17/9: Difference between revisions
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{{Infobox Interval | |||
| | | Name = large septendecimal major seventh | ||
| Color name = 17o8, iso octave | |||
| Sound = jid_17_9_pluck_adu_dr220.mp3 | |||
}} | |||
In [[17-limit]] [[just intonation]], '''17/9''' is the '''septendecimal diminished octave''' or the '''septendecimal major seventh''', depending on how one views it. It measures about 1101¢. It is the [[mediant]] between [[15/8]] and [[2/1]]. Its inversion is [[18/17]], the "small septendecimal semitone". | |||
[[ | == Terminology and notation == | ||
There exists a disagreement in different conceptualization systems on whether 17/9 should be a major seventh or a diminished octave. The diminished octave view corresponds to [[Functional Just System]], with the formal comma [[4131/4096]] separating it from [[4096/2187]], the Pythagorean diminished octave. The major seventh view corresponds to [[Helmholtz-Ellis notation]], with the formal comma [[2187/2176]] separating it from [[243/128]], the Pythagorean major seventh. | |||
In | In practice, the interval category may, arguably, vary by context. One solution for the JI user who uses expanded [[circle-of-fifths notation]] is to prepare a [[Pythagorean comma]] accidental so that the interval can be notated in either category. | ||
See | == See also == | ||
* [[18/17]] – its [[octave complement]] | |||
* [[Gallery of Just Intervals]] | |||
[[Category:Seventh]] | |||
[[Category:Major seventh]] | |||
[[Category:Octave]] | |||
[[Category:Diminished octave]] |