLsL)
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| |-
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| !Step pattern
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| !Sum
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| !Step pattern
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| !Sum
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| |-
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| |0-mosstep (mosunison)
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| |none
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| |'''0'''
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| |none
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| |'''0'''
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| |-
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| |1-mosstep
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| |L
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| |'''L'''
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| |s
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| |'''s'''
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| |-
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| |2-mosstep
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| |Ls
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| |'''L+s'''
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| |ss
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| |'''2s'''
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| |-
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| |3-mosstep
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| |LsL
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| |'''2L+s'''
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| |ssL
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| |'''1L+2s'''
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| |-
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| |4-mosstep
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| |LsLs
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| |'''2L+2s'''
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| |ssLs
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| |'''1L+3s'''
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| |-
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| |5-mosstep
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| |LsLsL
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| |'''3L+2s'''
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| |ssLsL
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| |'''2L+3s'''
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| |-
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| |6-mosstep
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| |LsLsLs
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| |'''3L+3s'''
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| |ssLsLs
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| |'''2L+4s'''
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| |-
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| |7-mosstep (mosoctave)
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| |LsLsLss
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| |'''3L+4s'''
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| |ssLsLsL
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| |'''3L+4s'''
| |
| |}The modifiers of major, minor, augmented, perfect, and diminished are assigned in the following manner:
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| * The mosunison and mosoctave are '''perfect''' because they only have one size each.
| | This rotation process usually returns the modes in rotational order, not by brightness. To get the modes in order by brightness, produce every interval for each mode - starting at the mosunison and ending at the mosoctave - producing an [[interval matrix]]. The brightest mode will be the mode that has all of its intervals - excluding the mosunison, mosoctave, and mosperiods if multi-period - in its large size. The 2nd-brightest mode will have one interval in its small size - for multi-period mosses, one interval is in its small size for every instance of the mosperiod - and so on. The darkest mode will have all of its intervals in its small size. A much faster way to do this process is to skip making an interval matrix and sort the modes produced by rotation in alphabetical order, effectively sorting all modes by decreasing brightness. In either case, the UDP for the modes sorted by brightness are (n-1)|0, (n-2)|1, and so on to 0|(n-1), or (n-1)|, (n-2)| to 0|. The table below shows the modes produced rotationally, and can be sorted by UDP. |
| * The generators are referred to as '''perfect''' by default. However, the generators have two interval sizes, and all mosses actually have two generators: a bright and dark generator (the following subsection explains how to find these). For our running example of 3L 4s, the generators are a 2-mosstep and 5-mosstep. Specifically:
| | {| class="wikitable sortable" |
| ** The large size of the bright generator is '''perfect''', and the small size is '''diminished'''.
| | |+Modes of 5L 3s, with interval sizes |
| ** The large size of the dark generator is '''augmented''', and the small size is '''perfect'''.
| | !Mode |
| * For all other intervals, the large size is '''major''' and the small size is '''minor'''.
| | !Rotational order |
| * For k-mossteps where k is greater than the number of pitches in the mos, those intervals have the same categories as an octave-reduced interval. Similarly, multiples of a mosoctave are perfect, as are generators raised by some multiple of the mosoctave.
| | !Simplified UDP |
| For multi-period mosses, the additional rules apply:
| | !mosunison |
| * For multi-period mosses not of the form nL ns, there is an additional interval that occurs periodically that only appears as one size. This interval, the mos's period, is '''perfect'''. Additionally:
| | !1-mosstep |
| ** Multiples of the period are '''perfect''', as are multiples of a mosoctave.
| | !2-mosstep |
| ** Both the bright and dark generators appear in every period, not just every octave. Generators that are raised some multiple of the mos's period are also '''perfect''', as are generators raised by some multiple of the mosoctave.
| | !3-mosstep |
| * For multi-period mosses that are of the form nL ns, the generators are '''major''' and '''minor''', rather than augmented, perfect, and diminished. This is to prevent ambiguity over calling every interval perfect.
| | !4-mosstep |
| {| class="wikitable" | | !5-mosstep |
| |+Names for mos intervals for 3L 4s | | !6-mosstep |
| !Interval | | !7-mosstep |
| !Specific mos interval | | !mosoctave |
| !Abbreviation | |
| !Interval size | |
| !Gens up | |
| |- | | |- |
| |0-mosstep (mosunison) | | |LLsLLsLs |
| |Perfect mosunison
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| |P0ms
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| |0
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| |0 | | |0 |
| | |<nowiki>7|</nowiki> |
| | |0 (perfect) |
| | |L (major) |
| | |2L (major) |
| | |2L+s (perfect) |
| | |3L+s (major) |
| | |4L+s (augmented) |
| | |4L+2s (major) |
| | |5L+2s (major) |
| | |5L+3s (perfect) |
| |- | | |- |
| | rowspan="2" |1-mosstep | | |LsLLsLsL |
| |Minor mosstep (or small mosstep) | | |1 |
| |m1ms | | |<nowiki>4|</nowiki> |
| |s | | |0 (perfect) |
| | -3 | | |L (major) |
| | |L+s (minor) |
| | |2L+s (perfect) |
| | |3L+s (major) |
| | |3L+2s (perfect) |
| | |4L+2s (major) |
| | |4L+3s (minor) |
| | |5L+3s (perfect) |
| |- | | |- |
| |Major mosstep (or large mosstep) | | |sLLsLsLL |
| |M1ms | | |2 |
| |L | | |<nowiki>1|</nowiki> |
| |4 | | |0 (perfect) |
| | |s (minor) |
| | |L+s (minor) |
| | |2L+s (perfect) |
| | |2L+2s (minor) |
| | |3L+2s (perfect) |
| | |3L+3s (minor) |
| | |4L+3s (minor) |
| | |5L+3s (perfect) |
| |- | | |- |
| | rowspan="2" |2-mosstep | | |LLsLsLLs |
| |Diminished 2-mosstep | | |3 |
| |d2ms | | |<nowiki>6|</nowiki> |
| |2s | | |0 (perfect) |
| | -6 | | |L (major) |
| | |2L (major) |
| | |2L+s (perfect) |
| | |3L+s (major) |
| | |3L+2s (perfect) |
| | |4L+2s (major) |
| | |5L+2s (major) |
| | |5L+3s (perfect) |
| |- | | |- |
| |Perfect 2-mosstep | | |LsLsLLsL |
| |P2ms | | |4 |
| |L+s | | |<nowiki>3|</nowiki> |
| |1 | | |0 (perfect) |
| | |L (major) |
| | |L+s (minor) |
| | |2L+s (perfect) |
| | |2L+2s (minor) |
| | |3L+2s (perfect) |
| | |4L+2s (major) |
| | |4L+3s (minor) |
| | |5L+3s (perfect) |
| |- | | |- |
| | rowspan="2" |3-mosstep | | |sLsLLsLL |
| |Minor 3-mosstep
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| |m3ms
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| |1L+2s
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| | -2
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| |-
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| |Major 3-mosstep
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| |M3ms
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| |2L+s
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| |5 | | |5 |
| | |<nowiki>0|</nowiki> |
| | |0 (perfect) |
| | |s (minor) |
| | |L+s (minor) |
| | |L+2s (diminished) |
| | |2L+2s (minor) |
| | |3L+2s (perfect) |
| | |3L+3s (minor) |
| | |4L+3s (minor) |
| | |5L+3s (perfect) |
| |- | | |- |
| | rowspan="2" |4-mosstep | | |LsLLsLLs |
| |Minor 4-mosstep | | |6 |
| |m4ms | | |<nowiki>5|</nowiki> |
| |1L+3s | | |0 (perfect) |
| | -5 | | |L (major) |
| | |L+s (minor) |
| | |2L+s (perfect) |
| | |3L+s (major) |
| | |3L+2s (perfect) |
| | |4L+2s (major) |
| | |5L+2s (major) |
| | |5L+3s (perfect) |
| |- | | |- |
| |Major 4-mosstep | | |sLLsLLsL |
| |M4ms | | |7 |
| |2L+2s | | |<nowiki>2|</nowiki> |
| |2 | | |0 (perfect) |
| | |s (minor) |
| | |L+s (minor) |
| | |2L+s (perfect) |
| | |2L+2s (minor) |
| | |3L+2s (perfect) |
| | |4L+2s (major) |
| | |4L+3s (minor) |
| | |5L+3s (perfect) |
| | |} |
| | Since multi-period mosses repeats every period rather than at every octave, the number of modes corresponds to the number of pitches in the period. As a result, multi-period mosses always have fewer modes. An example is shown for 3L 6s, with modified UDPs as described in the previous section. |
| | {| class="wikitable sortable" |
| | |+Modes of 3L 6s, with interval sizes |
| | !Mode |
| | !Mode name |
| | !Simplified UDP |
| | !Rotational order |
| | !mosunison |
| | !1-mosstep |
| | !2-mosstep |
| | !3-mosstep |
| | !4-mosstep |
| | !5-mosstep |
| | !6-mosstep |
| | !7-mosstep |
| | !8-mosstep |
| | !mosoctave |
| |- | | |- |
| | rowspan="2" |5-mosstep | | |LssLssLss |
| |Perfect 5-mosstep | | |<nowiki>3L 6s 2|</nowiki> |
| |P5ms | | |<nowiki>2|</nowiki> |
| |2L+3s | | |0 |
| | -1 | | |0 (perfect) |
| | |L (augmented) |
| | |L+s (perfect) |
| | |L+2s (perfect) |
| | |2L+2s (augmented) |
| | |2L+3s (perfect) |
| | |2L+4s (perfect) |
| | |3L+4s (augmented) |
| | |3L+5s (perfect) |
| | |3L+6s (perfect) |
| |- | | |- |
| |Augmented 5-mosstep | | |sLssLssLs |
| |A5ms | | |<nowiki>3L 6s 1|</nowiki> |
| |3L+2s | | |<nowiki>1|</nowiki> |
| |6 | | |2 |
| | |0 (perfect) |
| | |s (perfect) |
| | |L+s (perfect) |
| | |L+2s (perfect) |
| | |L+3s (perfect) |
| | |2L+3s (perfect) |
| | |2L+4s (perfect) |
| | |2L+5s (perfect) |
| | |3L+5s (perfect) |
| | |3L+6s (perfect) |
| |- | | |- |
| | rowspan="2" |6-mosstep | | |ssLssLssL |
| |Minor 6-mosstep | | |<nowiki>3L 6s 0|</nowiki> |
| |m6ms | | |<nowiki>0|</nowiki> |
| |2L+4s | | |1 |
| | -4 | | |0 (perfect) |
| |- | | |s (perfect) |
| |Major 6-mosstep | | |2s (diminished) |
| |M6ms | | |L+2s (perfect) |
| |3L+3s | | |L+3s (perfect) |
| |3 | | |L+4s (diminished) |
| |- | | |2L+4s (perfect) |
| |7-mosstep (mosoctave) | | |2L+5s (perfect) |
| |Perfect mosoctave | | |2L+6s (diminished) |
| |P7ms
| | |3L+6s (perfect) |
| |3L+4s | |
| |0
| |
| |} | | |} |
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| ==== How to find a mos's brightest mode and its generators ==== | | ==== Alterations to a mode ==== |
| The idea of [[Recursive structure of MOS scales|mos recursion]] may be of help with finding the generators of a mos. Likewise, the idea of modal brightness and [[Modal UDP notation|UDP]] may be of help for a mos's modes.
| | Alterations to a mode are denoted by listing what 0-indexed mosdegrees are altered by one or more moschromas, using accidentals whose meaning and notation is made clear. As a diatonic example, mixolydian b6 can be written as 5L 2s 5| b6 (where the 6th degree is is a ordinal-indexed 6th, not a 0-indexed mosdegree), but for a non-diatonic example, mode 5| of 5L 3s with a 4-mosdegree lowered by a chroma is written as "5L 3s 5| @4d" (read as "5L 3s 5 pipe at-4-degree", where the "at/@" accidental is from [[diamond-mos notation]]). |
| | |
| | === Named mos modes === |
| | Many people, or groups of people, who have described individual mosses have independently came up with names for the mos's modes. The mosses listed below have named mos modes on their respective pages. (todo: add links) |
| | |
| | * 5-note mosses: 4L 1s |
| | * 7-note mosses: 1L 6s, 2L 5s, 3L 4s, 4L 3s, 5L 2s, and 6L 1s |
| | * 8-note mosses: 3L 5s, 5L 3s, and 7L 1s |
| | * 9-note mosses: 5L 4s and 7L 2s |
| | * 10-note mosses: 3L 7s |
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| * To find the mos whose order of steps represent the mos's brightest mode, follow the algorithm described here: [[Recursive structure of MOS scales|Recursive structure of MOS scales#Finding the MOS pattern from xL ys]].
| | For mossess that no such mode names but a less mathematical name is desired, [[genchain mode numbering]] may be used, producing 1st xL ys, 2nd xL ys, and so on. |
| * To find the generators for a mos, follow the algorithm described here: [[Recursive structure of MOS scales#Finding a generator]]. Be sure to follow the additional instructions to produce the generators as some quantity of mossteps. Alternatively, produce an interval matrix using the instructions here ([[Interval matrix#Using step sizes]]) for making an interval matrix out of a mos pattern. The generators are the intervals that appear as one size in all but one mode. The interval that appears in its large size in all but one mode is the perfect bright generator, and the interval that appears in its small size in all but one mode is the perfect dark generator.
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| === Naming alterations by a chroma === | | == Sandboxed rewrite: Naming mos intervals and mos degrees == |
| TAMNAMS also uses the designations of ''augmented'' and ''diminished'' to refer to ''alterations'' of a mos interval, much like with using sharps and flats in standard notation. However, mos intervals are altered by raising or lowering it by a ''moschroma'' (or simply ''chroma'', if context allows), a generalized sharp/flat that is the difference between a large step and a small step. Raising a minor mos interval by a chroma makes it major, and lowering a major mos interval makes it minor. A major or perfect mos interval can be raised by a chroma repeatedly to produce an augmented, doubly-augmented, and (uncommonly) a triply-augmented mos interval. Likewise, a minor or perfect mos interval can be lowered by a chroma repeatedly to produce a diminished, doubly-diminished, and (uncommonly) a triply-diminished mos interval. | | Already deployed on main TAMNAMS page: [[TAMNAMS#Naming mos intervals]] |
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| A mosunison or mosoctave that is itself augmented or diminished may also be referred to a ''mosaugmented'' or ''mosdiminished'' unison or octave. Here, the meaning of unison and octave does not change depending on the mos pattern, but the meanings of augmented and diminished do.
| | === Complements of intervals === |
| | The ''octave complement'' (or ''equave complement'' for mosses that don't have an octave equivalence interval, or simply ''complement'') of a mos interval follows the same logic as the [[octave complement]] in regular music theory: in general, for a mos with n pitches, a k-mosstep in its large form has a complement of an (n-k)-mosstep in its small form, and the two intervals are complements of one another. Alternatively, if a specific mos interval is thought of as a quantity of large and small steps, then its complement is the number of steps needed to produce the mos pattern of xL ys itself. Additionally, if a mos interval is also altered by raising it by some number of chromas, its complement will be lowered by the same number of chromas, and vice-versa. |
| {| class="wikitable" | | {| class="wikitable" |
| |+Table of alterations, with abbreviations | | |+Interval complements of 3L 4s |
| | ! colspan="2" |Interval |
| | ! colspan="2" |Complement |
| |- | | |- |
| !Number of chromas | | !Name |
| !Perfect intervals | | !Size |
| !Major/minor intervals | | !Name |
| | !Size |
| |- | | |- |
| |3 chromas | | |Perfect 0-mosstep (unison) |
| |Triply-augmented (AAA, A³, or A^3)
| | |'''0''' |
| |Triply-augmented (AAA, A³, or A^3) | | |Perfect 7-mosstep (octave) |
| | |'''3L+4s''' |
| |- | | |- |
| |2 chromas | | |Major 1-mosstep |
| |Doubly-augmented (AA) | | |'''L''' |
| |Doubly-augmented (AA) | | |Minor 6-mosstep |
| | |'''2L+4s''' |
| |- | | |- |
| |1 chroma | | |Perfect 2-mosstep |
| |Augmented (A) | | |'''L+s''' |
| |Augmented (A) | | |Diminished 5-mosstep |
| | |'''2L+3s''' |
| |- | | |- |
| | rowspan="2" |0 chromas (unaltered) | | |Major 3-mosstep |
| | rowspan="2" |Perfect (P) | | |'''2L+s''' |
| |Major (M) | | |Minor 4-mosstep |
| | |'''1L+3s''' |
| |- | | |- |
| |Minor (m) | | |Major 4-mosstep |
| | |'''2L+2s''' |
| | |Minor 3-mosstep |
| | |'''1L+2s''' |
| |- | | |- |
| | -1 chroma | | |Augmented 5-mosstep |
| |Diminished (d) | | |'''3L+2s''' |
| |Diminished (d) | | |Perfect 2-mosstep |
| | |'''2s''' |
| |- | | |- |
| | -2 chromas | | |Major 6-mosstep |
| |Doubly-diminished (dd) | | |'''3L+3s''' |
| |Doubly-diminished (dd) | | |Minor 1-mosstep |
| | |'''s''' |
| |- | | |- |
| | -3 chromas | | |Perfect 7-mosstep (octave) |
| |Triply-diminished (ddd, d³, or d^3) | | |'''3L+4s''' |
| |Triply-diminished (ddd, d³, or d^3) | | |Perfect 0-mosstep (unison) |
| | |'''0''' |
| |} | | |} |
| Other intervals include the following:
| |
| * Mosdiesis (a generalized diesis for use with mosses): |L - 2s|
| |
| * Moskleisma (a generalized kleisma for use with mosses): |L - 3s|
| |
|
| |
| === Naming mos degrees ===
| |
| Individual mos degrees are based on the modifiers assigned to intervals using the process for naming mos intervals and alterations. Mos degrees are enumerated starting at the 0-mosdegree, the tonic. For example, if you go up a major k-mosstep up from the root, then the mos degree reached this way is a major k-mosdegree. Much like "k-mossteps" being shortened to "k-steps" if context allows, k-mosdegrees may also be shortened to "k-degrees". The modifiers of major/minor or augmented/perfect/diminished may also be omitted when clear from context.
| |
|
| |
| ==== Naming mos chords ====
| |
| To denote a chord or a mode on a given degree, write the chord or the mode in parentheses after the degree symbol. The most explicit option is to write out the chord in cents, edosteps or mossteps (e.g. in [[13edo]] [[5L 3s]], the 0-369-646 chord can be written 0-4-7\13, P0ms-M2ms-M4ms or 7|0 0-2-4ms) and to write the mode. To save space, you can use whatever names or abbreviations for the chord or mode you have defined for the reader. For example, in the LsLLsLLs mode of 5L 3s, we have m2md(0-369-646), or the chord 0-369-646 on the 2-mosdegree which is a minor 2-mosstep. The LsLLsLLs mode also has m2md(7|), meaning that we have the 7| (LLsLLsLs) mode on the 2-mosdegree which is a minor 2-mosstep in LsLLsLLs (see [[TAMNAMS#Proposal:%20Naming%20mos%20modes|below]] for the convention we have used to name the mode).
| |
|
| |
|
| == Other sandboxed rewrites == | | == Sandboxed rewrite: Mos pattern names == |
|
| |
|
| === Reasoning for names === | | === Reasoning for names === |
| Line 286: |
Line 339: |
| |- | | |- |
| | rowspan="15" |1:1 to 1:0 | | | rowspan="15" |1:1 to 1:0 |
| | rowspan="7" |1:1 to 2:1 | | | rowspan="7" |1:1 to 2:1 ''(general soft range)'' |
| | rowspan="3" |1:1 to 3:2 | | | rowspan="3" |1:1 to 3:2 |
| |1:1 to 4:3 (ultrasoft) | | |1:1 to 4:3 (ultrasoft) |
| Line 324: |
Line 377: |
| |Also called quintessential | | |Also called quintessential |
| |- | | |- |
| | rowspan="7" |2:1 to 1:0 | | | rowspan="7" |2:1 to 1:0 ''(general hard range)'' |
| | rowspan="3" |2:1 to 3:1 (hypohard) | | | rowspan="3" |2:1 to 3:1 (hypohard) |
| |2:1 to 5:2 (minihard) | | |2:1 to 5:2 (minihard) |
| Line 379: |
Line 432: |
| | colspan="2" | | | | colspan="2" | |
| |'''1:1 (equalized)''' | | |'''1:1 (equalized)''' |
| | | | |Trivial/pathological |
| |- | | |- |
| | rowspan="21" |1:1 to 1:0 | | | rowspan="21" |1:1 to 1:0 |
| | rowspan="9" |1:1 to 2:1 | | | rowspan="9" |1:1 to 2:1 ''(general soft range)'' |
| | rowspan="5" |1:1 to 3:2 | | | rowspan="5" |1:1 to 3:2 |
| | rowspan="3" |1:1 to 4:3 (ultrasoft) | | | rowspan="3" |1:1 to 4:3 (ultrasoft) |
| Line 430: |
Line 483: |
| |'''2:1 (basic)''' | | |'''2:1 (basic)''' |
| |- | | |- |
| | rowspan="11" |2:1 to 1:0 | | | rowspan="11" |2:1 to 1:0 ''(general hard range)'' |
| | rowspan="3" |2:1 to 3:1 (hypohard) | | | rowspan="3" |2:1 to 3:1 (hypohard) |
| |2:1 to 5:2 (minihard) | | |2:1 to 5:2 (minihard) |
| Line 473: |
Line 526: |
| |- | | |- |
| | colspan="2" | | | | colspan="2" | |
| |'''10:1 (pseudocollapsed)''' | | |'''10:1 (semicollapsed)''' |
| | | | | |
| |- | | |- |
| Line 486: |
Line 539: |
| | colspan="2" | | | | colspan="2" | |
| |'''1:0 (collapsed)''' | | |'''1:0 (collapsed)''' |
| | |Trivial/pathological |
| |} | | |} |
|
| |
|
| Line 907: |
Line 961: |
|
| |
|
| == Proposal: Naming mosses with more than 10 steps (work-in-progress) == | | == Proposal: Naming mosses with more than 10 steps (work-in-progress) == |
| This is a system for describing scales beyond the set of named TAMNAMS scales. Both [[User:Frostburn]] ([[User:Frostburn/TAMNAMS Extension]]) and I have similar systems, with the main difference here being that mosses are technically not limited to being only three generations away.
| | See: [[User:Ganaram inukshuk/TAMNAMS Extension]] |
| | | == Changes to mos names == |
| === Naming mosdescendants up to 3 generations === | |
| Although naming scales beyond the current cap of 10 notes is antithetical to the purpose of TAMNAMS, names for mosses greater than 10 notes can be made systematically using existing names. The rules are described as such:
| |
| | |
| * If the scale is the child of a named parent scale, then the scale is '''moschromatic'''.
| |
| * If the scale is the grandchild of a named parent scale, then the scale is '''mosenharmonic.'''
| |
| * If the scale is the great-grandchild of a named parent scale, then the scale is '''mosschismic'''. (tentative name; [[Schismatic family|schismic]] refers to a family of temperaments; open to better name suggestions)
| |
| * If the scale is more than 3 generations from a named parent scale, or if referring to a scale regardless of number of generations from the parent, then the scale is a '''mosdescendant''' scale.
| |
|
| |
|
| For describing the scales of a named mos, the prefix of mos- is removed and replaced with the mos's prefix instead. For example, the child, grandchild, and great-grandchild scales for the mos 5L 3s (oneirotonic, prefix oneiro-) are oneirochromatic, oneiroenharmonic, and oneiroschismic respectively, and the entire family of mosses related to oneirotonic are oneirodescendants.
| | ===Which mosses are worth naming?=== |
| | Updates to TAMNAMS around 2022 have imposed a maximum step count of 10. I'm arguing there should be a minimum note count 6 for the following reasons: |
|
| |
|
| Additionally, the lack of a prefix will specifically describe the descendant scales of 5L 2s: chromatic, enharmonic, and schismic. Descendants of 5L 2s are referred to as "diatonic descendants" rather than "descendants".
| | *Mosses with step counts less than 6 have generator ranges so broad that they encompass multiple temperaments and can be expanded to multiple mosses. |
| | *Mosses 1L 1s, 1L 2s, and 2L 1s have extremely broad generator ranges that it may be difficult to generalize anything about them, let alone compose with them. |
| | *The parents of most of the mosses with note counts 6-10 are mosses with 4-5 notes, so to denote these mosses, it may be better to think of these parents as subsets of those larger mosses instead. When people compose with 2L 3s, for example, they don't invent entirely new notation for that; instead, they use notation for 5L 2s and skip two of the notes. |
| | **1L 3s, parent of 1L 5s and 5L 1s |
| | **3L 1s, parent of 3L 4s and 4L 3s |
| | **1L 5s, parent of 1L 6s and 6L 1s |
| | ** 2L 3s, parent of 2L 5s and 5L 2s |
| | **3L 2s, parent of 3L 5s and 5L 3s |
| | **4L 1s, parent of 4L 5s and 5L 4s |
| | *The names for these small mosses differ from the other mos names in that they're meant to be equave-agnostic. It's not that these names would go away; rather, they'd be going somewhere else. (Where is not known at the moment.) |
| | **The mos module doesn't even include these names, apart from monowood and biwood. |
|
| |
|
| Single-letter prefixes for these names are optional, as the single-letter prefixes are meant for specificity. With no prefix specified, moschromatic refers to one of two child scales, mosenharmonic refers to one of four grandchild scales, and mosschismic refers to one of eight great-grandchild scales. The table below shows those prefixes and the mosdescendants for which they apply, as well as the step ratio of the parent mos needed to reach these scales.
| | ===Proposed style guide=== |
| {| class="wikitable"
| | The following is a proposed guide for naming mosses, based on patterns gleamed from existing mosses. There are also exceptions to these rules. |
| |+Mosdescendant scales sorted by step ratio
| |
| ! colspan="3" |Parent scale
| |
| ! colspan="4" |Moschromatic (child) scales
| |
| ! colspan="4" |Mosenharmonic (grandchild) scales
| |
| ! colspan="4" |Mosschismic (great-grandchild) scales
| |
| |-
| |
| ! rowspan="2" |Steps
| |
| ! colspan="2" |Step ratio
| |
| ! rowspan="2" |Steps
| |
| ! rowspan="2" |Specific name
| |
| ! colspan="2" |Step ratio of parent
| |
| ! rowspan="2" |Steps
| |
| ! rowspan="2" |Specific name
| |
| ! colspan="2" |Step ratio of grandparent
| |
| ! rowspan="2" |Steps
| |
| ! rowspan="2" |Specific name
| |
| ! colspan="2" |Step ratio of great-grandparent
| |
| |-
| |
| !General range
| |
| !Step ratio for 2:1
| |
| !General range
| |
| !For L:s = 2:1
| |
| !General range
| |
| !For L:s = 2:1
| |
| !General range
| |
| !For L:s = 2:1
| |
| |-
| |
| | rowspan="8" |xL ys
| |
| | rowspan="8" |1:1 to 1:0
| |
| | rowspan="8" |2:1 (basic)
| |
| | rowspan="4" |(x+y)L xs
| |
| | rowspan="4" |m-moschromatic
| |
| | rowspan="4" |1:1 to 2:1
| |
| | rowspan="4" |3:2 (soft)
| |
| | rowspan="2" |(x+y)L (2x+y)s
| |
| | rowspan="2" |f-mosenharmonic
| |
| | rowspan="2" |1:1 to 3:2
| |
| | rowspan="2" |4:3 (supersoft)
| |
| |(x+y)L (3x+2y)s
| |
| |f-mosschismic
| |
| |1:1 to 4:3 (ultrasoft)
| |
| |5:4
| |
| |-
| |
| |(3x+2y)L (x+y)s
| |
| |a-mosschismic
| |
| |4:3 to 3:2 (parasoft)
| |
| |7:5
| |
| |-
| |
| | rowspan="2" |(2x+y)L (x+y)s
| |
| | rowspan="2" |m-mosenharmonic
| |
| | rowspan="2" |3:2 to 2:1 (hyposoft)
| |
| | rowspan="2" |5:3 (semisoft)
| |
| |(3x+2y)L (2x+y)s
| |
| |u-mosschismic
| |
| |3:2 to 5:3 (quasisoft)
| |
| |8:5
| |
| |-
| |
| |(2x+y)L (3x+2y)s
| |
| |m-mosschismic
| |
| |5:3 to 2:1 (minisoft)
| |
| |7:4
| |
| |-
| |
| | rowspan="4" |xL (x+y)s
| |
| | rowspan="4" |p-moschromatic
| |
| | rowspan="4" |2:1 to 1:0
| |
| | rowspan="4" |3:1 (hard)
| |
| | rowspan="2" |(2x+y)L xs
| |
| | rowspan="2" |p-mosenharmonic
| |
| | rowspan="2" |2:1 to 3:1 (hypohard)
| |
| | rowspan="2" |5:2 (semihard)
| |
| |(2x+y)L (3x+y)s
| |
| |p-mosschismic
| |
| |2:1 to 5:2 (minihard)
| |
| |7:3
| |
| |-
| |
| |(3x+y)L (2x+y)s
| |
| |q-mosschismic
| |
| |5:2 to 3:1 (quasihard)
| |
| |8:3
| |
| |-
| |
| | rowspan="2" |xL (2x+y)s
| |
| | rowspan="2" |s-mosenharmonic
| |
| | rowspan="2" |3:1 to 1:0
| |
| | rowspan="2" |4:1 (superhard)
| |
| |(3x+y)L xs
| |
| |r-mosschismic
| |
| |3:1 to 4:1 (parahard)
| |
| |7:2
| |
| |-
| |
| |xL (3x+y)s
| |
| |s-mosschismic
| |
| |4:1 to 1:0 (ultrahard)
| |
| |5:1
| |
| |}
| |
| {| class="wikitable"
| |
| |+Simplified table, without step ratios, sorted by position on mos family tree
| |
| !Parent scale
| |
| ! colspan="2" |Moschromatic scales
| |
| ! colspan="2" |Mosenharmonic scales
| |
| ! colspan="2" |Mosschismic scales
| |
| |-
| |
| !Steps
| |
| !Steps
| |
| !Specific name
| |
| !Steps
| |
| !Specific name
| |
| !Steps
| |
| !Specific name
| |
| |-
| |
| | rowspan="8" |xL ys
| |
| | rowspan="4" |xL (x+y)s
| |
| | rowspan="4" |p-moschromatic
| |
| | rowspan="2" |xL (2x+y)s
| |
| | rowspan="2" |s-mosenharmonic
| |
| |xL (3x+y)s
| |
| |s-mosschismic
| |
| |-
| |
| |(3x+y)L xs
| |
| |r-mosschismic
| |
| |-
| |
| | rowspan="2" |(2x+y)L xs
| |
| | rowspan="2" |p-mosenharmonic
| |
| |(2x+y)L (3x+y)s
| |
| |p-mosschismic
| |
| |-
| |
| |(3x+y)L (2x+y)s
| |
| |q-mosschismic
| |
| |-
| |
| | rowspan="4" |(x+y)L xs
| |
| | rowspan="4" |m-moschromatic
| |
| | rowspan="2" |(x+y)L (2x+y)s
| |
| | rowspan="2" |f-mosenharmonic
| |
| |(x+y)L (3x+2y)s
| |
| |f-mosschismic
| |
| |-
| |
| |(3x+2y)L (x+y)s
| |
| |a-mosschismic
| |
| |-
| |
| | rowspan="2" |(2x+y)L (x+y)s
| |
| | rowspan="2" |m-mosenharmonic
| |
| |(2x+y)L (3x+2y)s
| |
| |m-mosschismic
| |
| |-
| |
| |(3x+2y)L (2x+y)s
| |
| |u-mosschismic
| |
| |}
| |
|
| |
|
| === Mosdescendants for single-period mosses ===
| | #Names for single-period mosses with 5 or fewer notes are the most general names, not limited to an equivalence interval of an octave, and end with -ic or -al. These should be the only mosses that contain the anti- prefix, shortened to an-. |
| Although it's possible for any mos to have mosdescendants named as described above, it's recommended that mosdescendant scale names should apply to mosses whose immediate child mosses exceed 10 steps. The following tables show which mosses, marked in '''bold''', mosdescendant names can apply.
| | ##Monowood is an exception in that it does not end with -ic or -al. |
| {| class="wikitable"
| | # Names for single-period mosses not of the form 1L ns end with -tonic, suggesting that these are octave-specific and reference a specific interval, or a notable pre-TAMNAMS or other temperament-agnostic name. |
| |+Single-period mosses for which mosdescendant names apply
| | ##Temperament-based names may be justified if it applies to a mos with a sufficiently narrow generator range, or if no other naming options are available. Such names should end with -oid. |
| !Mos
| | ##Mosh, semiquartal, balzano, and pine are exceptions to this rule. |
| !Name
| | #Single-period mosses of the form 1L ns with 6 or more notes are named after minerals and gemstones. |
| !Mos
| | ## This requires renaming existing mosses, namely antimachinoid, antipine, antisubneutralic, and antisinatonic. |
| !Name
| | # Multi-period mos names should bear the -ic suffix. |
| !Mos
| | ##All of the wood mosses are exceptions to this rule, as are lemon, lime, and tcherepnin. |
| !Name
| | # With the exception of mosses named under rule 1, mosses should avoid having additional prefixes if possible, such as anti-, sub-, or super-, and mosses should avoid sharing the same word stem unless the mosses in question are related in some way. |
| !Mos
| | ##Sets of mosses that share a relationship with one another include the following: subaric, jaric, and taric; monowood, biwood, triwood, tetrawood, pentawood; antidiatonic and diatonic (in that they're sister mosses) |
| !Name
| |
| !Mos
| |
| !Name
| |
| !Mos
| |
| !Name
| |
| !Mos
| |
| !Name
| |
| !Mos
| |
| !Name
| |
| !Mos
| |
| !Name
| |
| |-
| |
| | rowspan="16" |1L 1s
| |
| | rowspan="16" |trivial
| |
| | rowspan="11" |1L 2s
| |
| | rowspan="11" |antrial
| |
| | rowspan="8" |1L 3s
| |
| | rowspan="8" |antetric
| |
| | rowspan="6" |1L 4s
| |
| | rowspan="6" |pedal
| |
| | rowspan="5" |1L 5s
| |
| | rowspan="5" |antimachinoid
| |
| | rowspan="4" |1L 6s
| |
| | rowspan="4" |onyx
| |
| | rowspan="3" |1L 7s
| |
| | rowspan="3" |antipine
| |
| | rowspan="2" |1L 8s
| |
| | rowspan="2" |antisubneutralic
| |
| |1L 9s
| |
| |'''antisinatonic (asina-)'''
| |
| |-
| |
| |9L 1s
| |
| |'''sinatonic (sina-)'''
| |
| |-
| |
| |8L 1s
| |
| |'''subneutralic (blu-)'''
| |
| | colspan="2" rowspan="14" |
| |
| |-
| |
| |7L 1s
| |
| |'''pine (pine-)'''
| |
| | colspan="2" rowspan="13" |
| |
| |-
| |
| |6L 1s
| |
| |'''arch(a)eotonic (arch-)'''
| |
| | colspan="2" rowspan="12" |
| |
| |-
| |
| |5L 1s
| |
| |'''machinoid (mech-)'''
| |
| | colspan="2" rowspan="11" |
| |
| |-
| |
| | rowspan="2" |4L 1s
| |
| | rowspan="2" |manual
| |
| |5L 4s
| |
| |'''semiquartal (chton-)'''
| |
| |-
| |
| |4L 5s
| |
| |'''gramitonic (gram-)'''
| |
| |-
| |
| | rowspan="3" |3L 1s
| |
| | rowspan="3" |tetric
| |
| |4L 3s
| |
| |'''smitonic (smi-)'''
| |
| | colspan="2" |
| |
| |-
| |
| | rowspan="2" |3L 4s
| |
| | rowspan="2" |mosh
| |
| |7L 3s
| |
| |'''dicoid/zaltertic (dico-/zal-)'''
| |
| |-
| |
| |3L 7s
| |
| |'''sephiroid (seph-)'''
| |
| |-
| |
| | rowspan="5" |2L 1s
| |
| | rowspan="5" |trial
| |
| | rowspan="2" |3L 2s
| |
| | rowspan="2" |antipentic
| |
| |3L 5s
| |
| |'''checkertonic (check-)'''
| |
| | colspan="2" rowspan="3" |
| |
| |-
| |
| |5L 3s
| |
| |'''oneirotonic (oneiro-)'''
| |
| |-
| |
| | rowspan="3" |2L 3s
| |
| | rowspan="3" |pentic
| |
| |5L 2s
| |
| |'''diatonic ''(no prefix)'''''
| |
| |-
| |
| | rowspan="2" |2L 5s
| |
| | rowspan="2" |antidiatonic
| |
| |7L 2s
| |
| |'''superdiatonic (arm-)'''
| |
| |-
| |
| |2L 7s
| |
| |'''balzano (bal-)'''
| |
| |}
| |
|
| |
|
| === Mosdescendants for multi-period mosses === | | ===Changes to existing names=== |
| TAMNAMS has names for 2-period mosses up to 10 notes, and as such, mosdescendant names apply to mosses whose children have more than 10 notes: '''jaric''', '''taric''', '''ekic''', '''lemon''', and '''lime'''. Likewise, there are 3-period scales up to 9 notes, so mosdescendant names apply to '''tcherepnin''' and '''hyrulic''', the only 3-period mosses named under TAMNAMS, apart from triwood.
| | This section describes changes to existing [[TAMNAMS]] names that I would make, given the proposal described in the previous section and the following reasons: |
| {| class="wikitable"
| |
| |+2 and 3-period mosses for which mosdescendant names apply
| |
| ! colspan="8" |2-period mosses
| |
| |-
| |
| !Mos
| |
| !Name
| |
| !Mos
| |
| !Name
| |
| !Mos
| |
| !Name
| |
| !Mos
| |
| !Name
| |
| |-
| |
| | rowspan="5" |[[2L 2s]]
| |
| | rowspan="5" |biwood
| |
| | rowspan="3" |[[2L 4s]]
| |
| | rowspan="3" |malic
| |
| | rowspan="2" |[[2L 6s]]
| |
| | rowspan="2" |subaric
| |
| |[[2L 8s]]
| |
| |'''jaric (jara-)'''
| |
| |-
| |
| |[[8L 2s]]
| |
| |'''taric (tara-)'''
| |
| |-
| |
| |[[6L 2s]]
| |
| |'''ekic (ek-)'''
| |
| | colspan="2" rowspan="3" |
| |
| |-
| |
| | rowspan="2" |[[4L 2s]]
| |
| | rowspan="2" |citric
| |
| |[[6L 4s]]
| |
| |'''lemon (lem-)'''
| |
| |-
| |
| |[[4L 6s]]
| |
| |'''lime (lime-)'''
| |
| |-
| |
| ! colspan="8" |3-period mosses
| |
| |-
| |
| !Mos
| |
| !Name
| |
| !Mos
| |
| !Name
| |
| | colspan="4" rowspan="3" |
| |
| |-
| |
| | rowspan="2" |[[3L 3s]]
| |
| | rowspan="2" |triwood
| |
| |[[3L 6s]]
| |
| |'''tcherepnin (cher-)'''
| |
| |-
| |
| |[[6L 3s]]
| |
| |'''hyrulic (hyru-)'''
| |
| |}
| |
| Starting at 4 periods, mosdescendant names apply only to n-wood scales (tetrawood, pentawood, etc), where the names of mosdescendants are based on names for single-period mosses up to 5 notes rather than based on moschromatic, mosenharmonic, and mosschismic, and thereby limited to mosdescendants with 5n notes; any descendants after that are referred as to '''n-wood descendants'''.
| |
|
| |
|
| Since the names for single-period mosses up to 5 notes may also be used for non-octave periods, these names are used for multi-period mosses, producing '''n-antrial''', '''n-trial''', '''n-antetric''', '''n-tetric''', '''n-antipentic''', '''n-pentic''', '''n-pedal''', and '''n-manual'''. Note that there are only two named 3rd-generation mosses from nL ns rather than the usual eight; the missing six names (what would be n-smitonic, n-mosh, n-checkertonic, n-oneiorotonic, n-diatonic, and n-antidiatonic) are unsuitable for use for multi-period mos names as these names must refer to an octave period.
| | *Some names are still based on a temperament (mainly the -oid names), so those are either replaced with a new name or at least altered so the references are more indirect. |
| | *There were Discord users with whom I shared a similar sentiment regarding the names of certain scales, mainly the mosses with the anti- prefix and the scales antidiatonic and superdiatonic. |
| | *Some names are too long (in my opinion). |
|
| |
|
| The table outlines possible names for n-wood descendants for tetrawood, pentawood, and, in the general case, n-wood. Numeric prefixes may be used for these names, rather than n-. | | The choice of names are not perfect and some may have issues. Some name suggestions went through different versions. This section is meant to start a discussion on alternate names should a need come up for it. Some of these suggestions may be outdated as TAMNAMS names change, rendering such suggestions unnecessary; notes regarding such changes are in '''bold'''. |
| {| class="wikitable" | | {| class="wikitable" |
| |+Possible mosdescendant names for mosses with 4 periods or more | | |+ |
| | Table of proposed name changes |
| | ! colspan="9" |Proposals for octave-specific mosses currently referred to by equave-agnostic names |
| |- | | |- |
| ! colspan="9" |4-period mosses | | ! rowspan="2" |Mos |
| | ! colspan="3" |Current name |
| | ! colspan="3" |Suggested name(s) |
| | ! rowspan="2" |Reasoning |
| | ! rowspan="2" |Possible issues and other notes |
| |- | | |- |
| !Mos
| |
| !Name | | !Name |
| !Mos | | !Prefix |
| | !Abbrev. |
| !Name | | !Name |
| !Mos | | !Prefix |
| !Name | | !Abbrev. |
| !Mos
| |
| !Name
| |
| !Other notes
| |
| |- | | |- |
| | rowspan="5" |[[4L 4s]] | | |1L 3s |
| | rowspan="5" |'''tetrawood'''
| | |antetric |
| | rowspan="3" |[[4L 8s]]
| |
| | rowspan="3" |quadantrial
| |
| | rowspan="2" |[[4L 12s]]
| |
| | rowspan="2" |quadantetric
| |
| |[[4L 16s]]
| |
| |tetrapedal
| |
| | rowspan="5" |Some names have Latin prefixes for ease of spelling.
| |
| |-
| |
| |[[16L 4s]]
| |
| |tetramanual
| |
| |-
| |
| |[[12L 4s]]
| |
| |quadtetric
| |
| | colspan="2" rowspan="3" |
| |
| |-
| |
| | rowspan="2" |[[8L 4s]]
| |
| | rowspan="2" |quadtrial
| |
| |[[12L 8s]]
| |
| |tetrantipentic
| |
| |-
| |
| |[[8L 12s]]
| |
| |tetrapentic
| |
| |-
| |
| ! colspan="9" |5-period mosses
| |
| |-
| |
| !Mos
| |
| !Name
| |
| !Mos
| |
| !Name
| |
| !Mos
| |
| !Name
| |
| !Mos
| |
| !Name
| |
| !Other notes
| |
| |-
| |
| | rowspan="5" |[[5L 5s]]
| |
| | rowspan="5" |'''pentawood'''
| |
| | rowspan="3" |[[5L 10s]]
| |
| | rowspan="3" |quinantrial
| |
| | rowspan="2" |[[5L 15s]]
| |
| | rowspan="2" |quinantetric
| |
| |[[5L 20s]]
| |
| |pentapedal
| |
| | rowspan="5" |Some names have Latin prefixes for ease of spelling.
| |
| |-
| |
| |[[20L 5s]]
| |
| |pentamanual
| |
| |-
| |
| |[[15L 5s]]
| |
| |quintetric
| |
| | colspan="2" rowspan="3" |
| |
| |-
| |
| | rowspan="2" |[[10L 5s]]
| |
| | rowspan="2" |quintrial
| |
| |[[15L 10s]]
| |
| |quinantipentic
| |
| |-
| |
| |[[10L 15s]]
| |
| |quinpentic
| |
| |-
| |
| ! colspan="9" |n-period mosses
| |
| |- | |
| !Mos
| |
| !Name
| |
| !Mos
| |
| !Name
| |
| !Mos
| |
| !Name
| |
| !Mos
| |
| !Name
| |
| !Other notes
| |
| |-
| |
| | rowspan="5" |nL ns
| |
| | rowspan="5" |'''n-wood'''
| |
| | rowspan="3" |nL 2ns
| |
| | rowspan="3" |n-antrial
| |
| | rowspan="2" |nL 3ns
| |
| | rowspan="2" |n-antetric
| |
| |nL 4ns
| |
| |n-pedal
| |
| | rowspan="5" |A numeric prefix may be used instead, such as hexawood instead of 6-wood.
| |
| When in doubt, prefix names for n-period mosses with n-.
| |
| |-
| |
| |4nL ns
| |
| |n-manual
| |
| |-
| |
| |3nL ns
| |
| |n-tetric
| |
| | colspan="2" rowspan="3" |
| |
| |-
| |
| | rowspan="2" |2nL ns
| |
| | rowspan="2" |n-trial
| |
| |3nL 2ns
| |
| |n-anpentic
| |
| |-
| |
| |2nL 3ns
| |
| |n-pentic
| |
| |}
| |
| | |
| === Naming mosdescendants beyond 3 generations ===
| |
| Each generation has twice as many mosdescendants as the last, so rather than try to name every possible descendant, mosdescendants more than 3 generations from a given parent mos may be referred to how many generations away it is. Mosschismic scales are 3rd mosdescendants, so after that are 4th-mosdescendants, 5th-mosdescendants, and so on. The algorithms below shows how to find how many generations away a mos xL ys is from another scale.
| |
| | |
| * For mosses with up to 3 periods: finding a parent mos zL ws for the mosdescendant xL ys, where x, y, z, and w share a greatest common factor that is no greater than 3:
| |
| *# Let z and w be the number of large and small steps of the parent mos to be found. Assign to z and w the values x and y respectively. Let g = 0, where g is the number of generations away from zL ws.
| |
| *# Let m1 be equal to max(z, w) and m2 be equal to min(z, w).
| |
| *# Assign to z the value m2 and w the value m1-m2. Increment g by 1.
| |
| *# If the sum of z and w is no more than 10, then the parent mos is zL ws and has a TAMNAMS name. If not, repeat the process starting at step 2.
| |
| * For mosses with 4 periods or more: finding how many generations away a mosdescendant xL ys is from its n-wood scale, where x and y have a greatest common factor of n that is 4 or greater:
| |
| *# Let z and w be assigned the values x and y respectively. Let g = 0, where g is the number of generations away from nL ns.
| |
| *# Let m1 be equal to max(z, w) and m2 be equal to min(z, w).
| |
| *# Assign to z the value m2 and w the value m1-m2. Increment g by 1.
| |
| *# If the sum of z and w is exactly 2n, then the mos nL ns is g generations away from xL ys. If not, repeat the process starting at step 2.
| |
| | |
| === Naming mosdescendants for linearly growing scales (work-in-progress) ===
| |
| Some noteworthy mosdescendants may be more than 3 generations away, but may have the same number of large steps as a named parent mos. In such cases, the number of notes with each successive mosdescendant grows linearly, and these mosses may be assigned a letter to refer to a specific mosdescendant. Currently, this applies to mosdescendants whose parent mos has a step ratio that is along the extreme edges of the step ratio spectrum, around pseudoequalized and pseudocollapsed, producing '''nth s-mosdescendants''' and '''nth f-mosdescendants'''. The mos family tree better shows which mosses grow linearly, shown in bold, as the upper child of each node is always xL (x+y)s, which becomes of xL (nx+y)s over n generations.
| |
| {| class="wikitable"
| |
| |+Mosdescendants sorted by position on the mos family tree
| |
| !Parent scale
| |
| ! colspan="2" |Moschromatic scales
| |
| (1st mosdescendants)
| |
| ! colspan="2" |Mosenharmonic scales
| |
| (2nd mosdescendants)
| |
| ! colspan="2" |Mosschismic scales
| |
| (3rd mosdescendants)
| |
| ! colspan="2" |4th-mosdescendant scales
| |
| (selected mosdescendants)
| |
| ! colspan="2" |5th-mosdescendant scales
| |
| (selected mosdescendants)
| |
| ! colspan="2" |nth-mosdescendant scales
| |
| (selected mosdescendants)
| |
| |-
| |
| !Steps
| |
| !Steps
| |
| !Specific name
| |
| !Steps
| |
| !Specific name
| |
| !Steps
| |
| !Specific name
| |
| !Steps
| |
| !Specific name
| |
| !Steps
| |
| !Specific name
| |
| !Steps
| |
| !Specific name
| |
| |-
| |
| | rowspan="8" |xL ys
| |
| | rowspan="4" |'''xL (x+y)s'''
| |
| | rowspan="4" |'''p-moschromatic'''
| |
| | rowspan="2" |'''xL (2x+y)s'''
| |
| | rowspan="2" |'''s-mosenharmonic'''
| |
| |'''xL (3x+y)s'''
| |
| |'''s-mosschismic'''
| |
| |'''xL (4x+y)s'''
| |
| |'''4th s-mosdescendant'''
| |
| |'''xL (5x+y)s'''
| |
| |'''5th s-mosdescendant'''
| |
| |'''xL (nx+y)s'''
| |
| |'''nth s-mosdescendant'''
| |
| |-
| |
| |(3x+y)L xs
| |
| |r-mosschismic
| |
| |
| |
| | | | | |
| | | | | |
| Line 1,422: |
Line 1,027: |
| | | | | |
| | | | | |
| | | rowspan="6" |The names in this category are not replacements, but octave-specific proposals. |
| | Names for these mosses are based on the base terms "pentoid" and "tetroid" and have appropriate prefixes added. Specifically: |
| | |
| | * For diapentoid, the prefix dia- is chosen, as it refers to both diatonic and, indirectly, antidiatonic. |
| | * For mechpentoid, the prefix mech- is chosen for the same reason as dia-. |
| | * For smotetroid, the prefix smo- is chosen as it combines the prefixes of mosh- and smi-. |
| | | rowspan="6" | |
| |- | | |- |
| | rowspan="2" |(2x+y)L xs | | |3L 1s |
| | rowspan="2" |p-mosenharmonic
| | |tetric |
| |(2x+y)L (3x+y)s
| |
| |p-mosschismic
| |
| |(2x+y)L (5x+2y)s
| |
| |4th p-mosdescendant
| |
| |(2x+y)L (7x+3y)s
| |
| |5th p-mosdescendant
| |
| |
| |
| |
| |
| |-
| |
| |(3x+y)L (2x+y)s
| |
| |q-mosschismic
| |
| |
| |
| | | |
| | | | | |
| | | | | |
| | |smotetroid |
| | | | | |
| | | | | |
| |- | | |- |
| | rowspan="4" |(x+y)L xs | | |1L 4s |
| | rowspan="4" |m-moschromatic
| | |pedal |
| | rowspan="2" |'''(x+y)L (2x+y)s'''
| |
| | rowspan="2" |'''f-mosenharmonic'''
| |
| |'''(x+y)L (3x+2y)s'''
| |
| |'''f-mosschismic'''
| |
| |'''(x+y)L (4x+3y)s'''
| |
| |'''4th f-mosdescendant'''
| |
| |'''(x+y)L (5x+4y)s'''
| |
| |'''5th f-mosdescendant'''
| |
| |'''(x+y)L (nx+(n-1)y)s'''
| |
| |'''nth f-mosdescendant'''
| |
| |-
| |
| |(3x+2y)L (x+y)s
| |
| |a-mosschismic
| |
| |
| |
| | | |
| | | | | |
| | | | | |
| | |mechpentoid |
| | | | | |
| | | | | |
| |- | | |- |
| | rowspan="2" |(2x+y)L (x+y)s | | |4L 1s |
| | rowspan="2" |m-mosenharmonic
| | |manual |
| |(2x+y)L (3x+2y)s
| |
| |m-mosschismic
| |
| |(2x+y)L (5x+3y)s
| |
| |4th m-mosdescendant
| |
| |(2x+y)L (7x+4y)s
| |
| |5th m-mosdescendant
| |
| | | |
| | | | | |
| |-
| |
| |(3x+2y)L (2x+y)s
| |
| |u-mosschismic
| |
| | | | | |
| | | | | |
| | | | | |
| | | | | |
| |
| |
| |
| |
| |}
| |
| {| class="wikitable"
| |
| |+Mosdescendants sorted by step ratio
| |
| !Parent scale
| |
| ! colspan="2" |Moschromatic scales
| |
| (1st mosdescendants)
| |
| ! colspan="2" |Mosenharmonic scales
| |
| (2nd mosdescendants)
| |
| ! colspan="2" |Mosschismic scales
| |
| (3rd mosdescendants)
| |
| ! colspan="3" |nth-mosdescendant scales
| |
| |- | | |- |
| !Steps
| | |2L 3s |
| !Steps
| | |pentic |
| !Specific name
| |
| !Steps
| |
| !Specific name
| |
| !Steps
| |
| !Specific name
| |
| !Steps
| |
| !Specific name
| |
| !Step ratio of parent
| |
| |-
| |
| | rowspan="10" |xL ys
| |
| | rowspan="5" |(x+y)L xs
| |
| | rowspan="5" |m-moschromatic
| |
| | rowspan="3" |(x+y)L (2x+y)s
| |
| | rowspan="3" |f-mosenharmonic
| |
| | rowspan="2" |(x+y)L (3x+2y)s
| |
| | rowspan="2" |f-mosschismic
| |
| |(x+y)L (nx+(n-1)y)s
| |
| |nth f-mosdescendant
| |
| |Softer than 5:4
| |
| |-
| |
| | rowspan="8" |
| |
| | rowspan="8" |
| |
| | rowspan="8" |
| |
| |-
| |
| |(3x+2y)L (x+y)s
| |
| |a-mosschismic
| |
| |-
| |
| | rowspan="2" |(2x+y)L (x+y)s
| |
| | rowspan="2" |m-mosenharmonic
| |
| |(3x+2y)L (2x+y)s
| |
| |u-mosschismic
| |
| |-
| |
| |(2x+y)L (3x+2y)s
| |
| |m-mosschismic
| |
| |-
| |
| | rowspan="5" |xL (x+y)s
| |
| | rowspan="5" |p-moschromatic
| |
| | rowspan="2" |(2x+y)L xs
| |
| | rowspan="2" |p-mosenharmonic
| |
| |(2x+y)L (3x+y)s
| |
| |p-mosschismic
| |
| |-
| |
| |(3x+y)L (2x+y)s
| |
| |q-mosschismic
| |
| |-
| |
| | rowspan="3" |xL (2x+y)s
| |
| | rowspan="3" |s-mosenharmonic
| |
| |(3x+y)L xs
| |
| |r-mosschismic
| |
| |-
| |
| | rowspan="2" |xL (3x+y)s
| |
| | rowspan="2" |s-mosschismic
| |
| |-
| |
| |xL (nx+y)s
| |
| |nth s-mosdescendant
| |
| |Harder than 5:1
| |
| |}
| |
| | |
| === Reasoning for names ===
| |
| The names for moschromatic scales are based on former names for the child scales for diatonic (5L 2s): p-chromatic (5L 7s) and m-chromatic (7L 5s). This was generalized to "chromatic" and "moschromatic", with the prefixes m- and p- for specificity. The names for mosenharmonic scales are based on discussions with xen Discord members for systematically naming the daughter and granddaughter scales of a mos, producing "enharmonic" and "mosenharmonic" with the prefixes f-, m-, p-, and s- for specificity.
| |
| | |
| Names for mosdescendants are thereby based on replacing the mos- prefix with that for a mos's TAMNAMS name. This effectively brings back the names of m-chromatic and p-chromatic, as TAMNAMS specifically names mosses up to 10 notes. This also names other mosses whose names were lost entirely, mainly kleistonic (4L 7s, now p-smichromatic) and suprasmitonic (7L 4s, now m-smichromatic), two names that were dropped because these mosses had more than 10 notes.
| |
| | |
| The reason why mosdescendants for mosses with 4 periods or greater are not based on their corresponding n-wood scale is because these mosses do not have any child mosses with 10 notes or fewer, and therefore have no named child mosses from which to build mosdescendant names. Rather, names for these mosdescendants are based on period-agnostic names (antrial, trial, antetric, tetric, etc) to reflect that these are scales based on duplicating a base mos multiple times within an octave.
| |
| | |
| The addition of mosschismic scales for great-grandchild scales was done for completeness, with the prefixes f-, a-, u-, m-, p- q-, r-, and s- for specificity (names not finalized). Note that mosschismic scales borrows the prefixes as mosenharmonic scales, which itself borrows those for mosenharmonic scales. The table below shows what prefixes are used for which generation of mosdescendants, with an added mnemonic for memorization.
| |
| {| class="wikitable"
| |
| |+Table of mosdescendent prefixes and meanings
| |
| !Prefix
| |
| !For moschromatic scales
| |
| !For mosenharmonic scales
| |
| !For mosschismic scales
| |
| !Mnemonic
| |
| |-
| |
| |f-
| |
| |n/a
| |
| |F for '''f'''lat; f-mosenharmonic scales have a grandparent whose pitches are flatter compared to basic (L:s = 2:1).
| |
| |F for '''f'''lat.
| |
| | rowspan="4" |FAUM sounds like foam, which sounds '''soft'''.
| |
| F-, a-, u-, and m-mosschismic scales generally have a great-grandparent with a '''soft''' step ratio.
| |
| |-
| |
| |a-
| |
| |n/a
| |
| |n/a
| |
| |A from p'''a'''rasoft, as "P" is taken.
| |
| |-
| |
| |u-
| |
| |n/a
| |
| |n/a
| |
| |U from q'''u'''asisoft, as "Q" is taken.
| |
| |-
| |
| |m-
| |
| |M for '''m'''aybe/'''m'''ellow; based on old name for 7L 5s
| |
| | rowspan="2" |M- and p-mosenharmonic scales have a grandparent whose step ratio is close to the "'''m'''id'''p'''oint" of L:s = 2:1.
| |
| | rowspan="2" |M and P for '''m'''id'''p'''oint.
| |
| |-
| |
| |p-
| |
| |P for '''p'''ure/shar'''p'''; based on old name for 5L 7s
| |
| | rowspan="4" |PQRS are four consecutive letters in the alphabet. It's '''hard''' to pronounce because there are no vowels.
| |
| P-, q-, r-, and s-mosschismic scales generally have a great-grandparent with a '''hard''' step ratio.
| |
| |-
| |
| |q-
| |
| |n/a
| |
| |n/a
| |
| |Q and R are the only two letters between P and S. Q may stand for '''q'''uasihard.
| |
| |-
| |
| |r-
| |
| |n/a
| |
| |n/a
| |
| |Q and R are the only two letters between P and S. R may stand for pa'''r'''ahard.
| |
| |-
| |
| |s-
| |
| |n/a
| |
| |S for '''s'''harp; s-mosenharmonic scales have a grandparent whose pitches are sharper compared to basic (L:s = 2:1).
| |
| |"S" for '''s'''harp.
| |
| |}
| |
| | |
| === Examples ===
| |
| {| class="wikitable"
| |
| |+Names for descendant scales of 5L 2s (diatonic)
| |
| ! colspan="2" |Diatonic scale
| |
| ! colspan="2" |Chromatic scales
| |
| ! colspan="2" |Enharmonic scales
| |
| ! colspan="2" |Schismic scales
| |
| !4th diatonic descendants
| |
| |-
| |
| !Steps
| |
| !Name
| |
| !Steps
| |
| !Name
| |
| !Steps
| |
| !Name
| |
| !Steps
| |
| !Name
| |
| !Steps
| |
| |-
| |
| | rowspan="8" |[[5L 2s]]
| |
| | rowspan="8" |diatonic
| |
| | rowspan="4" |[[7L 5s]]
| |
| | rowspan="4" |m-chromatic
| |
| | rowspan="2" |[[7L 12s]]
| |
| | rowspan="2" |f-enharmonic
| |
| |[[7L 19s]]
| |
| |f-schismic
| |
| |7A 26B
| |
| |-
| |
| |[[19L 7s]]
| |
| |a-schismic
| |
| |19A 26B
| |
| |-
| |
| | rowspan="2" |[[12L 7s]]
| |
| | rowspan="2" |m-enharmonic
| |
| |[[19L 12s]]
| |
| |u-schismic
| |
| |19A 31B
| |
| |-
| |
| |[[12L 19s]]
| |
| |m-schismic
| |
| |12A 31B
| |
| |-
| |
| | rowspan="4" |[[5L 7s]]
| |
| | rowspan="4" |p-chromatic
| |
| | rowspan="2" |[[12L 5s]]
| |
| | rowspan="2" |p-enharmonic
| |
| |[[12L 17s]]
| |
| |p-schismic
| |
| |12A 29B
| |
| |-
| |
| |[[17L 12s]]
| |
| |q-schismic
| |
| |17A 29B
| |
| |-
| |
| | rowspan="2" |[[5L 12s]]
| |
| | rowspan="2" |s-enharmonic
| |
| |[[17L 5s]]
| |
| |r-schismic
| |
| |17A 22B
| |
| |-
| |
| |[[5L 17s]]
| |
| |s-schismic
| |
| |5A 22B
| |
| |} | |
| {| class="wikitable"
| |
| |+Names for descendant scales for 5L 3s (oneirotonic)
| |
| ! colspan="2" |Oneirotonic scale
| |
| ! colspan="2" |Oneirochromatic scales
| |
| ! colspan="2" |Oneiroenharmonic scales
| |
| ! colspan="2" |Oneiroschismic scales
| |
| !4th oneirodescendants
| |
| |-
| |
| !Steps
| |
| !Name
| |
| !Steps
| |
| !Name
| |
| !Steps
| |
| !Name
| |
| !Steps
| |
| !Name
| |
| !Steps
| |
| |-
| |
| | rowspan="8" |[[8L 5s]]
| |
| | rowspan="8" |oneirotonic
| |
| | rowspan="4" |[[8L 5s]]
| |
| | rowspan="4" |m-oneirochromatic
| |
| | rowspan="2" |[[8L 13s]]
| |
| | rowspan="2" |f-oneiroenharmonic
| |
| |[[8L 21s]]
| |
| |f-oneiroschismic
| |
| |8A 29B
| |
| |-
| |
| |[[21L 8s]]
| |
| |a-oneiroschismic
| |
| |21A 29B
| |
| |-
| |
| | rowspan="2" |[[13L 8s]]
| |
| | rowspan="2" |m-oneiroenharmonic
| |
| |[[21L 13s]]
| |
| |u-oneiroschismic
| |
| |21A 34B
| |
| |-
| |
| |[[13L 21s]]
| |
| |m-oneiroschismic
| |
| |13A 34B
| |
| |-
| |
| | rowspan="4" |[[5L 8s]]
| |
| | rowspan="4" |p-oneirochromatic
| |
| | rowspan="2" |[[13L 5s]]
| |
| | rowspan="2" |p-oneiroenharmonic
| |
| |[[13L 18s]]
| |
| |p-oneiroschismic
| |
| |13A 31B
| |
| |-
| |
| |[[18L 13s]]
| |
| |q-oneiroschismic
| |
| |18A 31B
| |
| |-
| |
| | rowspan="2" |[[5L 13s]]
| |
| | rowspan="2" |s-oneiroenharmonic
| |
| |[[18L 5s]]
| |
| |r-oneiroschismic
| |
| |18A 23B
| |
| |-
| |
| |[[5L 18s]]
| |
| |s-oneiroschismic
| |
| |5A 23B
| |
| |}
| |
| | |
| === Notes and issues ===
| |
| * Interestingly, there is evidence that another Xen Discord user ([[user:Flirora]]) suggested the same naming system described here up to 3 generations, with only slight differences with 3rd-generation names. As I was part of a discussion on limiting TAMNAMS names to 10-note mosses, which facilitated naming mosdescendants up to two generations (mosenharmonic scales), rather than this earlier suggestion, it's possible that the same proposal for mosenharmonic scales may have been independently developed twice.
| |
| * Some names with this system are not finalized, particularly the term "mosschismic" and some of the single-letter prefixes.
| |
| ** Better names than "mosschismic" include "mossubharmonic" (adapted from the above suggestion which had "prefix-sub-prefix-enharmonic") and "mossubchromatic", possibly shortened to "mossubchromic" (adapted from "subchromatic", as seen in [[Diatonic, Chromatic, Enharmonic, Subchromatic|this page]]).
| |
| ** An issue with using letter-based prefixes is that many of them are based on temperaments. A temperament-agnostic interpretation will be needed if these letters are to be generalized outside of the diatonic family.
| |
| ** Yet another issue is that the pattern of f-, m-, p-, and s-, all based on temperaments, does not continue with 3rd-generation mosses in that f- and s- are no longer at the extremes and p- is no longer at the midpoint (see table below). Either 3rd-generation mosses need a different set of prefixes, or a different set of prefixes are needed throughout.
| |
| ** In the spirit of TAMNAMS being temperament-agnostic, a proper solution may be to not use and shoehorn temperament-suggestive prefixes, but rather use the names for step ratios. This lines up with Frostburn's proposal, but applies to the first three generations, not just the third. (Frostburn's proposed abbreviations may also work.) Under this system, all prefixes can work for all three generations, so soft-chromatic, hyposoft-chromatic, and minisoft-chromatic is allowed, just as soft-subchromatic, hyposoft-subchromatic, and minisoft-subchromatic. The absence of prefixes is also allowed.
| |
| *** Hard and soft are preferred over sharp and flat, as those describe accidentals specific to diatonic notation. TAMNAMS and diamond-mos notation has generalized sharps and flats, called amps/ams and ats.
| |
| {| class="wikitable"
| |
| ! rowspan="2" |Diatonic scale
| |
| ! colspan="2" |Child scales
| |
| ! colspan="2" |Grandchild scales
| |
| ! colspan="3" |Great-grandchild scales
| |
| |-
| |
| !Steps
| |
| !Notable temperament(s)
| |
| !Steps
| |
| !Notable temperament(s)
| |
| !Steps
| |
| !Notable temperament(s)
| |
| !Would-be prefix
| |
| |-
| |
| | rowspan="8" |[[5L 2s]]
| |
| | rowspan="4" |[[7L 5s]]
| |
| | rowspan="4" |meantone
| |
| | rowspan="2" |[[7L 12s]]
| |
| | rowspan="2" |flattone
| |
| |[[7L 19s]]
| |
| |tridecimal
| |
| |t-
| |
| |-
| |
| |[[19L 7s]]
| |
| |'''flattone'''
| |
| |f-
| |
| |-
| |
| | rowspan="2" |[[12L 7s]]
| |
| | rowspan="2" |meantone
| |
| |[[19L 12s]]
| |
| |'''meanpop'''
| |
| |m-
| |
| |-
| |
| |[[12L 19s]]
| |
| |huygens
| |
| |h-
| |
| |-
| |
| | rowspan="4" |[[5L 7s]]
| |
| | rowspan="4" |pythagorean
| |
| | rowspan="2" |[[12L 5s]]
| |
| | rowspan="2" |pythagorean
| |
| |[[12L 17s]]
| |
| |'''pythagorean'''
| |
| |p-
| |
| |-
| |
| |[[17L 12s]]
| |
| |gentle
| |
| |g-
| |
| |-
| |
| | rowspan="2" |[[5L 12s]]
| |
| | rowspan="2" |superpyth
| |
| |[[17L 5s]]
| |
| |'''superpyth'''
| |
| |s-
| |
| |-
| |
| |[[5L 17s]]
| |
| |ultrapyth
| |
| |u-
| |
| |}
| |
| {| class="wikitable"
| |
| ! rowspan="2" |Diatonic scale
| |
| ! colspan="3" |Child scales
| |
| ! colspan="3" |Grandchild scales
| |
| ! colspan="3" |Great-grandchild scales
| |
| |-
| |
| !Steps
| |
| !Name based on step ratio
| |
| !Possible abbrev.
| |
| !Steps
| |
| !Name based on step ratio
| |
| !Possible abbrev.
| |
| !Steps
| |
| !Name based on step ratio
| |
| !Possible abbrev.
| |
| |-
| |
| | rowspan="15" |[[5L 2s]]
| |
| | rowspan="7" |[[7L 5s]]
| |
| | rowspan="7" |soft-chromatic
| |
| | rowspan="7" |s-chromatic
| |
| | rowspan="3" |[[7L 12s]]
| |
| | rowspan="3" |soft-enharmonic
| |
| | rowspan="3" |s-enharmonic
| |
| |[[7L 19s]]
| |
| |ultrasoft-subchromatic
| |
| |us-subchromatic
| |
| |-
| |
| |26edo
| |
| |
| |
| |
| |
| |-
| |
| |[[19L 7s]]
| |
| |parasoft-subchromatic
| |
| |ps-subchromatic
| |
| |-
| |
| |19edo
| |
| | | |
| | | | | |
| | | | | |
| | |diapentoid |
| | | | | |
| | | | | |
| |- | | |- |
| | rowspan="3" |[[12L 7s]] | | |3L 2s |
| | rowspan="3" |hyposoft-enharmonic
| | |anpentic |
| | rowspan="3" |hs-enharmonic
| |
| |[[19L 12s]]
| |
| |quasisoft-subchromatic
| |
| |qs-subchromatic
| |
| |-
| |
| |50edo
| |
| |
| |
| |
| |
| |-
| |
| |[[12L 19s]]
| |
| |minisoft-subchromatic
| |
| |ms-subchromatic
| |
| |-
| |
| |12edo
| |
| |equalized-chromatic
| |
| |e-chromatic
| |
| |
| |
| |
| |
| |
| |
| |
| |
| | | |
| | | | | |
| |-
| |
| | rowspan="7" |[[5L 7s]]
| |
| | rowspan="7" |hard-chromatic
| |
| | rowspan="7" |h-chromatic
| |
| | rowspan="3" |[[12L 5s]]
| |
| | rowspan="3" |hypohard-enharmonic
| |
| | rowspan="3" |hh-enharmonic
| |
| |[[12L 17s]]
| |
| |minihard-subchromatic
| |
| |mh-subchromatic
| |
| |-
| |
| |31edo
| |
| | | | | |
| | | | | |
| |-
| |
| |[[17L 12s]]
| |
| |quasihard-subchromatic
| |
| |qh-subchromatic
| |
| |-
| |
| |17edo
| |
| | | | | |
| | | | | |
| |
| |
| |
| |
| |
| |
| |-
| |
| | rowspan="3" |[[5L 12s]]
| |
| | rowspan="3" |hard-enharmonic
| |
| | rowspan="3" |h-enharonic
| |
| |[[17L 5s]]
| |
| |parahard-subchromatic
| |
| |ph-subchromatic
| |
| |-
| |
| |39edo
| |
| |
| |
| |
| |
| |-
| |
| |[[5L 17s]]
| |
| |ultrahard-subchromatic
| |
| |uh-subchromatic
| |
| |}
| |
| == Proposal: Naming mos modes ==
| |
|
| |
| === Current proposal, with proposed amendment for emphasis on dark generator ===
| |
| There is currently a proposed system for naming mos modes as follows: '''xL ys u|''', where x is the number of large steps, y is the number of small steps, u corresponds to the the mode's UDP (the u in u|d), and | is pronounced as "pipe". As an example, the modes of 4L 1s (manual) can be named as the following:
| |
| {| class="wikitable"
| |
| |+Modes of manual (4L 1s)
| |
| !Mode
| |
| !UDP
| |
| !TAMNAMS name
| |
| |-
| |
| |LLLLs
| |
| |<nowiki>4|0</nowiki>
| |
| |<nowiki>4L 1s 4|</nowiki>
| |
| |-
| |
| |LLLsL
| |
| |<nowiki>3|1</nowiki>
| |
| |<nowiki>4L 1s 3|</nowiki>
| |
| |- | | |- |
| |LLsLL
| | ! colspan="9" |Changes to names that bear a prefix (anti-, sub-, etc) (most justifiable changes) |
| |<nowiki>2|2</nowiki>
| |
| |<nowiki>4L 1s 2|</nowiki>
| |
| |-
| |
| |LsLLL
| |
| |<nowiki>1|3</nowiki>
| |
| |<nowiki>4L 1s 1|</nowiki>
| |
| |-
| |
| |sLLLL
| |
| |<nowiki>0|4</nowiki>
| |
| |<nowiki>4L 1s 0|</nowiki>
| |
| |}
| |
| In situations where it's more intuitive to think in terms of the dark generator instead of the bright generator, the format is instead '''xL ys |d''', where d corresponds to the mode's UDP (the d in u|d). An example of this can be seen in the classic pentatonic scale (2L 3s), where even though the bright generator corresponds to diatonic's perfect 4th (which is actually diatonic's dark generator), it's common to think of these modes in terms of diatonic's bright generator (even though it's the dark generator of 2L 3s). This is because the bright and dark generators "flip" between 2L 3s to 5L 2s. (In general, generators flip when a mos xL ys has a child of (x+y)L xs, but don't flip if the child is xL (x+y)s, and in general, looking at modes in terms of the dark generator reverses the order of modes compared with the bright generator.)
| |
| {| class="wikitable"
| |
| |+Modes of pentic (2L 3s)
| |
| !Mode | |
| !UDP
| |
| !TAMNAMS name
| |
| |-
| |
| |sLsLL
| |
| |<nowiki>0|4</nowiki>
| |
| |<nowiki>2L 3s |4</nowiki>
| |
| |-
| |
| |sLLsL
| |
| |<nowiki>1|3</nowiki>
| |
| |<nowiki>2L 3s |3</nowiki>
| |
| |-
| |
| |LsLsL
| |
| |<nowiki>2|2</nowiki>
| |
| |<nowiki>2L 3s |2</nowiki>
| |
| |-
| |
| |LsLLs
| |
| |<nowiki>3|1</nowiki>
| |
| |<nowiki>2L 3s |1</nowiki>
| |
| |-
| |
| |LLsLs
| |
| |<nowiki>4|0</nowiki>
| |
| |<nowiki>2L 3s |0</nowiki>
| |
| |}
| |
| | |
| === Mode names based on mosnames ===
| |
| If a more memorable name is desired but there are no assigned names for the mos's modes, interim names can be made using [[genchain mode numbering]] on the name of the mos, where the first-brightest mode is called 1st mosname, the second-brightest mode is called 2nd mosname, and so on. Note that these names can only be made if there is a TAMNAMS name for a mos. Excluding current proposals to extend TAMNAMS names beyond the 10-note limit, this means most mos mode names will typically be formatted as '''xL ys u|'''.
| |
| {| class="wikitable"
| |
| |+Modes of pine (7L 1s) | |
| !Mode
| |
| !UDP
| |
| !Mode name
| |
| |-
| |
| |LLLLLLLs
| |
| |<nowiki>7|0</nowiki>
| |
| |1st pine
| |
| |-
| |
| |LLLLLLsL
| |
| |<nowiki>6|1</nowiki>
| |
| |2nd pine
| |
| |-
| |
| |LLLLLsLL
| |
| |<nowiki>5|2</nowiki>
| |
| |3rd pine
| |
| |-
| |
| |LLLLsLLL
| |
| |<nowiki>4|3</nowiki>
| |
| |4th pine
| |
| |-
| |
| |LLLsLLLL
| |
| |<nowiki>3|4</nowiki>
| |
| |5th pine
| |
| |-
| |
| |LLsLLLLL
| |
| |<nowiki>2|5</nowiki>
| |
| |6th pine
| |
| |-
| |
| |LsLLLLLL
| |
| |<nowiki>1|6</nowiki>
| |
| |7th pine
| |
| |-
| |
| |sLLLLLLL
| |
| |<nowiki>0|7</nowiki>
| |
| |8th pine
| |
| |}
| |
| {| class="wikitable"
| |
| |+Modes of tcherepnin (3L 6s)
| |
| !Mode
| |
| !UDP
| |
| !Mode name
| |
| |-
| |
| |LssLssLss
| |
| |<nowiki>6|0(3)</nowiki>
| |
| |1st tcherepnin
| |
| |-
| |
| |sLssLssLs
| |
| |<nowiki>3|3(3)</nowiki>
| |
| |2nd tcherepnin
| |
| |-
| |
| |ssLssLssL
| |
| |<nowiki>0|6(3)</nowiki>
| |
| |3rd tcherepnin
| |
| |}
| |
| | |
| == Suggested changes for mos pattern names (work-in-progress) ==
| |
| This section describes changes to existing [[TAMNAMS]] names that I would make. Reasons:
| |
| | |
| * Some names are still based on a temperament (mainly the -oid names), so those are either replaced with a new name or at least altered so the references are more indirect.
| |
| * There were Discord users with whom I shared a similar sentiment regarding the names of certain scales, mainly the mosses with the anti- prefix and the scales antidiatonic and superdiatonic.
| |
| * Some names are too long (in my opinion).
| |
| | |
| The choice of names are not perfect and some may have issues. Some name suggestions went through different versions. This section is meant to start a discussion on alternate names should a need come up for it.
| |
| {| class="wikitable"
| |
| |+
| |
| Table of proposed name changes
| |
| ! colspan="10" |Changes to names to reduce or remove references to temperaments
| |
| |-
| |
| ! rowspan="2" |Mos
| |
| ! colspan="3" |Current name
| |
| ! colspan="3" |Suggested name(s)
| |
| ! rowspan="2" |Old suggestions
| |
| ! rowspan="2" |Reasoning
| |
| ! rowspan="2" |Possible issues
| |
| |-
| |
| !Name
| |
| !Prefix
| |
| !Abbrev.
| |
| !Name
| |
| !Prefix
| |
| !Abbrev.
| |
| |-
| |
| |5L 1s
| |
| |machinoid
| |
| |mech-
| |
| |mech
| |
| |mechatonic
| |
| |unchagned
| |
| |unchagned
| |
| |
| |
| |A more indirect reference to [[machine]] temperament.
| |
| |Still references machine temperament. May also reference [[Subgroup temperaments|mechanism]] temperament.
| |
| |-
| |
| |3L 7s
| |
| |sephiroid
| |
| |seph-
| |
| |seph
| |
| |sephirotonic or sephiratonic
| |
| |unchagned
| |
| |unchagned
| |
| |septonic
| |
| |Rather than alluding to [[sephiroth]] temperament, the name should allude to Peter Kosmorsky's ''[https://ia800703.us.archive.org/12/items/TractatumDeModiSephiratorum/ModiSephiratorum.pdf Tractatum de Modi Sephiratorum]'' (A Treatise on the Modes of the Sephirates), whose name ultimately comes from the [[wikipedia:Sefirot|sefirot]]. The document describes several edos that are said to contain the "modi sephiratorum" (sephirate modes). Therefore, instead of the name "sephiroid", suggesting that the mos pattern resembles the modi sephiratorum, the mos pattern ''is'' the modi sephiratorum, hence the mosname "sephirotonic".
| |
| |May still reference sephiroth temperament. For a more indirect reference, an alternate transliteration of סְפִירוֹת (sefirot) may be used instead.
| |
| New name is longer than the old name.
| |
| |-
| |
| |7L 3s
| |
| |dicoid and zaltertic
| |
| |dico- and zal-
| |
| |dico and zal
| |
| |zaltertic
| |
| |zal-
| |
| |zal
| |
| |
| |
| |As of writing, there are two names. I would favor zaltertic over dicoid in that it removes a name that suggests a temperament.
| |
| |Central zalzalian thirds (another name for neutral thirds) are not the scale's bright generator, but are produced by the scale.
| |
| |-
| |
| ! colspan="10" |Changes to names that bear the anti- prefix
| |
| |- | | |- |
| ! rowspan="2" |Mos | | ! rowspan="2" |Mos |
| ! colspan="3" |Current name | | ! colspan="3" |Current name |
| ! colspan="3" |Suggested name(s) | | ! colspan="3" |Suggested name(s) |
| ! rowspan="2" |Old suggestions
| |
| ! rowspan="2" |Reasoning | | ! rowspan="2" |Reasoning |
| ! rowspan="2" |Possible issues | | ! rowspan="2" |Possible issues and other notes |
| |- | | |- |
| !Name | | !Name |
| Line 2,110: |
Line 1,087: |
| !Abbrev. | | !Abbrev. |
| !Name | | !Name |
| !Prefix | | ! Prefix |
| !Abbrev. | | !Abbrev. |
| |- | | |- |
| Line 2,116: |
Line 1,093: |
| |antimachinoid | | |antimachinoid |
| |amech- | | |amech- |
| |amech | | | amech |
| |selenite | | |selenite or moonstone |
| |sel- | | |sel- or moon- |
| |sel | | | sel or moon |
| |selenic | | | rowspan="4" |Shorter names. These names follow in the same spirit as "onyx" for 1L 6s in the following ways: |
| |Shorter name. An indirect reference to [[luna]] temperament; "selene" is Greek for "moon". The name "selenite" follows the same pattern of 1L 6s being named after a type of gemstone. | | |
| |Pun. | | *"Selenite" is a mineral and is Greek for "moon", indirectly referencing [[luna]] temperament, as does "moonstone". |
| | *"Spinel" contains the word "pine", referencing its sister mos of "pine". |
| | * Depending on pronunciation, the word "agate" may rhyme with "eight". |
| | *Depending on pronunciation, the word "olivine" may rhyme with "nine". |
| | | rowspan="4" |Puns; dependent on pronunciation, which may vary. |
| | A compromise is to recognize both the current and proposed names: |
| | |
| | *1L 5s: antimachinoid, selenite |
| | * 1L 6s: antiarcheotonic (new name), onyx |
| | * 1L 7s: antipine, spinel |
| | *1L 8s: antisubneutralic, agate |
| | *1L 9s: antisinatonic, olivine |
| |- | | |- |
| |1L 7s | | |1L 7s |
| |antipine | | |antipine |
| |apine- | | |apine- |
| |apine | | | apine |
| |spinel | | |spinel |
| |spin- | | |spin- |
| |spin | | |spin |
| |alpine, stelanic
| |
| | rowspan="3" |Shorter names. These names follow in the same spirit as "onyx" for 1L 6s in the following ways:
| |
|
| |
| * "Spinel" contains the word "pine", referencing its sister mos of "pine".
| |
| * Depending on pronunciation, the word "agate" may rhyme with "eight".
| |
| * Depending on pronunciation, the word "olivine" may rhyme with "nine".
| |
| | rowspan="3" |Pun. The names suggested don't typically rhyme with the words they're trying to rhyme with or reference, ruining the joke.
| |
| |- | | |- |
| |1L 8s | | |1L 8s |
| Line 2,144: |
Line 1,125: |
| |ablu | | |ablu |
| |agate | | |agate |
| |aga- or agat- | | | aga- or agat- |
| |aga | | |aga |
| |mineric
| |
| |- | | |- |
| |1L 9s | | | 1L 9s |
| |antisinatonic | | |antisinatonic |
| |asina- | | |asina- |
| |asi | | |asi |
| |olivine | | |olivine |
| |oliv- | | |oli |
| |oliv | | |oli |
| |parivalic, alentic | | |- |
| | | rowspan="2" | 2L 5s |
| | | rowspan="2" |antidiatonic |
| | | rowspan="2" |pel- |
| | | rowspan="2" |pel |
| | |pelotonic |
| | |unchagned |
| | | unchagned |
| | |Option 1: make 2L 5s more distinct from 5L 2s. This mirrors a few Discord users' sentiments regarding this scale in that it should not be treated as an "inversion" of 5L 2s but should be treated as something unique. |
| | |Connections to 5L 2s may be beneficial to musicians, and this connection already exists for mavila. |
| | Hairtonic. |
| |- | | |- |
| ! colspan="10" |Changes to names that bear other prefixes | | |adiatonic |
| | |adia- |
| | | adia. |
| | |Option 2: leave it as-is but change the prefix to adia-. |
| | |May be too minor of a change. |
| | |- |
| | |8L 1s |
| | |subneutralic |
| | |blu- |
| | |blu |
| | |azurtonic |
| | | azu- or unchanged |
| | |azu or unchanged |
| | |An indirect reference to [[bleu]] temperament; azure is a specific shade of blue. Simplified name. Also, the sub- prefix may falsely suggest another scale called "(prefix)neutralic", similar to how sub'''aric''' (2L 6s) is the parent to both j'''aric''' (2L 8s) and t'''aric''' (8L 2s). |
| | | New name is referencing a temperament, albeit indirectly. The sub- prefix reasoning may be a stretch, since subaric, jaric, and taric are the only mosses related this way. |
| | |- |
| | | 3L 2s |
| | |antipentic |
| | |apent- |
| | |apt |
| | |anpentic |
| | | unchanged |
| | |unchanged |
| | | Makes the name more consistent with other an- mosses. |
| | |Too minor of a modification. A possible compromise is to accept it as a spelling variant. |
| | |- |
| | ! colspan="9" | Changes to names to reduce or remove references to temperaments (least justifiable changes) |
| |- | | |- |
| ! rowspan="2" |Mos | | ! rowspan="2" |Mos |
| ! colspan="3" |Current name | | ! colspan="3" |Current name |
| ! colspan="3" |Suggested name(s) | | ! colspan="3" |Suggested name(s) |
| ! rowspan="2" |Old suggestions
| |
| ! rowspan="2" |Reasoning | | ! rowspan="2" |Reasoning |
| ! rowspan="2" |Possible issues | | ! rowspan="2" |Possible issues and other notes |
| |- | | |- |
| !Name | | !Name |
| Line 2,170: |
Line 1,185: |
| !Abbrev. | | !Abbrev. |
| !Name | | !Name |
| !Prefix | | ! Prefix |
| !Abbrev. | | !Abbrev. |
| |- | | |- |
| |2L 5s | | | 5L 1s |
| |antidiatonic | | |machinoid |
| |pel- | | |mech- |
| |pel | | | mech |
| |pelotonic | | |mechatonic |
| |unchagned | | |unchagned |
| |unchagned | | |unchagned |
| |pelic | | |A more indirect reference to [[machine]] temperament. |
| | rowspan="2" |From "[[pelog]]" and "[[armodue]]". The proposed names are to make both scales more distinct from diatonic. These names must be changed together.
| | |Still references machine temperament. May also reference [[Subgroup temperaments|mechanism]] temperament. '''May be too minor of a modification.''' |
| | rowspan="2" |The connection to diatonic may be beneficial to some musicians. Additionally, the mode names commonly used for both mosses are those from diatonic (lydian, ionian, etc) with the anti- and super- prefixes added.
| |
| New names reference pelog tuning and armodue theory.
| |
| |- | | |- |
| |7L 2s | | |3L 7s |
| |superdiatonic | | |sephiroid |
| |arm- | | |seph- |
| |arm | | |seph |
| |armotonic | | | sephirotonic or sephiratonic |
| |unchagned | | |unchagned |
| |unchagned | | | unchagned |
| |armic | | |Rather than alluding to [[sephiroth]] temperament, the name should allude to Peter Kosmorsky's ''[https://ia800703.us.archive.org/12/items/TractatumDeModiSephiratorum/ModiSephiratorum.pdf Tractatum de Modi Sephiratorum]'' (A Treatise on the Modes of the Sephirates), whose name ultimately comes from the [[wikipedia:Sefirot|sefirot]]. The document describes several edos that are said to contain the "modi sephiratorum" (sephirate modes). Therefore, instead of the name "sephiroid", suggesting that the mos pattern resembles the modi sephiratorum, the mos pattern ''is'' the modi sephiratorum, hence the mosname "sephirotonic". |
| |-
| | |May still reference sephiroth temperament. For a more indirect reference, an alternate transliteration of סְפִירוֹת (sefirot) may be used instead. |
| |8L 1s
| | '''New name is longer than the old name. May also be too minor of a modificaiton.''' |
| |subneutralic
| |
| |blu-
| |
| |blu
| |
| |azurtonic
| |
| |azu- or unchanged
| |
| |azu or unchanged
| |
| |azuric
| |
| |An indirect reference to [[bleu]] temperament; azure is a specific shade of blue. Simplified name. Also, the sub- prefix may falsely suggest another scale called "(prefix)neutralic", similar to how sub'''aric''' (2L 6s) is the parent to both j'''aric''' (2L 8s) and t'''aric''' (8L 2s).
| |
| |New name is referencing a temperament, albeit indirectly. The sub- prefix reasoning may be a stretch, since subaric, jaric, and taric are the only mosses related this way.
| |
| |- | | |- |
| |2L 6s | | |2L 6s |
| Line 2,212: |
Line 1,216: |
| |bara- | | |bara- |
| |bar | | |bar |
| |
| |
| |Rhymes perfectly with jaric and taric. May also mean "basic -aric", as this mos with a basic step ratio (L:s=2:1) cannot produce jaric or taric, or rather, produces both but equalized. | | |Rhymes perfectly with jaric and taric. May also mean "basic -aric", as this mos with a basic step ratio (L:s=2:1) cannot produce jaric or taric, or rather, produces both but equalized. |
| |Too minor of a modification. The use of "bar" as an abbreviation may be problematic ("bar" may also mean "measure" in sheet music). | | |'''Too minor of a modification.''' The use of "bar" as an abbreviation may be problematic ("bar" may also mean "measure" in sheet music). |
| |} | | |} |
|
| |
|
| === Aesthetic rules === | | === Table of all proposed changes === |
| These are the rules that attempt to justify the logic behind much of the name suggestions. There are, of course, exceptions to these rules, as some names are arguably too memorable to change.
| | Changed names are denoted in '''bold'''. |
| | | {| class="wikitable center-all" |
| # Names for single-period mosses with 5 or fewer notes are the most general names in the sense that they're not limited to an octave period and end with -ic or -al. These should be the only mosses that contain the anti- prefix, shortened to an-. (Exception: monowood is octave-specific and does not end with -ic or -al.)
| | |+TAMNAMS mos names |
| ## An extreme alternative to rule 1 is to say that all mosses named under rule 1 should end with -al, but this requires renaming more mosses (antetral, tetral, pental, anpental) for arguably little gain.
| | ! colspan="5" |Mosses with 2-5 notes are skipped entirely. |
| # Names for single-period mosses not of the form 1L ns end with -tonic, suggesting that these are octave-specific and reference a specific interval, a notable pre-TAMNAMS or other temperament-agnostic name, or indirectly reference a temperament if all other options are exhausted. (Exceptions: mosh, semiquartal, zaltertic, balzano, and pine don't end with -tonic.)
| | |- |
| # Names for mosses of the form 1L ns with 6 or more notes are named after gemstones and minerals, following the spirit of 1L 6s being named onyx. These are named differently than those named using the previous rule as these mosses have too broad a tuning range to even suggest a single temperament.
| | ! colspan="5" |6-note mosses |
| # Names for multi-period mosses end with -ic and always refer to an octave-equivalent scale. (Execptions: lemon, lime, tcherepnin, and all the -wood scales don't end with -ic.)
| | |- |
| # With the exception of mosses named under rule 1, no mosses should be named in a way that they contain additional prefixes such as anti-, sub-, or super-. (Exception: semiquartal bears the semi- prefix, but its mosprefix is chton-).
| | !Pattern!!Name!!Prefix<ref name="prefix">used in interval, degree and mode names, e.g. ''perfect 3-oneirostep, perfect 3-oneirodegree, oneiro-3-up''</ref>!!Abbr.<ref name="abbr">written abbreviations of prefixes, e.g. ''P3oneis, P3oneid, onei-3|4''</ref>!!Etymology |
| Other name changes:
| | |- |
| * Antipentic -> anpentic; follows names of other small mosses where an- is used as a shortened form of anti-.
| | |[[1L 5s]]||'''selenite; moonstone'''||sel-||sel||indirect reference to luna temperament |
| | | |- |
| {| class="wikitable"
| | |[[2L 4s]]||malic||mal-||mal||apples have two concave ends, lemons have two pointy ends. |
| |+Table of mosses with all proposed name changes (changed names are shown in bold) | | |- |
| ! colspan="18" |Single-period mosses | | |[[3L 3s]]||triwood||triwd-||trw||from 3-wood |
| | |- |
| | |[[4L 2s]]||citric||citro-||cit||parent mos of lemon and lime |
| | |- |
| | |[[5L 1s]]||machinoid||mech-||mech||from [[machine]] temperament |
| | |- |
| | ! colspan="5" |7-note mosses |
| | |- |
| | !Pattern!!Name!!Prefix<ref name="prefix" />!!Abbr.<ref name="abbr" />!!Etymology |
| | |- |
| | |[[1L 6s]]||onyx||on-||on||[[#Onyx (1L 6s)|from a ''lot'' of naming puns]] |
| | |- |
| | |[[2L 5s]]||antidiatonic||pel-||pel||pel- is from pelog |
| |- | | |- |
| !Mos
| | |[[3L 4s]]||mosh||mosh-||mosh||Graham Breed's name; from "mohajira-ish" |
| !Name
| |
| !Mos
| |
| !Name
| |
| !Mos
| |
| !Name
| |
| !Mos
| |
| !Name
| |
| !Mos
| |
| !Name
| |
| !Mos
| |
| !Name
| |
| !Mos
| |
| !Name
| |
| !Mos
| |
| !Name
| |
| !Mos
| |
| !Name
| |
| |- | | |- |
| | rowspan="16" |1L 1s | | |[[4L 3s]]||smitonic||smi-||smi||from "sharp minor third" |
| | rowspan="16" |trivial
| |
| monowood
| |
| | rowspan="11" |1L 2s
| |
| | rowspan="11" |antrial
| |
| | rowspan="8" |1L 3s
| |
| | rowspan="8" |antetric
| |
| | rowspan="6" |1L 4s | |
| | rowspan="6" |pedal | |
| | rowspan="5" |1L 5s | |
| | rowspan="5" |'''selenite''' | |
| | rowspan="4" |1L 6s
| |
| | rowspan="4" |'''onyx'''
| |
| | rowspan="3" |1L 7s
| |
| | rowspan="3" |'''spinel'''
| |
| | rowspan="2" |1L 8s
| |
| | rowspan="2" |'''agate'''
| |
| |1L 9s
| |
| |'''olivine'''
| |
| |- | | |- |
| |9L 1s | | |[[5L 2s]]||diatonic||dia-||dia|| |
| |sinatonic | |
| |- | | |- |
| |8L 1s | | |[[6L 1s]]||arch(a)eotonic||arch-||arch||originally a name for 13edo's 6L 1s |
| |'''azurtonic''' | |
| | colspan="2" rowspan="14" | | |
| |- | | |- |
| |7L 1s
| | ! colspan="5" |8-note mosses |
| |pine
| |
| | colspan="2" rowspan="13" |
| |
| |- | | |- |
| |6L 1s
| | !Pattern!!Name!!Prefix<ref name="prefix" />!!Abbr.<ref name="abbr" />!!Etymology |
| |arch(a)eotonic
| |
| | colspan="2" rowspan="12" |
| |
| |- | | |- |
| |5L 1s | | |[[1L 7s]]||'''spinel'''||spin-||sp||contains the substring "pine" |
| |'''mechatonic''' | |
| | colspan="2" rowspan="11" | | |
| |- | | |- |
| | rowspan="2" |4L 1s | | |[[2L 6s]]||subaric||subar-||subar||largest subset mos of jaric and taric |
| | rowspan="2" |manual | |
| |5L 4s | |
| |semiquartal | |
| |- | | |- |
| |4L 5s | | |[[3L 5s]]||checkertonic||check-||chk||from the [[Kite Giedraitis's Categorizations of 41edo Scales|Kite guitar checkerboard scale]] |
| |gramitonic | |
| |- | | |- |
| | rowspan="3" |3L 1s | | |[[4L 4s]]||tetrawood; diminished||tetrawd-||ttw||from 4-wood |
| | rowspan="3" |tetric | |
| |4L 3s | |
| |smitonic | |
| | colspan="2" | | |
| |- | | |- |
| | rowspan="2" |3L 4s | | |[[5L 3s]]||oneirotonic||oneiro-||onei||originally a name for 13edo's 5L 3s |
| | rowspan="2" |mosh | |
| |7L 3s | |
| |'''zaltertic''' | |
| |- | | |- |
| |3L 7s | | |[[6L 2s]]||ekic||ek-||ek||from temperaments [[echidna]] and [[hedgehog]] |
| |'''sephiratonic''' | |
| |- | | |- |
| | rowspan="5" |2L 1s | | |[[7L 1s]]||pine||pine-||pine||from [[porcupine]] temperament |
| | rowspan="5" |trial
| |
| | rowspan="2" |3L 2s | |
| | rowspan="2" |'''anpentic''' | |
| |3L 5s | |
| |checkertonic | |
| | colspan="2" rowspan="3" | | |
| |- | | |- |
| |5L 3s | | ! colspan="5" |9-note mosses |
| |oneirotonic
| |
| |- | | |- |
| | rowspan="3" |2L 3s
| | !Pattern!!Name!!Prefix<ref name="prefix" />!!Abbr.<ref name="abbr" />!!Etymology |
| | rowspan="3" |pentic
| |
| |5L 2s
| |
| |diatonic
| |
| |- | | |- |
| | rowspan="2" |2L 5s | | |[[1L 8s]]||'''agate'''||ag-||ag||rhymes with "eight", depending on one's pronunciation |
| | rowspan="2" |'''pelotonic''' | |
| |7L 2s | |
| |'''armotonic''' | |
| |- | | |- |
| |2L 7s | | |[[2L 7s]]||balzano||bal- /bæl/||bal||from Balzano scale in 20edo which is 2L 7s |
| |balzano | |
| |- | | |- |
| ! colspan="18" |2-period mosses
| | |[[3L 6s]]||tcherepnin||cher-||ch||common name |
| |- | | |- |
| !Mos
| | |[[4L 5s]]||gramitonic||gram-||gram||from "grave minor third" |
| !Name
| |
| !Mos
| |
| !Name
| |
| !Mos
| |
| !Name
| |
| !Mos
| |
| !Name
| |
| | colspan="10" rowspan="6" | | |
| |- | | |- |
| | rowspan="5" |2L 2s | | |[[5L 4s]]||semiquartal||cthon-||cth||from "half fourth" and "chthonic" |
| | rowspan="5" |biwood | |
| | rowspan="3" |2L 4s | |
| | rowspan="3" |malic | |
| | rowspan="2" |2L 6s | |
| | rowspan="2" |'''baric'''
| |
| |2L 8s
| |
| |jaric
| |
| |- | | |- |
| |8L 2s | | |[[6L 3s]]||hyrulic||hyru-||hyru||allusion to [[triforce]] temperament |
| |taric | |
| |- | | |- |
| |6L 2s | | |[[7L 2s]]||superdiatonic; armotonic||arm-||arm||superdiatonic is a common name; arm- and armotonic references [[Armodue]] |
| |ekic | |
| | colspan="2" rowspan="3" | | |
| |- | | |- |
| | rowspan="2" |4L 2s | | |[[8L 1s]]||subneutralic||blu-||blu||derived from the generator being between supraminor and neutral quality. blu- is from [[bleu]] temperament |
| | rowspan="2" |citric | |
| |6L 4s | |
| |lemon | |
| |- | | |- |
| |4L 6s | | ! colspan="5" |10-note mosses |
| |lime
| |
| |- | | |- |
| ! colspan="18" |3-period mosses | | !Pattern!!Name!!Prefix<ref name="prefix" />!!Abbr.<ref name="abbr" />!!Etymology |
| |- | | |- |
| !Mos
| | |[[1L 9s]]||'''olivine'''||oli-||oli||rhymes with "nine", depending on one's pronunciation |
| !Name
| |
| !Mos
| |
| !Name
| |
| | colspan="14" rowspan="3" | | |
| |- | | |- |
| | rowspan="2" |3L 3s | | |[[2L 8s]]||jaric||jara-||jar||from temperaments [[pajara]], [[injera]] and [[diaschismic]] |
| | rowspan="2" |triwood | |
| |3L 6s | |
| |tcherepnin | |
| |- | | |- |
| |6L 3s | | |[[3L 7s]]||sephiroid||seph-||seph||from [[sephiroth]] temperament |
| |hyrulic | |
| |- | | |- |
| ! colspan="18" |4-period mosses
| | |[[4L 6s]]||lime||lime-||lime||limes/4L 6s's steps tend to be smaller than lemons/6L 4s's steps |
| |- | | |- |
| !Mos
| | |[[5L 5s]]||pentawood||pentawd-||pw||from 5-wood |
| !Name
| |
| | colspan="16" rowspan="2" | | |
| |- | | |- |
| |4L 4s | | |[[6L 4s]]||lemon||lem-||lem||from [[lemba]] temperament |
| |tetrawood | |
| |- | | |- |
| ! colspan="18" |5-period mosses
| | |[[7L 3s]]||dicoid /'daɪˌkɔɪd/||dico-||dico||from exotemperaments [[Dicot family#Dichotic|dichotic]] and [[dicot]] (dicoid) |
| |- | | |- |
| !Mos
| | |[[8L 2s]]||taric||tara-||tar||from Hindi ''aṭhārah'' '[[#Taric (8L 2s)|18]]' |
| !Name
| |
| | colspan="16" rowspan="2" | | |
| |- | | |- |
| |5L 5s | | |[[9L 1s]]||sinatonic||sina-||si||from [[sinaic]] |
| |pentawood | |
| |} | | |} |
| | <references /> |
| | |
| | [[Category:TAMNAMS]] |