54/49: Difference between revisions

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{{Infobox Interval
{{Infobox Interval
| Ratio = 54/49
| Name = Zalzal's mujannab, superpythagorean chroma
| Monzo = 1 3 0 -2
| Cents = 168.21319
| Name = Zalzal's mujannab
| Color name = rr1, ruru unison  
| Color name = rr1, ruru unison  
| Sound = jid_54_49_pluck_adu_dr220.mp3
| Sound = jid_54_49_pluck_adu_dr220.mp3
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'''Zalzal's mujannab''', the interval of '''54/49''' introduced by [[Wikipedia:Mansour Zalzal|Mansour Zalzal]], is between [[11/10]] and [[10/9]] in size, being [[540/539]] sharp of 11/10 and [[245/243]] flat of 10/9. It is the interval between [[7/6]] and [[9/7]]. Tempering out 540/539 equates it with 11/10 and leads to [[swetismic chords]]. Occurring often in JI scales, it is one of the ways 11-limit harmony gets introduced into [[7-limit]] scales.
'''Zalzal's mujannab''', the interval of '''54/49''' introduced by [[Wikipedia:Mansour Zalzal|Mansour Zalzal]], is between [[11/10]] and [[10/9]] in size, being [[540/539]] sharp of 11/10 and [[245/243]] flat of 10/9. It is the interval between [[7/6]] and [[9/7]]. Tempering out 540/539 equates it with 11/10 and leads to [[swetismic chords]]. Occurring often in JI scales, it is one of the ways 11-limit harmony gets introduced into [[7-limit]] scales.
It is also called the '''superpythagorean chromatic semitone'''{{idio}} or '''superpythagorean chroma''' since, in [[superpyth]] temperament, the minor third is 7/6, the major third is 9/7, and the difference between the two is 54/49.
Moving to [[Exotemperament|exotempering]], this can be tempered out, leading to the '''mujannabic''' temperament equating 7/6 and 9/7. However, it is usually better to temper out [[25/24]] instead for a similar structural effect.


== See also ==
== See also ==
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* [[Gallery of just intervals]]
* [[Gallery of just intervals]]


[[Category:7-limit]]
[[Category:Second]]
[[Category:Second]]
[[Category:Neutral second]]
[[Category:Neutral second]]
[[Category:Equable heptatonic]]