Marvel: Difference between revisions

Update & various cleanup
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| Odd limit 2 = 11-limit 21 | Mistuning 2 = 3.86 | Complexity 2 = ?
| Odd limit 2 = 11-limit 21 | Mistuning 2 = 3.86 | Complexity 2 = ?
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'''Marvel''' is a [[rank-3 temperament|rank-3]] [[regular temperament|temperament]] with the same [[lattice]] structure as [[5-limit]] [[JI]], while identifying the [[7/4|harmonic seventh (7/4)]] as a stack of two [[15/8|classical major sevenths (15/8)]] [[octave reduction|octave-reduced]], [[tempering out]] [[225/224]]. It is the head of the [[marvel family]].  
'''Marvel''' is a [[rank-3 temperament]] with the same [[lattice]] structure as [[5-limit]] [[JI]], while identifying the [[7/4|harmonic seventh (7/4)]] as a stack of two [[15/8|classical major sevenths (15/8)]] [[octave reduction|octave-reduced]], [[tempering out]] [[225/224]]. It is the head of the [[marvel family]].  


Marvel tends to tune [[5/4]] flat, such that a stack of two such thirds give a sharp [[14/9]], and a stack of three such thirds give a sub-octave of [[35/18]] just short of the octave by a quartertone of [[36/35]]. The canonical [[11-limit]] [[extension]], sometimes aliased ''unimarv'', identifies the quartertone as [[33/32]], so that [[11/8]] is that plus a [[4/3|perfect fourth]]. This adds [[385/384]] and [[540/539]] to the comma list and makes it a member of both [[keenanismic temperaments|keenansimic]] and [[swetismic temperaments]].  
Marvel tends to tune [[5/4]] flat, such that a stack of two such thirds give a sharp [[14/9]]. In other words, it has a 5/4, 5/4, 9/7 version of the [[augmented triad]]. Since this is a chord of [[meantone]] in wide use in Western {{w|common practice}} harmony long before [[12edo]] established itself as the standard tuning, it is arguably more authentic to tune it as two stacked major thirds and a diminished fourth, which is what it is in meantone, than as the modern version of three stacked very sharp major thirds.
 
Another ~5/4 on top of ~14/9 gives a [[35/18]] sub-octave just short of the octave by a quartertone of [[36/35]]. The canonical [[11-limit]] [[extension]], sometimes aliased ''unimarv'', identifies the quartertone as [[33/32]], so that [[11/8]] is that plus a [[4/3|perfect fourth]]. This adds [[385/384]] and [[540/539]] to the comma list and makes it a member of both [[keenanismic temperaments|keenansimic]] and [[swetismic temperaments]].  


The temperament was named by [[Gene Ward Smith]] in 2002–2003, when the 11-limit version was found first<ref>[https://yahootuninggroupsultimatebackup.github.io/tuning-math/topicId_5145.html#5184 Yahoo! Tuning Group | ''Relative complexity and scale construction''] – first mention of ''marvel''.</ref><ref>[https://yahootuninggroupsultimatebackup.github.io/tuning-math/topicId_5687.html Yahoo! Tuning Group | ''Top 135 11-limit planar temperaments''] – establishment as an 11-limit temperament.</ref>. Gene carried it to the 7-limit restriction in 2004<ref>[https://yahootuninggroupsultimatebackup.github.io/tuning/topicId_50829.html Yahoo! Tuning Group | ''Marvel'']</ref>.  
The temperament was named by [[Gene Ward Smith]] in 2002–2003, when the 11-limit version was found first<ref>[https://yahootuninggroupsultimatebackup.github.io/tuning-math/topicId_5145.html#5184 Yahoo! Tuning Group | ''Relative complexity and scale construction''] – first mention of ''marvel''.</ref><ref>[https://yahootuninggroupsultimatebackup.github.io/tuning-math/topicId_5687.html Yahoo! Tuning Group | ''Top 135 11-limit planar temperaments''] – establishment as an 11-limit temperament.</ref>. Gene carried it to the 7-limit restriction in 2004<ref>[https://yahootuninggroupsultimatebackup.github.io/tuning/topicId_50829.html Yahoo! Tuning Group | ''Marvel'']</ref>.  
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== Notation ==
== Notation ==
Marvel can be notated the same as [[5-limit]] [[just intonation]] since they share the same lattice structure. One way to do this is to take the conventional [[circle-of-fifths notation]] with an additional module of accidentals for the [[81/80]] comma. In this system, 5/4 is a major third, 7/4 an augmented sixth, and 11/8 a double diminished 5th.  
Marvel can be notated the same as [[5-limit]] [[just intonation]] since they share the same lattice structure. One way to do this is to take the conventional [[circle-of-fifths notation]] with an additional module of accidentals for the [[81/80]] comma. In this system, 5/4 is a major third, 7/4 an augmented sixth, and 11/8 a double-diminished fifth.  


{| class="wikitable center-1 center-3"
{| class="wikitable center-1 center-3"
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| 3/2
| 3/2
| Perfect fifth
| Perfect fifth
| C-G
| C–G
|-
|-
| 5/4
| 5/4
| Down major third
| Down major third
| C-vE
| C–vE
|-
|-
| 7/4
| 7/4
| Dudaugmented sixth
| Dudaugmented sixth
| C-vvA#
| C–vvA♯
|-
|-
| 11/8
| 11/8
| Trup double-diminished fifth
| Trup double-diminished fifth
| C-^<sup>3</sup>Gbb
| C–^<sup>3</sup>G𝄫
|-
|-
| 13/8
| 13/8
| Dup minor sixth
| Dup minor sixth
| C-^^Ab
| C–^^A♭
|-
|-
| 19/16
| 19/16
| Minor third
| Minor third
| C-Eb
| C–E♭
|}
|}


Alternatively, it can be notated the same as full prime-limit just intonation, with a distinct accidental pair for each prime. That makes some intervals more intuitive, at the cost of hiding the structure of marvel tempering. For example, it is customary of the 5/4 to be a major third, and 7/4 to be a minor seventh. As a result, the fact that the 14/9 is a stack of two 5/4's is not revealed, and the related chords can be less convenient.
Alternatively, it can be notated the same as full prime-limit just intonation, with a distinct accidental pair for each prime. That makes some intervals more intuitive, at the cost of hiding the structure of marvel tempering. For example, it is customary of the 5/4 to be a major third and 7/4 to be a minor seventh. As a result, the fact that the 14/9 is a stack of two 5/4's is not revealed, and the related chords can be less convenient.


== Chords and harmony ==
== Chords and harmony ==
Marvel enables [[essentially tempered chord]]s of [[marvel chords|marvel]], [[keenanismic chords|keenanismic]], [[swetismic chords|swetismic]], and [[undecimal marvel chords|undecimal marvel]].  
Marvel enables [[essentially tempered chord]]s of [[marvel chords|marvel]], [[keenanismic chords|keenanismic]], [[swetismic chords|swetismic]], and [[undecimal marvel chords|undecimal marvel]]. It also allows for a tritone substitution whereby the [[dominant seventh chord]] formed by adding 16/9 above the root shares its tritone with the [[harmonic seventh chord]]. (The tritone of the dominant seventh is {{nowrap|(16/9)/(5/4) {{=}} 64/45}}. Setting this equal to 10/7 gives {{nowrap|(10/7)/(64/45) {{=}} 225/224}}.)


Extending the temperament to the 13-limit through 325/324, resulting in hecate, enables chords of [[marveltwin chords|marveltwin]] and [[squbemic chords|squbemic]]. [[Hecate hexad]] is a chord peculiar to this temperament. Alternatively, helios enables chords of [[ratwolfsmic chords|ratwolfsmic]].  
Extending the temperament to the 13-limit through 325/324, resulting in hecate, enables chords of [[marveltwin chords|marveltwin]] and [[squbemic chords|squbemic]]. [[Hecate hexad]] is a chord peculiar to this temperament. Alternatively, helios enables chords of [[ratwolfsmic chords|ratwolfsmic]].