Herman Miller: Difference between revisions
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'' | '''Herman Miller''', also known as '''Teamouse''' or '''Morphosyntax''', is a composer. | ||
I became interested in ethnic music from around the world while a student at Michigan State University. Colin McPhee's book ''Music In Bali'' was an influence, as well as other books that I can't recall by name, which introduced me to 19-ET and other equal | == Progress report == | ||
; What was your path to discovering alternate tunings? | |||
: I became interested in ethnic music from around the world while a student at Michigan State University. [[Colin McPhee]]'s book ''Music In Bali'' was an influence, as well as other books that I can't recall by name, which introduced me to [[19-ET]] and other [[equal temperament]]s. Also, I saw a presentation by [[Owen Jorgensen]] demonstrating various historical tunings as well as his own unusual "Five and Seven" temperament ([[5edo|5-ET]] on the black keys, [[7-ET]] on the white keys). Around the same time that I started listening to music from [[Indonesian|Bali]], Japan, [[Indian music|India]] and so on, [[Wendy Carlos]]' album ''Beauty In the Beast'' came out, featuring some familiar tunings as well as the exotic [[Carlos Alpha|Alpha]] and [[Carlos Beta|Beta]] scales. Years later, I found out about [[Easley Blackwood]]'s etudes in various ETs, and began to realize you can get good music even from scales that look "bad" on paper. | |||
; What are your current/past/future particular interests? | |||
: My main interest in the tuning area is [[regular temperament]]s. One that I especially like for a number of reasons is [[lemba]], a temperament that was first noticed in a big list of [[7-limit]] regular temperaments on the tuning-math list. Generally I prefer the simpler temperaments like [[keemun]] or [[porcupine]] over the more complex ones like [[ennealimmal]] (but the lack of an appropriate input device might account for that preference). I've also done some music in equal temperaments as well as [[JI]] scales. | |||
; What instruments or means have you had/do you have now/do you want for the making of microtonal music? | |||
: I started in the late 1980's writing my own software to produce microtonal music. Very tedious. These days I use a MIDI editor, with tunable DXi plugins (or previously a Yamaha TX81Z), as well as using programs like Scala and Midiconv to retune MIDI files. I also use Scala to retune my DX7II keyboard. I've used Csound for experimentation in the past, but I haven't taken the time to really figure out how to use it. What I'd like is a good generalized keyboard that I can program for different regular temperaments. | |||
== External links == | |||
* [https://www.prismnet.com/~hmiller/ Official website 1], featuring music from 1979–2002 | |||
* [https://sites.google.com/site/teamouse/home Official website 2], featuring music from 1979–2014 | |||
* [https://soundcloud.com/morphosyntax-1 SoundCloud profile (Morphosyntax)] | |||
* [https://www.youtube.com/channel/UCu3rKPsBlcCjI2FVxJaAqIg YouTube channel] | |||
{{DEFAULTSORT:Miller, Herman}} | |||
[[Category:People]] | |||
[[Category:Composers]] | |||
[[Category:19edo]] | [[Category:19edo]] | ||
[[Category:20edo]] | [[Category:20edo]] | ||
[[Category:5edo]] | [[Category:5edo]] | ||
[[Category:7edo]] | [[Category:7edo]] | ||
[[Category:midi]] | [[Category:midi]] |